Gauer

The greatest person among the British playwrights except Shakespeare, the first literary tyrant, the creator of the wreath poet, poetry, prose, caricature, and criticism, is stronger than all of the people of the same era. Ben Johnson, who has followed a further progress of the formation of British literature, has given us with almost no precedent attention in his era.

Ben Johnson is a clan who sent Thomas Curryle to the world for centuries. My grandfather, Johnson, was a clan in the Anandale, and in fact, he had moved to England before. Johnson's founder faded out his property under Queen Mary and was "thrown into Kutsuka and confiscated." He became a church parish, but died before the birth of his brilliant descendants, and died of a widow and the baby. Johnson's birthplace is Westmin Star, and the birth time was early 1573. In this way, he was nearly 10 years older than Shakespeare and had the inferior equipment, but appeared more than anyone else. However, even after absorbing this small superb, Johnson had no benefits. His mother married a lowe r-class craftsman or a mason, and Johnson was apprentice for the craftsman for a while. In youth, he was interested in the secondary schools of Old Charcer Westminster, a famous antic o-art dealer in William Camden, where poet had a permanent foundation for his traditional education. Johnson once respected Camden and admitted that he was really borrowed,

"Everything I can, everything I know," < Span> Gauer

The greatest person among the British playwrights except Shakespeare, the first literary tyrant, the creator of the wreath poet, poetry, prose, caricature, and criticism, is stronger than all of the people of the same era. Ben Johnson, who has followed a further progress of the formation of British literature, has given us with almost no precedent attention in his era.

Ben Johnson is a clan who sent Thomas Curryle to the world for centuries. My grandfather, Johnson, was a clan in the Anandale, and in fact, he had moved to England before. Johnson's founder faded out his property under Queen Mary and was "thrown into Kutsuka and confiscated." He became a church parish, but died before the birth of his brilliant descendants, and died of a widow and the baby. Johnson's birthplace is Westmin Star, and the birth time was early 1573. In this way, he was nearly 10 years older than Shakespeare and had the inferior equipment, but appeared more than anyone else. However, even after absorbing this small superb, Johnson had no benefits. His mother married a lowe r-class craftsman or a mason, and Johnson was apprentice for the craftsman for a while. In youth, he was interested in the secondary schools of Old Charcer Westminster, a famous antic o-art dealer in William Camden, where poet had a permanent foundation for his traditional education. Johnson once respected Camden and admitted that he was really borrowed,

"Everything I can, everything I know," Gauer

The greatest person among the British playwrights except Shakespeare, the first literary tyrant, the creator of the wreath poet, poetry, prose, caricature, and criticism, is stronger than all of the people of the same era. Ben Johnson, who has followed a further progress of the formation of British literature, has given us with almost no precedent attention in his era.

Ben Johnson is a clan who sent Thomas Curryle to the world for centuries. My grandfather, Johnson, was a clan in the Anandale, and in fact, he had moved to England before. Johnson's founder faded out his property under Queen Mary and was "thrown into Kutsuka and confiscated." He became a church parish, but died before the birth of his brilliant descendants, and died of a widow and the baby. Johnson's birthplace is Westmin Star, and the birth time was early 1573. In this way, he was nearly 10 years older than Shakespeare and had the inferior equipment, but appeared more than anyone else. However, even after absorbing this small superb, Johnson had no benefits. His mother married a lowe r-class craftsman or a mason, and Johnson was apprentice for the craftsman for a while. In youth, he was interested in the secondary schools of Old Charcer Westminster, a famous antic o-art dealer in William Camden, where poet had a permanent foundation for his traditional education. Johnson once respected Camden and admitted that he was really borrowed,

"All of the facts, everything I can, everything I know."

and referred to Johnson in his first personal dramatic triumph, "with different humors of each." It is unclear whether Johnson ever studied at this institute, but Fuller reports that he was indeed "duly admitted to the Institute of Immaculate John, Cambridge." Indeed, he barely received a degree, but later reported that he "was made Master of Arts in both institutes, not by his own study, but by their goodwill." Johnson enlisted in the Jägers at a young age, and served in Flanders at his peak during the protracted, tacit, lees-like war with Wilhelm's Spain. Johnson was a large, heavy man. By personal confession, he became quite gigantic during this period. In a conversation with another of Hottrell's, William Drummond, Johnson spoke of his "opima spolia," "in service in the lowlands, under the light of both sides, killing and carrying off his enemies," and that "on his arrival in England, being called to the rear, he killed his own enemy, wounded in the hand, and his sword was ten centimeters long." Johnson's scales may have made up for the shortcomings of his blade, but his courage never faded in the story. No doubt Johnson was brutal in real life, and while fighting he never spoke of himself or his business.

In 1592 Johnson returned for the brink without a penny in his pocket. Soon he married almost quickly and unintentionally, like Shakespeare. In fact, he suddenly declared that "his lady was anti-foreign, but fair." For several years he lived separately from her in Lord Alberni's mansion. However, Johnson's "Epigrams" contain two lovely epigrams, "Of my only daughter" and "Of my eldest son," which speak of the warmth of the poet's domestic affections. The daughter died in infancy as a child of the plague, and the eldest son grew to manhood without living up to the trust of his estranged founder. Apart from this, nothing is known about Johnson's economic life.

It is not known how quickly Jonson entered the stately texts of what is now called the "Theatrical Profession." In 1593, Marlowe died disastrously, and Greene, Shakespeare's other rival on the famous stage, died even more unfortunate the previous year. Shakespeare was already left to himself. Jonson's first notable work was with Philip Henslowe, the owner and manager of several theatre companies, and the father-in-law of the famous artist Edward Alleyne. On 28 July 1597, he borrowed £4 from Henslowe, and returned £3. 9d., his own "share" (it is unclear what that share was), and then, on 3 December of the same year, Henslowe gave him 20d. "according to a book which he had recommended to the company, and had promised to give to them during Christmas proper." In August of the following year, Jonson wrote a play with Chettle and Porter entitled The Hot Anger Will Quickly Cool. A simple artist never receives a down payment for a simple duty. As the reference to Decker's play Satyromastix indicates, Jonson, like Shakespeare, had his own level.

Returning to Ozari in 1598, he recorded that the event actually happened and the transaction between Johnson and Henro was temporarily broken. In the message to Allen on September 26 of the same year, Henro said, "I have blurred the first day of my job, but I'm actually upset. This is Gabriel (Spencer). He reported in Hogsden's field because he was killed by Benjamin Johnson (Mason). The latter sentence is very likely that it would be faster to address Johnson to Johnson, rather than show the fact that it was actually transported by his own ship. However, Johnson will naturally discover that his enemy was apparently a famous flame caterpillar and killed Fica, a skirmish a while ago. Duelli frequently appeared between the lord and the nobles at such times. It was a inadvertent no n-cooperation of the player against the world. Only during the duel, Johnson explained the outline of Dramond a few years later, and in front of her, Johnson was caught in the Old Valley court, convicted, and sentenced him. He was sent to Ktutsuka and seized all the products and assets he had. She did not want Johnson to be given the opportunity to ask Johnson if the convicted criminal did not apply an old law to support the clergy. In fact, he returned to Ozari in 1598, and recorded that the event actually happened and the transaction between Johnson and Henrow was temporarily broken. In the message to Allen on September 26 of the same year, Henro said, "I have blurred the first day of my job, but I'm actually upset. This is Gabriel (Spencer). He reported in Hogsden's field because he was killed by Benjamin Johnson (Mason). The latter sentence is very likely that it would be faster to address Johnson to Johnson, rather than show the fact that it was actually transported by his own ship. However, Johnson will naturally discover that his enemy was apparently a famous flame caterpillar and killed Fica, a skirmish a while ago. Duelli frequently appeared between the lord and the nobles at such times. It was a inadvertent no n-cooperation of the player against the world. Only during the duel, Johnson explained the outline of Dramond a few years later, and in front of her, Johnson was caught in the Old Valley court, convicted, and sentenced him. He was sent to Ktutsuka and seized all the products and assets he had. She did not want Johnson to be given the opportunity to ask Johnson if the convicted criminal did not apply an old law to support the clergy. In fact, he returned to Ozari in 1598, and recorded that the event actually happened and the transaction between Johnson and Henro was temporarily broken. In the message to Allen on September 26 of the same year, Henro said, "I have blurred the first day of my job, but I'm actually upset. This is Gabriel (Spencer). He reported in Hogsden's field because he was killed by Benjamin Johnson (Mason). The latter sentence is very likely that it would be faster to address Johnson to Johnson, rather than show the fact that it was actually transported by his own ship. However, Johnson will naturally discover that his enemy was apparently a famous flame caterpillar and killed Fica, a skirmish a while ago. Duelli frequently appeared between the lord and the nobles at such times. It was a inadvertent no n-cooperation of the player against the world. Only during the duel, Johnson explained the outline of Dramond a few years later, and in front of her, Johnson was caught in the Old Valley court, convicted, and sentenced him. He was sent to Ktutsuka and seized all the products and assets he had. She did not want Johnson to be given the opportunity to ask Johnson if the convicted criminal did not apply an old law to support the clergy. In fact, he

