Cynthia's play

Except for Shakespeare, he is the largest playwright in the UK, the first literary dictator, a poet, a detective writer, and a critic: Ben Johnson: Ben Johnson. So, his intense personality, at least in that era, has almost unknown interests.

Ben Johnson is from a family that sent Thomas Carlillle a few centuries a few centuries. Johnson's grandfather was from Solway's Anandale and then moved to England. Johnson's father lost his territory during the Queen Mary and "jumped into a prison and fell down." He entered the church, but died a month before his brilliant son was born, and the widow and his children were poverty. Johnson's birthplace is Westmin Star, and the birth time was early 1573. Therefore, he was nearly 10 years younger than Shakespeare, and was not so good, even if he was a small birth. But Johnson could not win with this few benefits. His mother married a light and brick craftsman, and Johnson engaged in the job as an apprentice for a while. When he was a boy, he was in the Westminster School in the eyes of the famous ancient document scholar William Camden. Johnson was always conscious of Camden and acknowledged that he was borrowed from Camden.

"I'm all about art and all I know." < SPAN> Cynthia's play

Except for Shakespeare, he is the largest playwright in the UK, the first literary dictator, a poet, a detective writer, and a critic: Ben Johnson: Ben Johnson. So, his intense personality, at least in that era, has almost unknown interests.

Ben Johnson is from a family that sent Thomas Carlillle a few centuries a few centuries. Johnson's grandfather was from Solway's Anandale and then moved to England. Johnson's father lost his territory during the Queen Mary and "jumped into a prison and fell down." He entered the church, but died a month before his brilliant son was born, and the widow and his children were poverty. Johnson's birthplace is Westmin Star, and the birth time was early 1573. Therefore, he was nearly 10 years younger than Shakespeare, and was not so good, even if he was a small birth. But Johnson could not win with this few benefits. His mother married a light and brick craftsman, and Johnson engaged in the job as an apprentice for a while. When he was a boy, he was in the Westminster School in the eyes of the famous ancient document scholar William Camden. Johnson was always conscious of Camden and acknowledged that he was borrowed from Camden.

"I'm all about art and all I know," Cynthia's play

Except for Shakespeare, he is the largest playwright in the UK, the first literary dictator, a poet, a detective writer, and a critic: Ben Johnson: Ben Johnson. So, his intense personality, at least in that era, has almost unknown interests.

Ben Johnson is from a family that sent Thomas Carlillle a few centuries a few centuries. Johnson's grandfather was from Solway's Anandale and then moved to England. Johnson's father lost his territory during the Queen Mary and "jumped into a prison and fell down." He entered the church, but died a month before his brilliant son was born, and the widow and his children were poverty. Johnson's birthplace is Westmin Star, and the birth time was early 1573. Therefore, he was nearly 10 years younger than Shakespeare, and was not so good, even if he was a small birth. But Johnson could not win with this few benefits. His mother married a light and brick craftsman, and Johnson engaged in the job as an apprentice for a while. When he was a boy, he was in the Westminster School in the eyes of the famous ancient document scholar William Camden. Johnson was always conscious of Camden and acknowledged that he was borrowed from Camden.

"I'm all about art, all I know."

According to Fuller, he was "legally matriculated at St. John's College, Cambridge." According to Fuller, he was "legally matriculated at St. John's College, Cambridge," but did not take a degree. Johnson enlisted as a soldier at a young age and participated in William I's long war with Spain. Johnson was a large and earnest boy. He soon had a large record of his own. In a conversation with his friend William Drummond at Hawthornden, Johnson said, "While serving in Holland, he killed a man before both sides and took from him the Opima Spolia." And, "Since coming to England, he has resorted to field fighting, and killed a man who was wounded in the arm, and whose sword was ten inches longer than his own." Johnson's long reach may have been a testament to the shortness of his sword. Certainly, his strength is not lost on the story. It is clear that Johnson was brave, combative, and not averse to talking about himself and his actions.