Afterwards, having disgraced Henlow and his former associates, Jonson proposed himself as a playwright to the company of Lord Cammeyer, Henlow's rival, in which Shakespeare was a major shareholder. Following the long-standing custom, but without legal confirmation, Jonson submitted the manuscript of "All Men of Humour" to the Chamberlain's associates, and was rejected. Shakespeare called him back, read the play himself, and immediately accepted it. Whether independent of this practical situation or not, in fact, "Every Man's Wit" was adopted by the Shakespeare Company, and was only completed in 1598, when Shakespeare was playing one part each, as recorded in the list of comedic associates in the 1616 Folio of Jonlow's Works. However, because Shakespeare's name is first in the list of artists, and the elder Cunnella first in the list of "actors," it is incorrect to think that Shakespeare played the part alone. The order of the list of Elizabethan actors was usually determined by their significance or value as shareholders in the group, and sometimes answered to the list of characters. The comedy Every Person in His Own Mind was an immediate success, and with it Jonson's reputation as the first of the most important dramatists of his time was consolidated and immortalized. We learn for the first time that Jonson's premature comedies were not alone in the distant future, and that he had already been listed as one of "our best tragedies." Indeed, one of Jonson's preserved comedies, Business Has Been Changed, did not inform him and place him as it undoubtedly must have preceded "every man in his humour" on the stage. The first play may be described as a comedy that he developed to the level of the Latin plays by Praft (combining stories taken from the playwright's Captivis and Aurularia). But Jonson found the beautiful lot of Rachel the beggar and her boyfriend not in the classics, but in the standards of romantic love that Shakespeare had already popularized on the stage. Although Johnson never created a strong, moving female figure like Rachel, A Turn of Events is not otherwise considered a great play, and Anthony Munde's satirical images in the characters of Antonio Balladino and Gabriel Harvey are perhaps less inherent in Johnson's comedy.

Perhaps the play "Every Man in His Own Mind", which seems to have been premiered on the stage of the curtain theater in the late summer of 1598, is groundbreaking, and this is not a basis. In fact, the scenario has nothing to write, except that the founder goes to London, who is supposed to be a scientist, and pursued his life at the time of the small store at the time. The true goodness of this comedy is in the characters of the characters and the doctrine they are based. Ben Johnson had a doctrine about poetry and play, and he did not hesitate to talk or experiment in his play. This is especially true, especially considering that almost all of Johnson's concepts have been ruled for a while, and have corrected the entire purpose of the British poetry. Johnson was a classicalist, believing that art was consistent and precedent, contrasted with the violent and irresponsible spirit of the Renaissance period. In fact, Johnson believed that there was a mature educational format that could be achieved by learning the best standards, and most of them were found in ancient things. Limited our interests to dramaturgie, Johnson disagree with the nature of amateur and no n-systematic Vete.

Johnson has been seriously misunderstood in this field, and will introduce his personal book about "humor". According to Johnson, humor is a bias of personality and distorting personality.

"For example, a person has a special nature, and by fusing it, draws all the senses, hearts, and power in one direction."

However, Johnson carefully adds this:

"But the feather, cable tape, triple collar, 1 meter lace, and a boat with a Swiss knot on your French garter have a big impact on humor! < SPAN> The play "Every Man in His Own Mind", which seems to have been premiered on the stage of the curtain theater in the late summer of 1598, is groundbreaking, and this consideration is not a basis. In fact, the scenario has nothing to write, except that the founder goes to London, who is supposed to be a scientist, and pursued his life at the time of the small store at the time. The true goodness of this comedy is in the characters of the characters and the doctrine they are based. Ben Johnson had a doctrine about poetry and play, and he did not hesitate to talk or experiment in his play. This is especially true, especially considering that almost all of Johnson's concepts have been ruled for a while, and have corrected the entire purpose of the British poetry. Johnson was a classicalist, believing that art was consistent and precedent, contrasted with the violent and irresponsible spirit of the Renaissance period. In fact, Johnson believed that there was a mature educational format that could be achieved by learning the best standards, and most of them were found in ancient things. Limited our interests to dramaturgie, Johnson disagree with the nature of amateur and no n-systematic Vete.

Johnson has been seriously misunderstood in this field, and will introduce his personal book about "humor". According to Johnson, humor is a bias of personality and distorting personality.

"For example, a person has a special nature, and by fusing it, draws all the senses, hearts, and power in one direction."

However, Johnson carefully adds this:

"But the feather, cable tape, triple collar, 1 meter lace, and a boat with a Swiss knot on your French garter have a big impact on humor! Perhaps the play "Every Man in His Own Mind", which seems to have been premiered on the stage of the curtain theater in the late summer of 1598, is groundbreaking, and this is not a basis. In fact, the scenario has nothing to write, except that the founder goes to London, who is supposed to be a scientist, and pursued his life at the time of the small store at the time. The true goodness of this comedy is in the characters of the characters and the doctrine they are based. Ben Johnson had a doctrine about poetry and play, and he did not hesitate to talk or experiment in his play. This is especially true, especially considering that almost all of Johnson's concepts have been ruled for a while, and have corrected the entire purpose of the British poetry. Johnson was a classicalist, believing that art was consistent and precedent, contrasted with the violent and irresponsible spirit of the Renaissance period. In fact, Johnson believed that there was a mature educational format that could be achieved by learning the best standards, and most of them were found in ancient things. Limited our interests to dramaturgie, Johnson disagree with the nature of amateur and no n-systematic Vete.

Johnson has been seriously misunderstood in this field, and will introduce his personal book about "humor". According to Johnson, humor is a bias of personality and distorting personality.

"For example, a person has a special nature, and by fusing it, draws all the senses, hearts, and power in one direction."

However, Johnson carefully adds this:

"But the feather, cable tape, triple collar, 1 meter lace, and a boat with a Swiss knot on your own French garter have a big impact on humor!

Johnson's humorous comedy depicts the characters based on some kind of personality characteristics and charms (remarkably simplified in real life) in one sentence, and are specified. By comparing in contrast to the case, the comedy sparks are scattered. The downlight is a "mediocre servant", as it imitates its name, and Bova Dirya's humor is a humorous house that is found to be a coward because it happens to be an attractive laughter. ・ Warm humor is to make up the events to deceive everyone. However, it was not only Johnson's doctrine that ensured the victory of each person's humor. This play is a stunning script, and based on the monitoring of the old London people, each character is drawn vividly in powerful colors. Johnson was not an obedient classicalist in his comedy (and in any other play he wrote), calling for British drama to traditional conditions. He says, the law of the ancient comedy, he says ("law" is this luggage, such as the time and space response and the introduction of chorus). Every Man in His Own Mind is written in prose, which was an innovative method for Johnson. < SPAN> Johnson's humorous comedy depicts the characters based on some kind of personality characteristics and charm (remarkable simplification of real life) in one sentence and categorize these. By comparing the features that have been performed in contrast to the incident, the comedy sparks are scattered. The downlight is a "mediocre servant", as it imitates its name, and Bova Dirya's humor is a humorous house that is found to be a coward because it happens to be an attractive laughter. ・ Warm humor is to make up the events to deceive everyone. However, it was not only Johnson's doctrine that ensured the victory of each person's humor. This play is a stunning script, and based on the monitoring of the old London people, each character is drawn vividly in powerful colors. Johnson was not an obedient classicalist in his comedy (and in any other play he wrote), calling for British drama to traditional conditions. He says, the law of the ancient comedy, he says ("law" is this luggage, such as the time and space response and the introduction of chorus). Every Man in His Own Mind is written in prose, which was an innovative method for Johnson. Johnson's humorous comedy depicts the characters based on some kind of personality characteristics and charms (remarkably simplified in real life) in one sentence, and are specified. By comparing in contrast to the case, the comedy sparks are scattered. The downlight is a "mediocre servant", as it imitates its name, and Bova Dirya's humor is a humorous house that is found to be a coward because it happens to be an attractive laughter. ・ Warm humor is to make up the events to deceive everyone. However, it was not only Johnson's doctrine that ensured the victory of each person's humor. This play is a stunning script, and based on the monitoring of the old London people, each character is drawn vividly in powerful colors. Johnson was not an obedient classicalist in his comedy (and in any other play he wrote), calling for British drama to traditional conditions. He says, the law of the ancient comedy, he says ("law" is this luggage, such as the time and space response and the introduction of chorus). Every Man in His Own Mind is written in prose, which was an innovative method for Johnson.

Chapman wrote Jolly Day, Day Breathless Humour, Fletcher The Humorous Lieutenant, and Johnson returned to this title in addition to Every Man Is Out of Hood, completing the cycle with Magnetic Lady, or Reconciliation Humour.

The 1599 production of the play Everybody is not in our own minds by the Shakespeare Group of the World marked a new chapter in Jonson's career, one in which self-indulgence could be added, especially in the standards of criticism and satire. "Every man is not in his own mind" is the first of three "funny satires" that Jonson brought to the deck of what was called the "Poetomachy", or the War of the Theater, as critics had called it until not so long ago. As a plot, the play is rather insignificant. But as the types of satirical characters of such an era, developed with the backing of catchy caricatures, dressed in clever and glossy dialogues, and supported by a righteous indignation that should be placed in the database of any true satire, in short, the traditional standards of comedy, not from the years of Aristophanes, have nothing comparable to Jonson's comedy. The danger or general calm, aiming at abuse and corruption in abstract form: and the personal, all this is directly used by the mocking poets and other people, Jonson's contemporaries. The unique method of attacking by the technique of realistically caricaturing the characters on the stage is practically a star, for example.

And 100), the weakness, timidness, and plagiarism of the "playwright" (it would be appropriate to think of it as Maston). According to Johnson's own testimony, Dramond said: He was a big discussion with Maston, beat him, picked up a revolver, and wrote his own "poet."

The best description of this matter is in the version of J. H. Peniman's "Belles Lettres Series" "Poetaster" and "SATIROMASTRESS". In addition, this subject on H. C. Heart, Johnson version of H. C. Heart (H. C. Hart) of the War of the Theater in 1892 and the 1906 "Notes and Queries" (Notes and Queries). See also excellent annotations.

At least here, based on concrete evidence, the main members of the opinions are popular. The play "Historio Mastics" revised by Maston in 1598 is a play that Johnson appeared on the stage in this picture, but the characters in question are poet and satire. It is an interpreter, a poor but crude, crude and simple flock, and is seen as a portrait that complements Johnson rather than caricature. In fact, Carlo Buffon was previously considered to be Marston without complaints, in terms of being ridiculed in "Everyone is inability". It is described as a "clown with a large mouth", and in other cases, as a dignified tragedy at the time, or two entertainment (= satire) (the former, Joseph, as he recognizes himself. It was a hall, and Marston's work was called "the tragedy of the villain"). Gossip lovers and incorrect Orburi said that he was "embarrassed and arrogant, continued to talk endlessly, and was noisy like the front yard in the room." At one time, he was beaten by Lord Walter Rory and sealed the tableware (up and down beard) with hard wax. From him, Ben Johnson adopted Carlo Buffon (clown) in the play "Every Man in His Own Mind" (the Japanese title "clown"). Nevertheless, Johnson was ridiculed Maston, and it can be imagined that the meaning of this satire was intentionally confused the "great tragedy and prodigy" and "dirty and dirty" Chester. Is it?

We deepened the details in this special case and showed his criticism in his eerie, trying to detect Aleucasu from this forgotten string. Other expressions of hostility to Johnson were organized based on more reliable evidence. Anthnio, Anthony Monday, a poet in a big city, the interpretation of romance, and the "unusual things" are clearly smiling. Samuel Daniel has absolutely enriched the satellite of the court poet, Sonnet, and the top people in "Every Man in His Humour". These people accounted for a universal position, according to Johnson, with his talent giving him more than justice. As a result, they became Johnson's natural enemy. In fact, the carriers that appear in "Every Man Out of His House" and "CynThia's Revels" are Daniel, "Hedon" and "AMORPHUS". Middle It seems that there is almost no discussion to pursue both. The literary competition between Johnson and Daniel is repeated over and over again, including King Jacob's rest, court mask play, and reasons. Regarding Johnson's ambition about the two data, it is noteworthy that he was not a poet, but a British city, and that he actually broke Daniel, in fact, a new king. 。 < SPAN> We deepened the details in this special case and showed his criticism of his eerieness, trying to detect Aleucases from this forgotten string. Other expressions of hostility to Johnson were organized based on more reliable evidence. Anthnio, Anthony Monday, a poet in a big city, the interpretation of romance, and the "unusual things" are clearly smiling. Samuel Daniel has absolutely enriched the satellite of the court poet, Sonnet, and the top people in "Every Man in His Humour". These people accounted for a universal position, according to Johnson, with his talent giving him more than justice. As a result, they became Johnson's natural enemy. In fact, the carriers that appear in "Every Man Out of His House" and "CynThia's Revels" are Daniel, "Hedon" and "AMORPHUS". Middle It seems that there is almost no discussion to pursue both. The literary competition between Johnson and Daniel is repeated over and over again, including King Jacob's rest, court mask play, and reasons. Regarding Johnson's ambition about the two data, it is noteworthy that he was not a poet, but a British city, and that he actually broke Daniel, in fact, a new king. 。 We deepened the details in this special case and showed his criticism in his eerie, trying to detect Aleucasu from this forgotten string. Other expressions of hostility to Johnson were organized based on more reliable evidence. Anthnio, Anthony Monday, a poet in a big city, the interpretation of romance, and the "unusual things" are clearly smiling. Samuel Daniel has absolutely enriched the satellite of the court poet, Sonnet, and the top people in "Every Man in His Humour". These people accounted for a universal position, according to Johnson, with his talent giving him more than justice. As a result, they became Johnson's natural enemy. In fact, the carriers that appear in "Every Man Out of His House" and "CynThia's Revels" are Daniel, "Hedon" and "AMORPHUS". Middle It seems that there is almost no discussion to pursue both. The literary competition between Johnson and Daniel is repeated over and over again, including King Jacob's rest, court mask play, and reasons. Regarding Johnson's ambition about the two data, it is noteworthy that he was not a poet, but a British city, and that he actually broke Daniel, in fact, a new king. 。

The second of the humorous satire, Cynthia's Dinner Party, was performed in 1600, and as a play, it is longer, intentional, and imaginable than "Everyone is out of the humor of his own home". Lack. Here is his own satire, which seems to incorporate everything, but almost all of the caricature deserves praise, especially in the details of the clever and intense satire dialogue. The central idea has not sold at all, the face is sometimes abstracted, and the impact lies in the fable. In fact, it is surprising that this esoteric drama was played by the children of Queen Elizabeth's chapel, among which Johnson learned to read Hores and Marshall and later request a play. I was there. Another minor artist was Salatiel Pavi, who died, and he couldn't live until the age of 13, but was already famous for playing the role of the old man. Johnson needed him as one of his most impressive tombstones. It is attractive to be a friend and remember the details of the girls in a small theater with kindness, and some of them go to the arena (as we know) and play a complicated role. He was substantially kidnapped to withdraw. In the caricature of Daniel and Monday in Cynthia's Apocalypse, there is no doubt that the footprints that add Maston and Assotus (prostitute) here, or are interpreted as logs, or actually,