In 1592, Johnson returned from abroad penniless. Soon afterwards, he married as quickly and unwillingly as Shakespeare. He told Drummond Kirtley that his wife was a bastard, but honest. For some years he lived apart from her in the house of Lord Albany. But two moving epigrams among Johnson's "Epigrams," "To a Daughter" and "To a Son," attest to the poet's warm feelings for his family. The daughter died at an early age, and the son died of the plague; the other son grew to manhood with little faith in his long-lived father. Nothing more is known of Johnson's family life.

It is not known when Jonson began what we now call the "theatrical way." In 1593, Marlowe met a tragic end, and Greene, another rival of Shakespeare's, died the same tragic death the previous year. Shakespeare had already driven himself into a corner. Jonson first appears in the theatre when he is employed by Philip Henslowe, the exploiter and manager of several actors' groups, and the father of the famous actor Edward Alleyne. From an entry in Henslowe's diary, we can see that Johnson became involved with the Admiral's men. On 28 July 1597, he borrowed £4 from Henslowe, and repaid him £3 9s. The same day he repaid him 3s. 9d. for his "share." Later, on 3 December of the same year, Henslowe gave him 20s. "for a book of plots to the company, which he promised to deliver to them next Christmas." In August of the following year, Johnson began a project with Chettle and Porter called The War Will Cool. All this suggests that his relationship with Henslowe was somewhat long-term. From a reference in Dekker's play SatiRomastix, Johnson, like Shakespeare, seems to have started life as an actor, "entering the Leather Court from the College".

Returning to the fall of 1598, an event that temporarily weakened the relationship between Johnson and Henzlow. In a letter to Alaine on September 26 of the same year, Henzlow wrote: "I lost one of my colleagues, that is, Gabriel (Spencer). He was in Hogsden Fields. The last word was killed by the brick craftsman Benjamin Johnson, "the last word probably was more uncomfortable, rather than defining that he had actually continued business until this time. I guess it was pierced. However, it is fair for Johnson that his opponent was a notorious firefighter who killed her feak shortly before. At that time, duel was frequently performed among gentlemen and nobles. The duel was an unfair pace infringement on the player. The duel was drawn by Johnson a few years after Dramond, and Johnson was charged with Old Bailey, trial, and convicted. He sent dramonds in prison and "confiscated" their goods and blankets. There is room for consideration, but Johnson may have been hanged in this act because there was an ancient law that admitted that the convicted criminal asserts the interests of the clergy. The reason that the poet could read and write, saved him. And he was just branded with Tybur's "T". < SPAN> Returning to the fall of 1598, an event that temporarily weakened the relationship between Johnson and Henzlow. In a letter to Alaine on September 26 of the same year, Henzlow wrote: "I lost one of my colleagues, that is, Gabriel (Spencer). He was in Hogsden Fields. The last word was killed by the brick craftsman Benjamin Johnson, "the last word probably was more uncomfortable, rather than defining that he had actually continued business until this time. I guess it was pierced. However, it is fair for Johnson that his opponent was a notorious firefighter who killed her feak shortly before. At that time, duel was frequently performed among gentlemen and nobles. The duel was an unfair pace infringement on the player. The duel was drawn by Johnson a few years after Dramond, and Johnson was charged with Old Bailey, trial, and convicted. He sent dramonds in prison and "confiscated" their goods and blankets. There is room for consideration, but Johnson may have been hanged in this act because there was an ancient law that admitted that the convicted criminal asserts the interests of the clergy. The reason that the poet could read and write has saved him. And he was just branded with Tybur's "T". Returning to the fall of 1598, an event that temporarily weakened the relationship between Johnson and Henzlow. In a letter to Alaine on September 26 of the same year, Henzlow wrote: "I lost one of my colleagues, that is, Gabriel (Spencer). He was in Hogsden Fields. The last word was killed by the brick craftsman Benjamin Johnson, "the last word probably was more uncomfortable, rather than defining that he had actually continued business until this time. I guess it was pierced. However, it is fair for Johnson that his opponent was a notorious firefighter who killed her feak shortly before. At that time, duel was frequently performed among gentlemen and nobles. The duel was an unfair pace infringement on the player. The duel was drawn by Johnson a few years after Dramond, and Johnson was charged with Old Bailey, trial, and convicted. He sent dramonds in prison and "confiscated" their goods and blankets. There is room for consideration, but Johnson may have been hanged in this act because there was an ancient law that admitted that the convicted criminal asserts the interests of the clergy. The reason that the poet could read and write has saved him. And he was just branded with Tybur's "T".