In 1601, the third work of the "Houhami" updated by "Children in the Chapel" is the only intentional contribution of Johnson against this struggle. According to the author's personal confession, this work is based on the message that the enemy has been preparing for the "humorous poet to peel off the thiromastics", which dramatically attacks himself to Decker. Written in. In this attempt to get out of the enemy, Johnson succeeded, and the Poet immediately won the suitable victory. However, in terms of configuration, Poeta Star is almost close to the previous fellow drama, and in the way he borrowed from Rukianne's "Lexifani", the poet Marsto n-Crispin, who was offended, had to abandon esoteric things. It is made to lead to a humorous last scene. Finally, Crispinus promises to protect the universe with his comrades, Dekke l-Demetrius, and from this moment, "Quintus Holes Frackas (Johnson) and other famous people's personal honor, and bribed. His "unique" is well described as "cheerful". < SPAN> The last work, the poet, in the third work of "Houque" updated by "Children in the Chapel" in 1601 is Johnson's only intentional contribution to this struggle. According to the author's personal confession, this work is based on the message that the enemy has been preparing for the "humorous poet to peel off the thiromastics", which dramatically attacks himself to Decker. Written in. In this attempt to get out of the enemy, Johnson succeeded, and the Poet immediately won the suitable victory. However, in terms of configuration, Poeta Star is almost close to the previous fellow drama, and in the way he borrowed from Rukianne's "Lexifani", the poet Marsto n-Crispin, who was offended, had to abandon esoteric things. It is made to lead to a humorous last scene. Finally, Crispinus promises to protect the universe with his comrades, Dekke l-Demetrius, and from this moment, "Quintus Holes Frackas (Johnson) and other famous people's personal honor, and bribed. His "unique" is well described as "cheerful". In 1601, the third work of the "Houhami" updated by "Children in the Chapel" is the only intentional contribution of Johnson against this struggle. According to the author's personal confession, this work is based on the message that the enemy has been preparing for the "humorous poet to peel off the thiromastics", which dramatically attacks himself to Decker. Written in. In this attempt to get out of the enemy, Johnson succeeded, and the Poet immediately won the suitable victory. However, in terms of configuration, Poeta Star is almost close to the previous fellow drama, and in the way he borrowed from Rukianne's "Lexifani", the poet Marsto n-Crispin, who was offended, had to abandon esoteric things. It is made to lead to a humorous last scene. Finally, Crispinus promises to protect the universe with his comrades, Dekke l-Demetrius, and from this moment, "Quintus Holes Frackas (Johnson) and other famous people's personal honor, and bribed. His "unique" is well described as "cheerful".

Decker encountered his own response to "Saturomastics", exactly this Captain Tukka, and he returned Johnson's personal insult vocabulary and said, "I have my obscene miscellaneousness that does not fit Johnson's theory. By adding it to the line, it was reinforced. "For example, when Decker wrote a dramatic rebuttal against Johnson, he thought he was working on a kind of age notes dedicated to Walter Terril under William Rufus. He immediately adapted to the papers of his own response, including the satire proposed by the poet. The nonsense ending, however, is not specific for the arrogance of Johnson's horror, a literary person. It has recently been revealed that the absurd Asunius Bubo, a friend, is likely to be Johnson's friend, Doraiton. No matter how small and urgent of Satiro Mastics, the Great Corporation gave a palm, not Johnson, compared to the more hig h-quality and more meaningful satire of Poteta Star. 。 As a result, Johnson completely abandoned the practice of "humorous satire." < SPAN> Decker encountered his own response to "Saturomastics", exactly this Captain Tukka, who returned to Johnson and returned to his personal contempt, saying, "Obscenousness that does not match Johnson's theory. By adding it to your own dialogue, it reinforced it. "For example, when Decker wrote a dramatic rebuttal against Johnson, he thought he was working on a kind of age notes dedicated to Walter Terril under William Rufus. He immediately adapted to the papers of his own response, including the satire proposed by the poet. The nonsense ending, however, is not specific for the arrogance of Johnson's horror, a literary person. It has recently been revealed that the absurd Asunius Bubo, a friend, is likely to be Johnson's friend, Doraiton. No matter how small and urgent of Satiro Mastics, the Great Corporation gave a palm, not Johnson, compared to the more hig h-quality and more meaningful satire of Poteta Star. 。 As a result, Johnson completely abandoned the practice of "humorous satire." Decker encountered his own response to "Saturomastics", exactly this Captain Tukka, and he returned Johnson's personal insult vocabulary and said, "I have my obscene miscellaneousness that does not fit Johnson's theory. By adding it to the line, it was reinforced. "For example, when Decker wrote a dramatic rebuttal against Johnson, he thought he was working on a kind of age notes dedicated to Walter Terril under William Rufus. He immediately adapted to the papers of his own response, including the satire proposed by the poet. The nonsense ending, however, is not specific for the arrogance of Johnson's horror, a literary person. It has recently been revealed that the absurd Asunius Bubo, a friend, is likely to be Johnson's friend, Doraiton. No matter how small and urgent of Satiro Mastics, the Great Corporation gave a palm, not Johnson, compared to the more hig h-quality and more meaningful satire of Poteta Star. 。 As a result, Johnson completely abandoned the practice of "humorous satire."

In fact, it is a certain number of other plays that play a big or small role in the war in theaters. Among them, a play for a research institute entitled "Return from Palnas", which was performed from 1601 to 2002, is important. Among them, the quoted excerpts are often said to the barbage as a character. Oh, Ben Johnson is a man like an ulcer. He raised a space and gave the poet a medicine, but the friend Shakespeare cleaned him. Did Shakespeare participate in this war? And what is this "cleaning" like? There is even a theory that Shakespeare's "lowered his friend Johnson" is "Troil and Cressida". The most wise interpretation is that Shakespeare is not written, but to find "cleaning" in "Satimastique", which was staged by his seat. < SPAN> In fact, it is a certain number of other plays that play a big or small role in the war in the theater. Among them, a play for a research institute entitled "Return from Palnas", which was performed from 1601 to 2002, is important. Among them, the quoted excerpts are often said to the barbage as a character. Oh, Ben Johnson is a man like an ulcer. He raised a space and gave the poet a medicine, but the friend Shakespeare cleaned him. Did Shakespeare participate in this war? And what is this "cleaning" like? There is even a theory that Shakespeare's "lowered his friend Johnson" is "Troil and Cressida". The most wise interpretation is that Shakespeare is not written, but to find "cleaning" in "Satimastique", which was staged by his seat. In fact, it is a certain number of other plays that play a big or small role in the war in theaters. Among them, a play for a research institute entitled "Return from Palnas", which was performed from 1601 to 2002, is important. Among them, the quoted excerpts are often said to the barbage as a character. Oh, Ben Johnson is a man like an ulcer. He raised a space and gave the poet a medicine, but the friend Shakespeare cleaned him. Did Shakespeare participate in this war? And what is this "cleaning" like? There is even a theory that Shakespeare's "lowered his friend Johnson" is "Troil and Cressida". The most wise interpretation is that Shakespeare is not written, but to find "cleaning" in "Satimastique", which was staged by his seat.

As a result, Elizabeth Johnson's later years of reign, he was recognized as a playwright that was inferior to Shakespeare, and was not inferior as a dramatic satire. But now, Johnson has turned his talent to a new field. Shakespeare hasn't done anything new, since the play of classical history and myth was performed on the stage since the birth of the play, so when "Juliet Caesar" was written in 1600. 。 Thus, Johnson joined Syanus to the Syanus group three years later, just following the footprints of a senior player. However, Johnson's idea about the classical history play was completely different for Shakespeare and on the other hand, both senior popular playwrights. A few years ago, Haywood immediately raised five miscellaneous plays to the stage, all of which were based on the Ovid story and had no significant sense or discrimination. Shakespeare had a more subtle format, but he was satisfied with his very old story from the translation of Plutk North and dramatically dramatized the scenario without investigating. Johnson was a scholar and an classical classical researcher. He accuses this worthless initiative, writes "Sian" as a scientist, reads Takitus, Swetonia, and other authority, is confident in fact, atmosphere, and atmosphere, and writes his authority somewhat. did. < SPAN> In the later years of Elizabeth Johnson's reign, he was recognized as a playwright that was inferior to Shakespeare, and was not inferior as a dramatic satire. But now, Johnson has turned his talent to a new field. Shakespeare hasn't done anything new, since the play of classical history and myth was performed on the stage since the birth of the play, so when "Juliet Caesar" was written in 1600. 。 Thus, Johnson joined Syanus to the Syanus group three years later, just following the footprints of a senior player. However, Johnson's idea about the classical history play was completely different for Shakespeare and on the other hand, both senior popular playwrights. A few years ago, Haywood immediately raised five miscellaneous plays to the stage, all of which were based on the Ovid story and had no significant sense or discrimination. Shakespeare had a more subtle format, but he was satisfied with his very old story from the translation of Plutk North and dramatically dramatized the scenario without investigating. Johnson was a scholar and an classical classical researcher. He accuses this worthless initiative, writes "Sian" as a scientist, reads Takitus, Swetonia, and other authority, is confident in fact, atmosphere, and atmosphere, and writes his authority somewhat. did. As a result, Elizabeth Johnson's later years of reign, he was recognized as a playwright that was inferior to Shakespeare, and was not inferior as a dramatic satire. But now, Johnson has turned his talent to a new field. Shakespeare hasn't done anything new, since the play of classical history and myth was performed on the stage since the birth of the play, so when "Juliet Caesar" was written in 1600. 。 Thus, Johnson joined Syanus to the Syanus group three years later, just following the footprints of a senior player. However, Johnson's idea about the classical history play was completely different for Shakespeare and on the other hand, both senior popular playwrights. A few years ago, Haywood immediately raised five miscellaneous plays to the stage, all of which were based on the Ovid story and had no significant sense or discrimination. Shakespeare had a more subtle format, but he was satisfied with his very old story from the translation of Plutk North and dramatically dramatized the scenario without investigating. Johnson was a scholar and an classical classical researcher. He accuses this worthless initiative, writes "Sian" as a scientist, reads Takitus, Swetonia, and other authority, is confident in fact, atmosphere, and atmosphere, and writes his authority somewhat. did.

In 1605, Jonson, in active collaboration with Checo and Marston, published Eastward Hoe, a delightful comedy of London life. The wounds of the theater wars must have long since healed, for the previous year Marston had dedicated his Discontents to Johnson and expressed his warm admiration. There was a closeness between Johnson and Chepman. They remained friends for the rest of their lives. Eastward Hoe enjoyed extraordinary popularity, as can be seen from the demand for three issues a year. But this was not only due to the quality of the play. In the earliest version of the play, a fragment that an excited courtier thought was for his own country sent the Scottish Capman and Johnson to prison.

With the accession of King James to the throne, Jonson began his long and successful career as a mask designer. He painted more masks than all his peers combined, and they are remarkable for their variety and poetic perfection. Jonson did not invent the mask; indeed, these preconceived devices for decorating and, as it were, framing court balls had been known and, in more or less practiced, long before his time. But Jonson gave the mask a dramatic value, especially by inventing the antimask, a comic or farcical relief assigned to a professional actor or dancer. He also endowed the parts played by noblemen and ladies in the masked ball with beauty and dignity, and created a sumptuous spectacle by their elaborate costumes, artistic arrangements and developments. In mechanical and scenographic design, Jonson had an ingenious and resourceful partner in Inigo Jones, the royal architect who, more than anyone else, raised the standard of English theatrical arts in his day. But soon his quarrel with Jones darkened his life, and the two sulky old men not only constantly irritated each other, but also seemed to have become an intolerable nuisance at court. With the accession of King James to the throne began Jonson's long and successful career as a mask designer. He painted more masks than all his peers combined, and they are remarkable for their variety and poetic perfection. Jonson did not invent the mask; indeed, such preconceived devices for decorating and, as it were, framing court balls had been known and, in more or less practiced, long before his time. But Jonson gave the mask a dramatic value, especially by inventing the antimask, a comic or farcical relief assigned to professional actors and dancers. He also endowed the parts played by the noblemen and ladies in the masked balls with beauty and dignity, creating a sumptuous spectacle by their elaborate costumes, artistic arrangements and developments. In the mechanical and scenographic arts, Jonson had an ingenious and resourceful partner in Inigo Jones, the royal architect who, more than anyone else, raised the standard of the English theatrical arts of his time. But soon his quarrel with Jones darkened his life, and the two grumpy old men not only constantly irritated each other, but also seemed to become an intolerable nuisance at court. With the accession of King H. James to the throne began Jonson's long and successful career as a mask designer. He painted more masks than all his peers combined, and they are remarkable for their variety and poetic perfection. Jonson did not invent the mask; indeed, such preconceived devices for decorating and, as it were, framing court balls had been known and, to a greater or lesser extent, practiced long before his time. But Jonson gave the mask a dramatic value, especially by inventing the antimask, a comic or farcical relief assigned to professional actors and dancers. He also endowed the parts played by the noble lords and ladies in the masquerade with beauty and dignity, and created a sumptuous spectacle with elaborate costumes, and artistic arrangements and developments. In the mechanical and scenographic arts, Jonson had an inventive and resourceful partner in Inigo Jones, the royal architect, who did more than anyone else to raise the standard of English theatrical arts of his time. But soon his life was darkened by a feud with Jones, and the two sulky old men seemed to be not only a constant irritant to each other, but also an intolerable nuisance at court.

But Jonson did not decisively abandon the famous scenes when he turned to the rest of King Jacob, producing Walpone in 1605, The Silent Woman in 1609, and The Alchemist in 1614. These comedies, and Bartholomew's Exposition of 1614, suggest Jonson's heyday, and his constructive wit, well conceived in a light-light caricatured style of morality, humour and dialogue, placed him at the forefront of English scholarship. "Volpone, or the Fox" is in a sense a transitional play from the dramatic satire of theatrical wars to the more subtle comedies staged in full-length plays. Its content is a struggle between humor and judges. For among the characters who play, from the villain of the fox, the mosquito-bitten servant, Voltor (the Vulture), Corbaccio, Corvino (the Raven and the Raven), to the politician Mr. It is possible to find almost a suitable person. Although it raises the question whether it is possible to consider comedy as such a forbidden situation, the plot ends with shame, the decision in the kutuzk of the most sinner, there is no moral accident in it. However, Johnson stood on sound historical ground, as "Volpone" was quite rationally constructed, according to the tenets of the old comedy, more than Shakespeare's love tragedy, no matter how unpleasant the philosophy of life, divided into simply identifying with swindlers and fools

"The Silent Woman" is a farce of the most original system. The whole comedy is faithful to the gag of a misanthropic uncle, played by his ruthless nephew, who is encouraged to arrest for himself a woman who is guaranteed to be young, fair and silent, but who turns out to be neither silent nor feminine, but a strong woman. In "The Alchemist" we again have the greatest dexterity of construction, all the material is based on a climax to climax, witty, inventive, for example, incredibly represented, and we actually attend his deviation from the odds of life. In The Alchemist, Jonson, at least incredibly, enjoys some Moscow-sense, his own insight and adoration, and also portrays an abundance of stupidity and cruelty from his victims. It can indeed be argued that the one person in the play who has at least a drop of honesty turns out to be in disguise, and that the biggest fool ends up receiving encouragement and praise. The comedies, for example, are superbly written and invented, the characters differ with the same clarity in their appearance, the whole play is vivid with the same vivacity and originality, and indeed The Alchemist causes new surprises in everyone who reads it. The finale of this group is the excellent comedy "Bartholomew is the Fair."

Volpone is set in Venice. Perhaps because of the splash of the "Eastern Hoe" or for other reasons, in the prologues of the other three comedies, he says to "The Alchemist":

"Our stage is London, and as a result of what we desire, we have no pleasure except in our country.

In fact, Johnson processed his play for the publishing of the theater company in 1616, moved the scene from Florence to London, and made a promoter to Lorenzo Di Patzi to the old man in Kune. -The Welbone and Hesperida's husband-"Living in an old Jewish house" changed to a female Kitelli.

In his own comedy depicting the life of British people, Johnson has established his position as a true realist based on rare technology and insight into all generations. Ben Johnson and Charles Decents were well compared. Both are those born and raised with hatred criteria. Each knew London in his age on the way, where he didn't know much about himself. Both were morals pursuing the truth with the help of exaggerated humor and caricature, and were sometimes immoral, including things that were wrong, but have a true prestige and soul. When everything was declared, Elizabeth was a satire, the Victorian dynasty flooded, and the universe was more than any of the art that they practice with it. < SPAN> In fact, Johnson processed his play for publishing the troupe in 1616, moved to London from Florence to London, and signed Lorenzo D Patszi to the old man in Kune. , Prosperro-to the master of "Wellborne" and "Hesperida"-"Living in an old Jewish house" was changed to a female Kitelli.