After the release, Johnson, who was hurt by Henzlow and his former friends, provided services as a playwright to Sir Chembaren, where Shakespeare was a major shareholder. Although it is difficult to prove in court, Johnson has submitted a manuscript of "All humorous men" to Sir Chembalen and received a rejection from Sir Chembalen. Shakespeare recalls him, reads himself, and accepts him immediately. Regardless of whether this story is true, it is certain that "Every Man in His Humour" was accepted by Shakespeare's troupe and Shakespeare participated in 1598. The evidence is included in the list of actors preferred in the comedy in the 1616 Johnson's play collection. The players who played this special work by Shakespeare. The order of the actor list of the Elizabeth Dynasty was generally due to the importance of a troupe as a shareholder and priority, and it was rarely consistent with the list of characters.

"Every Man in His Humour" was a great success, and Johnson's reputation as the best playwright was established at once. This work should not be Johnson's first comedy, and he is already "" It is a famous story that he was one of the tragedy masters. In fact, one of Johnson's surviving comedy, "The affair has been changed" (but no claimed that it was by Johnson himself, none of him) was "full of humor). The men must have been performed on the stage ahead of "Every Man in His Humour). The former may be a comedy that imitates the Proutus Latin Latin Latin (in fact, combined with plautus's "Capture Vi" and "Aureria"). However, Johnson has found a beautiful story of a beggar Maiden Rachel and a nocturnal in the romantic love ideal that Shakespeare has already announced on the stage. Johnson did not recreate a fresh and lovable female character as Rachel, but in other respect, "The Case is Changed" is not an obvious play, but Antoni Monday Antonio Balladino and Gabriel Harvey. Probably the most unique in Johnson comedy, except for the satire.

The "humorous men" were probably performed for the first time in the summer of 1598 and in the curtain. And this perspective is not unreasonable. In terms of design, thanks to the intercepted letters, the story has been able to chase London, who should have been eager to study, and to observe the lives with the Galants at the time. The true goodness of this comedy is the character and the theory depicting them. Ben Johnson had the theory of poetry and play, but did not choose to speak or experiment in play. This is a writer who calculates Johnson, like Dryden at the time and Wordworth, a long time later. This is especially true, especially if many of Johnson's concepts have dominated the flow of the entire English poem at one time and have been corrected. First, Johnson was a classicalist. In other words, in contrast to the no n-governmental and irresponsible spirit of the Renaissance period, he believed in the control of art and precedents. Johnson believes that there is a professional way that can be achieved by studying the best examples, and has found such examples in ancient people. For dramas only, Johnson disagree with the amateur of many modern games and random.

Johnson misunderstands this matter, so let's quote his own words about "humor". According to Johnson, humor is a bias of temperament, so to speak, distortion.

"Because there is a peculiar nature in humans, all of the people's actions, spirit, and power are drawn in one direction in their junction."

However, Johnson added:

"But the lower body wearing feathers, cable hats, thre e-phase rouge, on e-yard shoe strip, and a knot in the garage French should be affected by humor! Oh, it's ridiculous. < SPAN> The humorous men were probably performed for the first time in the summer of 1598 and performed in the curtain. And this perspective is not unreasonable. In terms of design, thanks to the intercepted letters, the story has been able to chase London, who should have been eager to study, and to observe the lives with the Galants at the time. The true goodness of this comedy is the character and the theory depicting them. Ben Johnson had the theory of poetry and play, but did not choose to speak or experiment in play. This is a writer who calculates Johnson, like Dryden at the time and Wordworth, a long time later. This is especially true, especially if many of Johnson's concepts have dominated the flow of the entire English poem at one time and have been corrected. First, Johnson was a classicalist. In other words, in contrast to the no n-governmental and irresponsible spirit of the Renaissance period, he believed in the control of art and precedents. Johnson believes that there is a professional way that can be achieved by studying the best examples, and has found such examples in ancient people. For dramas only, Johnson disagree with the amateur of many modern games and random.