In his own comedy depicting the life of British people, Johnson has established his position as a true realist based on rare technology and insight into all generations. Ben Johnson and Charles Decents were well compared. Both are those born and raised with hatred criteria. Each knew London in his age on the way, where he didn't know much about himself. Both were morals pursuing the truth with the help of exaggerated humor and caricature, and were sometimes immoral, including things that were wrong, but have a true prestige and soul. When everything was declared, Elizabeth was a satire, the Victorian dynasty flooded, and the universe was more than any of the art that they practice with it. In fact, Johnson processed his play for the publishing of the theater company in 1616, moved the scene from Florence to London, and made a promoter to Lorenzo Di Patzi to the old man in Kune. -The Welbone and Hesperida's husband-"Living in an old Jewish house" changed to a female Kitelli.

In his own comedy depicting the life of British people, Johnson has established his position as a true realist based on rare technology and insight into all generations. Ben Johnson and Charles Decents were well compared. Both are those born and raised with hatred criteria. Each knew London in his age on the way, where he didn't know much about himself. Both were morals pursuing the truth with the help of exaggerated humor and caricature, and were sometimes immoral, including things that were wrong, but have a true prestige and soul. When everything was declared, Elizabeth was a satire, the Victorian dynasty flooded, and the universe was more than any of the art that they practice with it.

In 1616, the year of Shakespeare's death, Johnson published a collection of his plays, poems, and masques. This was unusual for the time, as no other playwright had attempted this before Johnson. In this volume, all the plays mentioned above are published in carefully edited texts, except for "The Case of Disguise," "The Righteous Bartholomew," and "The Devil is an Ass," which Johnson did not approve of. In addition, the volume contains over 130 "epigrams," which Johnson recognized as a master of short, sharp sentences, and a dozen collections of lyric and episodic poems, including "The Forest," "The Mask," and "The Amusements." In the same year, Johnson became poet laureate with a pension of 100 marks per year. In addition to this, fees and receipts from various nobles and small profits from his plays must have made up the majority of his income. The poet appears to have done literary work for others, such as parts of the Punic Wars, which were included in Raleigh's History of the World. We know from an unreliable history that Johnson accompanied Raleigh's son on his study abroad as his tutor. In 1618, Johnson was reinstated as Master of Revels, a position for which he was particularly qualified, but he did not enjoy the benefits. Johnson received the honorary degree from both universities.

Johnson did nothing for the stage until 1616 to the end of King James. However, as a result of his enthusiastic pursuit of what he actually called "pursuit of cherishing", he became one of the most academic workers at the time, as rumored. Johnson's doctrine as a writer depended on a wide range of books and the ability to make the content and property of other poets and the benefits of himself. As a result, Johnson not only reads Greek and Latin classics to young writers, but more attention to Latin's latin work, their prospects, poetry, their ancient and unique traditions. I was familiar. And I became even more familiar with their deep academic knowledge. But Johnson was an unhappy man. He was a collection of books. He told Dramond, "Count Pembrok has sent $ 20 every year to buy a new book." Unfortunately, his book warehouse was burned down in a fire in 1623, but this mediocre event is a funny depiction in the skillful poems of Valkan. However, occasionally, a book written in Italian with "Ben Johnson" is still found. Dryden talks about him about Johnson using his material: But, for example, he did not commit his robbery in a closed place, and he seems to be afraid that he would not be judged according to the law. He interferes with the creator's problem, like a monarch. < SPAN> From 1616 to the end of the reign of King James, Johnson did nothing for the stage. However, as a result of his enthusiastic pursuit of what he actually called "pursuit of cherishing", he became one of the most academic workers at the time, as rumored. Johnson's doctrine as a writer depended on a wide range of books and the ability to make the content and property of other poets and the benefits of himself. As a result, Johnson not only reads Greek and Latin classics to young writers, but more attention to Latin's latin work, their prospects, poetry, their ancient and unique traditions. I was familiar. And I became even more familiar with their deep academic knowledge. But Johnson was an unhappy man. He was a collection of books. He told Dramond, "Count Pembrok has sent $ 20 every year to buy a new book." Unfortunately, his book warehouse was burned down in a fire in 1623, but this mediocre event is a funny depiction in the skillful poems of Valkan. However, occasionally, a book written in Italian with "Ben Johnson" is still found. Diliden talks about him as follows about Johnson using his materials. But, for example, he did not commit his robbery in a closed place, and he seems to be afraid that he would not be judged according to the law. He interferes with the creator's problem, like a monarch. Johnson did nothing for the stage until 1616 to the end of King James. However, as a result of his enthusiastic pursuit of what he actually called "pursuit of cherishing", he became one of the most academic workers at the time, as rumored. Johnson's doctrine as a writer depended on a wide range of books and the ability to make the content and property of other poets and the benefits of himself. As a result, Johnson not only read Greek and Latin classics to young writers, but more attention to Latin's work of scholars of the same era, their prospects, poetry, their ancient and unique traditions. I was familiar. And I became even more familiar with their deep academic knowledge. But Johnson was an unhappy man. He was a collection of books. He told Dramond, "Count Pembrok has sent $ 20 every year to buy a new book." Unfortunately, his book warehouse was burned down in a fire in 1623, but this mediocre event is a funny depiction in the skillful poems of Valkan. However, occasionally, a book written in Italian with "Ben Johnson" is still found. Diliden talks about him as follows about Johnson using his materials. But, for example, he did not commit his robbery in a closed place, and he seems to be afraid that he would not be judged according to the law. He interferes with the creator's problem, like a monarch.

Lyrical poems, especially Johnson's accompanying poems, have special advantages. His doctrine wanted literary decoration plans and dignity. He was far from Rhapsov and the careless artists on idols, and in fact Apollo believed that he could only work with vocal costumes and Walti in the laurel crown. That said, for example, Johnson's poems will remain long as a language. The Queen, hunter, virgin and beautiful woman cannot understand. Drink only your eyes, "or" still neat, still dressed up "? The shape is beautiful, skilled and beautiful, there is no wasteful text, and the first is the whole. Although it does not play a unique role, Johnson's words are still distinguished by some restrictions, doubts, and in fact they are. It is a natural and unusual thing, for example, it is not due to the unbalanced imbalance with a powerful writer who is concentrated on more wonderful luggage. The episodes and episode poems are, in Johnson, which is given in Johnson, which is not inferior to the spontaneousness and sensuality we usually associate with lyric poems. Don't ea t-any fun epic is that his personal colleagues, acto r-Detonor Salatiel Pavi and almost all others will look at it; and this is a matter of fact The lyrical poetry, especially Johnson, has a special advantage of literary decoration. It was far from the artists, and in fact Apollo believed that Johnson's poems would be long, for example, although they could only work with vocal costumes and laurel crowns. But the queen, hunter, virgin and beauty. Drink only your eyes, "or" still neat, still dressed up "? The shape is beautiful, skilled and beautiful, there is no wasteful text, and the first is the whole. Although it does not play a unique role, Johnson's words are still distinguished by some restrictions, doubts, and in fact they are. It is a natural and unusual thing, for example, it is not due to the unbalanced imbalance with a powerful writer who is concentrated on more wonderful luggage. The episodes and episode poems are, in Johnson, which is given in Johnson, which is not inferior to the spontaneousness and sensuality we usually associate with lyric poems. Don't ea t-any fun epic is that his personal colleagues, acto r-Detonor Salatiel Pavi and almost all others will look at it; and this is a matter of fact In particular, Johnson's accompanying poetry has a special advantage of Lapsov and the dignity of literary decorations. It is far, but in fact, he believes that he can only work with the vocal costume and the crown of Laurel, for example. Hunter, virgin and beautiful woman. Drink only your eyes, "or" still neat, still dressed up "? The shape is beautiful, skilled and beautiful, there is no wasteful text, and the first is the whole. Although it does not play a unique role, Johnson's words are still distinguished by some restrictions, doubts, and in fact they are. It is a natural and unusual thing, for example, it is not due to the unbalanced imbalance with a powerful writer who is concentrated on more wonderful luggage. The episodes and episode poems are, in Johnson, which is given in Johnson, which is not inferior to the spontaneousness and sensuality we usually associate with lyric poems. Don't ea t-any fun epic is that his personal colleagues, acto r-Detonor Salatiel Pavi and almost all others will look at it; and this is a matter of fact Not

The avan t-gardo Scottish poet was proud to have a certain number of months as a hoton den. Some of Johnson's most generous poems are inspired by friendship. A beautiful "Remember Lucius Carry and Lord Henry Maurison" and the attractive work of critical insights and habits sung after the first shakespeare "Memories of my beloved teacher William Shakespeare, and in fact. He left us, "Generally," Elaus, which is generally not a vicious lyrics, "is still a wonderful and important era. I don't have the ability to compare it.