Johnson misunderstands this matter, so let's quote his own words about "humor". According to Johnson, humor is a bias of temperament, so to speak, distortion.

"Because there is a peculiar nature in humans, all of the people's actions, spirit, and power are drawn in one direction in their junction."

However, Johnson added:

"But the lower body wearing feathers, cable hats, thre e-phase rouge, on e-yard shoe strip, and a knot in the garage French should be affected by humor! Oh, it's ridiculous. "Humor with humor" was probably performed for the first time in the summer of 1598 and in the curtain. And this perspective is not unreasonable. In terms of design, thanks to the intercepted letters, the story has been able to chase London, who should have been eager to study, and to observe the lives with the Galants at the time. The true goodness of this comedy is the character and the theory depicting them. Ben Johnson had the theory of poetry and play, but did not choose to speak or experiment in play. This is a writer who calculates Johnson, like Dryden at the time and Wordworth, a long time later. This is especially true, especially if many of Johnson's concepts have dominated the flow of the entire English poem at one time and have been corrected. First, Johnson was a classicalist. In other words, in contrast to the no n-governmental and irresponsible spirit of the Renaissance period, he believed in the control of art and precedents. Johnson believes that there is a professional way that can be achieved by studying the best examples, and has found such examples in ancient people. For dramas only, Johnson disagree with the amateur of many modern games and random.

Johnson misunderstands this matter, so let's quote his own words about "humor". According to Johnson, humor is a bias of temperament, so to speak, distortion.

"Because there is a peculiar nature in humans, all of the people's actions, spirit, and power are drawn in one direction in their junction."

However, Johnson added:

"But the lower body wearing feathers, cable hats, thre e-phase rouge, on e-yard shoe strip, and a knot in the garage French should be affected by humor! Oh, it's ridiculous. "

Johnson's humorous comedy, in a nutshell, is designed from a personal props based on cybernetic characteristics and passion (one of which is a surprisingly simplified real life that either accidentally observed). And by arranging these standard features and drawing their conflicts and conflicts, he scattered comedy sparks. In essence, as his name suggests, he is just a "servant." Bobadir's humor is that of Bluggart, and, in other words, he is a coward with a pleasant comical effect. Brainworm's humor is to deceive everyone from things to the end. However, it is not only Johnson's theory that led the "humorous men" to success. This play is a stunning script, and each character is drawn with a solid touch based on the observation of the London people at the time. Johnson, in his first great comedy, (and even in the other play he wrote), even a sneaky classicalist who encourages this British drama to be faithful to classical customs. Not. He said, "I don't know, but we're the old people, but we're the old man's laws (" laws "are the time, place breaks and how to use choruses). "All people in their humor in their humor in their humor in their humor in their humor in their humor" to show and increase their inventions. Speaking of which, it is designed from a personal props based on cybernetic characteristics and passion (one of which surprisingly simplified the real life that either accidentally observed). And by arranging these standard features and drawing their conflicts and conflicts, he scattered comedy sparks. In essence, as his name suggests, he is just a "servant." Bobadir's humor is that of Bluggart, and, in other words, he is a coward with a pleasant comical effect. Brainworm's humor is to deceive everyone from things to the end. However, it is not only Johnson's theory that led the "humorous men" to success. This play is a stunning script, and each character is drawn with a solid touch based on the observation of the London people at the time. Johnson, in his first great comedy, (and even in the other play he wrote), even a sneaky classicalist who encourages this British drama to be faithful to classical customs. Not. He said, "I don't know, but we're the old people, but we're the old man's laws (" laws "are the time, place breaks and how to use choruses). The same permission and free power to show and increase your invention are in a word, in a word, in a word. It is designed from a personal props based on cybernetic features and passion (one of which surprisingly simplified the real life that either accidentally observed). And by arranging these standard features and drawing their conflicts and conflicts, he scattered comedy sparks. In essence, as his name suggests, he is just a "servant." Bobadir's humor is that of Bluggart, and, in other words, he is a coward with a pleasant comical effect. Brainworm's humor is to deceive everyone from things to the end. However, it is not only Johnson's theory that led the "humorous men" to success. This play is a stunning script, and each character is drawn with a solid touch based on the observation of the London people at the time. Johnson, in his first great comedy, (and even in the other play he wrote), even a sneaky classicalist who encourages this British drama to be faithful to classical customs. Not. He said, "I don't know, but we're the old people, but we're the old man's laws (" laws "are the time, place breaks and how to use choruses). , You have to enjoy the same permission and free power as showing and increasing your invention.

Humor is a strange way of speaking, unusual attitude, clothes, beard cuts, etc. In the past, there was an anonymous game called "Every Woman in Her Humor". Chapman is "A Vulgar Day of the Day", Day is "Humour by Breath", Fletcher later "The Vulgar Lieutenant". At the end of, I returned to this title with "THE MAGNETIC LADY or HUMOURS AGREED". When you disassemble "humor", there are strange ways to speak, the unusual way of cutting and cutting a beard. EVERY WOMAN IN HER HUMOR "was an anonymous game. Chapman wrote "A Vulgar Day of the Day", Day was "Humor by Breath", Fretcher later "The Vulgar Lieutenant", and Johnson "Every Man by His Humor". By "unusual speaking style, unusual attitude, clothes, and shabby, etc.", he returned to the title in the end of the comedy "Magnetic Woman or Humor". There was an anonymous game called Evri Woman In Har Humor. Chapman is "A Vulgar Day of the Day", on that day "Humour by Breath", Fretcer later wrote "The Vulgar Lieutenant", and Johnson is the end of the end of the comedy in addition to "Every Man by His Humour". At the end of, I returned to this title with "THE MAGNETIC LADY or HUMOURS AGREED". Reduces < SPAN> humor "into strange ways, unusual attitude, clothes, and beard cuts. In the past, there was an anonymous game called "Every Woman in Her Humor". Chapman is "A Vulgar Day of the Day", Day is "Humour by Breath", Fletcher later "The Vulgar Lieutenant". At the end of, I returned to this title with "THE MAGNETIC LADY or HUMOURS AGREED". When you disassemble "humor", there are strange ways to speak, the unusual way of cutting and cutting a beard. EVERY WOMAN IN HER HUMOR "was an anonymous game. Chapman wrote "A Vulgar Day of the Day", Day was "Humor by Breath", Fretcher later "The Vulgar Lieutenant", and Johnson "Every Man by His Humor". By "unusual speaking style, unusual attitude, clothes, and shabby, etc.", he returned to the title in the end of the comedy "Magnetic Woman or Humor". There was an anonymous game called Evri Woman In Har Humor. Chapman is "A Vulgar Day of the Day", on that day "Humour by Breath", Fretcer later wrote "The Vulgar Lieutenant", and Johnson is the end of the end of the comedy in addition to "Every Man by His Humour". At the end of, I returned to this title with "THE MAGNETIC LADY or HUMOURS AGREED". Humor is a strange way of speaking, unusual attitude, clothes, beard cuts, etc. In the past, there was an anonymous game called "Every Woman in Her Humor". Chapman is "A Vulgar Day of the Day", Day is "Humour by Breath", Fletcher later "The Vulgar Lieutenant". At the end of, I returned to this title with "THE MAGNETIC LADY or HUMOURS AGREED". When you disassemble "humor", there are strange ways to speak, the unusual way of cutting and cutting a beard. EVERY WOMAN IN HER HUMOR "was an anonymous game. Chapman wrote "A Vulgar Day of the Day", Day was "Humor by Breath", Fretcher later "The Vulgar Lieutenant", and Johnson "Every Man by His Humor". By "unusual speaking style, unusual attitude, clothes, and shabby, etc.", he returned to the title in the end of the comedy "Magnetic Woman or Humor". There was an anonymous game called Evri Woman In Har Humor. Chapman is "A Vulgar Day of the Day", on that day "Humour by Breath", Fretcer later wrote "The Vulgar Lieutenant", and Johnson is the end of the end of the comedy in addition to "Every Man by His Humour". At the end of, I returned to this title with "THE MAGNETIC LADY or HUMOURS AGREED".