However, until he was released and the reign of King Jacob Johnson, he was not lazy at all, even if he left. Every year, his inexhaustible ingenuity continues to make personal contributions to the entertainment and pleasure of the court. In the work that revived by the golden age, Palas changed from the era of steel to the vicious act like the phantom in the sculpture buried in front of him, and in the "pleasure that has been settled with virtue", Atlas is the old man. Dediated with snow, his windows are covered with snow, and Coms, "Holiday and belly gods," is considered one of the characters. At the end of the Jacob's reign, "Bread Birthday" was a way to run and write unique lyrics, and "Gypsy passed through perverted" was a former humor and sweeping humorous. He showed his movement, was lost, has not been overtaken, and has been appointed. Charles was prescribed a "devil" in an unconditional monarch of British literature, Bohemia, as a "devil." We are composed of experienced dictators, their reminiscence, attachment and hostile, and hostile to the rooms beautifully designed by Johnson's own "complex laws". Ask about your friends. You can also hear brave drinking. However, there are lyrics dedicated to the owner, Johnson, in the "devil" of the bar, the "dog", "triple tongue", and "mermaid".

"We had such a cluster, but in fact we were generous and not reckless. < SPAN> This Ava n-garde Scotland poet has a certain number of months. I was proud of the most generous poetry of Johnson. The critical insight and habit of sung after Shakespeare "The memories of my beloved teacher William Shakespeare, in fact, he left us." Generally, " "ELAUS", which is not "starting with the lyrics", has no ability to compare it with stunning thoroughness and Gnomic wisdom in personal and clever and important times.

However, until he was released and the reign of King Jacob Johnson, he was not lazy at all, even if he left. Every year, his inexhaustible ingenuity continues to make personal contributions to the entertainment and pleasure of the court. In the work that revived by the golden age, Palas changed from the era of steel to the vicious act like the phantom in the sculpture buried in front of him, and in the "pleasure that has been settled with virtue", Atlas is the old man. Dediated with snow, his windows are covered with snow, and Coms, "Holiday and belly gods," is considered one of the characters. At the end of the Jacob's reign, "Bread Birthday" was a way to run and write unique lyrics, and "Gypsy passed through perverted" was a former humor and sweeping humorous. He showed his movement, was lost, has not been overtaken, and has been appointed. Charles was prescribed a "devil" in an unconditional monarch of British literature, Bohemia, as a "devil." We are composed of experienced dictators, their reminiscence, attachment and hostile, and hostile to the rooms beautifully designed by Johnson's own "complex laws". Ask about your friends. You can also hear brave drinking. However, there are lyrics dedicated to the owner, Johnson, in the "devil" of the bar, the "dog", "triple tongue", and "mermaid".

"We had such a cluster, but in fact we were generous and not reckless. This avan t-garded Scottish poet is a certain number of months. I was proud of Johnson's most generous poetry, and in the first Sir Lucius and Lord Henry. The fascinating work of the sung critical insights and habits "My beloved teacher William Shakespeare's memories, in fact he left us. "ELAUS", which starts with the lyrics, is not yet the ability to compare it with a stunning thoroughness and Gnomic wisdom in personal and clever and important times.

However, until he was released and the reign of King Jacob Johnson, he was not lazy at all, even if he left. Every year, his inexhaustible ingenuity continues to make personal contributions to the entertainment and pleasure of the court. In the work that revived by the golden age, Palas changed from the era of steel to the vicious act like the phantom in the sculpture buried in front of him, and in the "pleasure that has been settled with virtue", Atlas is the old man. Dediated with snow, his windows are covered with snow, and Coms, "Holiday and belly gods," is considered one of the characters. At the end of the Jacob's reign, "Bread Birthday" was a way to run and write unique lyrics, and "Gypsy passed through perverted" was a former humor and sweeping humorous. He showed his movement, was lost, has not been overtaken, and has been appointed. Charles was prescribed a "devil" in an unconditional monarch of British literature, Bohemia, as a "devil." We are composed of experienced dictators, their reminiscence, attachment and hostile, and hostile to the rooms beautifully designed by Johnson's own "complex laws". Ask about your friends. You can also hear brave drinking. However, there are lyrics dedicated to the owner, Johnson, in the "devil" of the bar, the "dog", "triple tongue", and "mermaid".

"We had such a cluster, but in fact we were generous and not reckless.

But in the reign of King Charles, Jonson, though no longer in the patronage of the court, was not without royal favour. The old poet returned to the stage, and between 1625 and 1633 he published News-Clip, The New Inn, The Magnetic Lady, and The Tale of Bath. None of these plays achieved any marked success, but Dryden's scathing generalisation of them as "Jonson's Grants" does not do justice to their real merits. The idea, for example, of an institution (at the same time a wild fancy) for collecting, processing and disseminating news was a fine subject for satirising the absurdities of journalism. But the same can hardly be said of the "Magnetic Woman," or "Reconciling Character," who, by her own generosity, attracted a variety of characters, only to reconcile them in the end under different names. The old playwright's latest plays return to the strict line of caricature and allegory. Moralists were more present than ever, satire degenerated into personal ridicule, and his old friend Inigo Jones, in particular, seemed to have used his influence at Court against the poet, who had long been in the depths of despair. Then an illness seized Johnson, confining him to bed for several months. In 1628 he was replaced by Middleton.

Jonson died on August 6, 1637, and in 1640 he wrote two volumes, which were collected for some time, several of which are dated from 1630 to 1642; among fifteen works dated from 1617 to 1630 are "Masquerades," a collection of texts and poems entitled "Underwood," a translation of "The Art of Poetry of Horace" (also published in Visimo-Quarto in 1640), and several other works and collections which the poet himself would hardly have included. Among the latter are a small piece on Dalia Mortimer (less than 70 lines), and "The Sorrowful Shepherdess," a pastoral drama in three acts, of extraordinary beauty and poetic spirit. There is also the much-maligned "English Grammar," compiled by Ben Jonson, "for all strangers, from his studies behind the English language which they now speak and use," in Latin and English; and there is both a "Sawmill, or Discoveries," "of men and things, as follows from his daily reading, or as reflecting upon his special ideas of the time. The Discoveries, as they are usually called, are ordinary books into which almost all writers have written, translating or rewriting fragments which they liked, and noting down their own fleeting notions. Almost every extract from Jonson's "Discoveries" is a "Discovery."

After Johnson's death, an elegant monument was erected in his memory, but internal strife broke out and the plan was foiled. The stone covering his tomb in a chamber in Westminster Abbey was missing a commemorative inscription: "To the Great Ben Johnson." Felix E. Schelling, Institute, Philadelphia, USA. Here is an exhaustive list of the cases in which he was used: - Every man in his own mind, 1601; The Case Has Been Changed, 1609; Every man is not in his own mind, 1600; The Appearance of Cynthia's Soul, 1601; Festator, 1602; Sejanus, 1605; East (with Capen and Marston), 1605; Volpone, 1607; Epicoene, or the Silent Woman, 1609 (? 1616; The Alchemist, 1612; Katilin, his compression, 1611; Bartholomew Feir, 1614 (?), Fol., 1631; DW Alll - ass, fol., 1631; Fresh Clip, fol., 1631; Fresh Sun, 8vo, 1631, fol, 1692; The Magnetic Lady, or Humours Reconcon, fol., 1640; A Tale of a Bath, fol., 1640; The Sad Shepherd, or a Tale of Robin Hood, fol., 1641; Mortimer's Fall (fragment), fol., 1640.

Johnson is still adding to Kyd's "Jerome," co-writing "The Widow" with Fletcher and Middleton, and "The Bloody Brother" with Fletcher.

Epigrams, The Forrest, Underwoods published in sheets, 1616, 1640; Favourites: reprisals against the volcano and Epigrams, 1640; G. Hor. Flaccus his art of poetry, Englined by Ben Jonson, 1640; Leges Convivialis, fol., 1692. Other poems appear for the first time in Gifford's Collected Works.

Wood, or Discovered Made on Men and Matter, fol., 1641; The English Grammar, made by Ben Jonson for the benefit of Strangers, fol., 1640.

The mask and console were placed in the damaged volume.

Fol., 1616, vol. 2, 1640 (1631-41); Fol., 1692, 1716-19, 1729; Edited by P. Wally, 7 vols., 1756; Gifford (with memoirs), 9 vols., 1816, 1846; reprinted by F. Cunningem, 3 vols., 18 71; in 9 volumes, 1875; Barry Cornwell (with memoirs), 1838; B. Nicholson ('Mermaid' series), with the entry of K. H. Hurford, 1893, etc. 9 plays, 1904; Ed. H. C. Hart (Standard Library), 1906, etc.; Plays and Poems, with introduction by H. Morley (Universal Library), 1885; Plays (7) and Poems (Newnes), 1905; Poems, with memoirs by H. Bennett (Carlton Classics), 1907; Masques and Entertainment, ed. by H. Morley, 1890.

J. J. A. Symonds, with Biographical and Critical Essay (CANTERBURY POETS), 1886; Brave Tranary Things, 1895; Underwoods, Cambridge University Press, 1905; Lyrics (Jonson, Beaumont and Fletcher), The Chap Books , No. 4, 1906; Songs (of Plays, Masques, etc.), with the Earlist Known Setting, Eragny Pres, 1906.

Reminiscence of the work; J. A. Symonds (English Worther), 1886; Notes by Ben Jonso n-Conversations with Drummond of Hawthorden; Interview with IDNEY, 1906; Swinburne, A Study of Ben Jonson , 1889.

Siele: Or his accusation

He is a virtue, and my respectable friend ... Richard Martin

Thanks are always polite. To show my own signature, and to show which of these seals, I send you to me, but I can live this part; for that innocence For the author's innocence, you used to be a noble and timely grave for the biggest justice of this kingdom. And the offspring will have to read this without insulting your name, which was trying to stop the ignorance and anger at the time.

Your sincere lover, Ben Johnson.

Actor

Scene, Rome. ENVI appears in the center of the scene. Light, I welcome you, but in the wounded nerves, we are waiting for the golden shine in the dark. What is here here? BRUILOFT! Yes, this is what I've woke up so far. Clean on my neck and wrist and give me a gentle and romantic fold until I ordered it to solve it. stop! I feel uncomfortable with the brilliance of this gathering. Don't be surprised at what I am staring. For the past 15 months, I had been waiting for this unpleasant work, with bright light and unpleasant thoughts for this unpleasant work. And you don't want a gaze, gesture, or compliments, apart from those who have a chance to allow jealousy to forgive themselves: I here, comments, comments, applications, spy services, secrets. Shake, backing thousands of marketing tricks, impair your joy and cause low hope to damage your sports. The opening annotation: Impact spac e-HA! Rome < Span> scene, Rome. ENVI appears in the center of the scene. Light, I welcome you, but in the wounded nerves, we are waiting for the golden shine in the dark. What is here here? BRUILOFT! Yes, this is what I've woke up so far. Clean on my neck and wrist and give me a gentle and romantic fold until I ordered it to solve it. stop! I feel uncomfortable with the brilliance of this gathering. Don't be surprised at what I am staring. For the past 15 months, I had been waiting for this unpleasant work, with bright light and unpleasant thoughts for this unpleasant work. And you don't want a gaze, gesture, or compliments, apart from those who have a chance to allow jealousy to forgive themselves: I here, comments, comments, applications, spy services, secrets. Shake, backing thousands of marketing tricks, impair your joy and cause low hope to damage your sports. The opening annotation: Impact spac e-HA! Roman scene, Rome. ENVI appears in the center of the scene. Light, I welcome you, but in the wounded nerves, we are waiting for the golden shine in the dark. What is here here? BRUILOFT! Yes, this is what I've woke up so far. Clean on my neck and wrist and give me a gentle and romantic fold until I ordered it to solve it. stop! I feel uncomfortable with the brilliance of this gathering. Don't be surprised at what I am staring. For the past 15 months, I had been waiting for this unpleasant work, with bright light, with my thoughts that wouldn't be alert for this unpleasant work. And you don't want a gaze, gesture, or compliments, apart from those who have a chance to allow jealousy to forgive themselves: I here, comments, comments, applications, spy services, secrets. Shake, backing thousands of marketing tricks, impair your joy and cause low hope to damage your sports. The opening annotation: Impact spac e-HA! Rome

A gift that blesses your soul. What? Are you hiding? Nobody appears? Does anyone answer? Are you scared of this measuring instrument? No, I am desperate. If anger remains at this limit, there is no jealousy on the ground or hell. (Sink slowly.

Third sound. [When she disappears, the prologue in the armor appears quickly. It's a monster, but you are not sinking-we will put your thick legs on your head that has been beaten by your anger: Anger, for example, is despised by a generous industry and measured. I have to do it. If someone is designed, I welcome the scenes armed with prologue. Knowing, this is an important era: Here, what someone reports is that it is actually conscientious and formal to fill the room-influenced thread or literary magic means. -It is required to present your scene using the attached file for the period. We set this forced protection to them. The allegory and hidden meaning are that wel l-constructed confidence actually threatens their pride and have the chance to make them laugh. And in the unlikely event that the Creator makes another vow, his game is actually good; he plunges, so that you don't accuse him arrogantly: it's as simple as ignorant As if it were a outflow, our writer has discovered his popularity and has not given this affair to his actions. He doesn't like vanity or discouragement. And there is an average value between those who understand the power of their muses, and those who are constant and lon g-awaited. And this is that all free souls allow for themselves, as he is.

Act 1 1st View-The stage is Obid's office. < SPAN> A gift that blesses your soul. What? Are you hiding? Nobody appears? Does anyone answer? Are you scared of this measuring instrument? No, I am desperate. If anger remains at this limit, there is no jealousy on the ground or hell. (Sink slowly.

Third sound. [When she disappears, the prologue in the armor appears quickly. It's a monster, but you are not sinking-we will put your thick legs on your head that has been beaten by your anger: Anger, for example, is despised by a generous industry and measured. I have to do it. If someone is designed, I welcome the scenes armed with prologue. Knowing, this is an important era: Here, what someone reports is that it is actually conscientious and formal to fill the room-influenced thread or literary magic means. -It is required to present your scene using the attached file for the period. We set this forced protection to them. The allegory and hidden meaning are that wel l-constructed confidence actually threatens their pride and have the chance to make them laugh. And in the unlikely event that the Creator makes another vow, his game is actually good; he plunges, so that you don't accuse him arrogantly: it's as simple as ignorant As if it were a outflow, our writer has discovered his popularity and has not given this affair to his actions. He doesn't like vanity or discouragement. And there is an average value between those who understand the power of their muses, and those who are constant and lon g-awaited. And this is that all free souls allow for themselves, as he is.

Act 1 1st View-The stage is Obid's office. A gift that blesses your soul. What? Are you hiding? Nobody appears? Does anyone answer? Are you scared of this measuring instrument? No, I am desperate. If anger remains at this limit, there is no jealousy on the ground or hell. (Sink slowly.

Third sound. [When she disappears, the prologue in the armor appears quickly. It's a monster, but you are not sinking-we will put your thick legs on your head that has been beaten by your anger: Anger, for example, is despised by a generous industry and measured. I have to do it. If someone is designed, I welcome the scenes armed with prologue. Knowing, this is an important era: Here, what someone reports is that it is actually conscientious and formal to fill the room-influenced thread or literary magic means. -It is required to present your scene using the attached file for the period. We set this forced protection to them. The allegory and hidden meaning are that wel l-constructed confidence actually threatens their pride and have the chance to make them laugh. And in the unlikely event that the Creator makes another vow, his game is actually good; he plunges, so that you don't accuse him arrogantly: it's as simple as ignorant As if it were a outflow, our writer has discovered his popularity and has not given this affair to his actions. He doesn't like vanity or discouragement. And there is an average value between those who understand the power of their muses, and those who are constant and lon g-awaited. And this is that all free souls allow for themselves, as he is.

Act 1 1st View-The stage is Obid's office.