With Every Man in His Humor, again performed by Shakespeare's company at the Globe in 1599, we opened a new chapter in Jonson's career. If there is one characteristic that distinguishes him, in spite of his many merits, it is his haughtiness, and, moreover, his lack of self-confidence, especially under criticism and satire. It is the first of three "comical satires" that Jonson contributed to what Decker calls the "Poetomachy," or what recent critics call the "Theatre Wars." But as a satirical portrayal of the manners of the time, vividly developed in caricature, framed by intelligent and brilliant dialogue, and supported by that righteous indignation that must be the heart of true satire - in short, as a realization of the classical comic ideal - Jonson's comedy has not been equaled since the time of Aristophanes. "Every Man in His Humor," like the two plays that follow it, contains two kinds of attack. There are two kinds of attacks: critical or generally satirical, and personal attacks. The way of attacking a person by actually caricaturing a person on the stage is almost like this:

And 100) has accused the vicious, timid and plagiarism of the "playwright" (it would be appropriate to think of it as Maston). This is what Johnson's own statement on this matter is: he quarreled with Maston many times, beat him, picked up the pistol, and wrote a poet.

[Note] The best descriptions of all of these are in the Belles Lettres Series version of J. H. Peniman's "Poet" and "Satiro Mastricks". I would also like to refer to the excellent contributions of H. C. Heart in the 1892 "The War of the Theater", "Notes and Queries" and the 1906 Johnson version.

At least we are on the concrete ground. This play was revised by Maston in 1598. The play "Historio Mastics" revised by Marston in 1598 has been regarded as a work that Johnson was "expressed on the stage." However, Krisogon, a person, poet, satire, and translator who has become a problem, is poor but proud and despised the swarm of the common people, and has appeared as a portrait that complements Johnson rather than caricature. There is. For those who are actually ridiculed in "Every Man Out of His Humour, Carlo Buffon is Maston, Maliton Profane Jester" (vulgar clown full of malicious intent). のところでは 」the great scourge or second untruss [i. e., satirist] of the age「（ジョセフ・ホール自身が前者について自慢しており、マーストンの戯曲は 」The Scourge of Villainy"（悪意の惨劇）と題され From the fact, it was previously considered to be Maston, and gossip lovers and incorrect orblies said, "I'm a bold cheeky person, chatting, and tapping a drum in the room. That was, Sir Walter Lawle (that is, the upper and lower beard) was sealed. < SPAN> and 100) have blamed the vicious, timid, and plagiarism of "playwrights". This is what Johnson's own statement on this matter is: he quarreled with Maston many times, beat him, picked up the pistol, and wrote a poet.

[Note] The best descriptions of all of these are in the Belles Lettres Series version of J. H. Peniman's "Poet" and "Satiro Mastricks". I would also like to refer to the excellent contributions of H. C. Heart in the 1892 "The War of the Theater", "Notes and Queries" and the 1906 Johnson version.

At least we are on the concrete ground. This play was revised by Maston in 1598. The play "Historio Mastics" revised by Marston in 1598 has been regarded as a work that Johnson was "expressed on the stage." However, Krisogon, a person, poet, satire, and translator who has become a problem, is poor but proud and despised the swarm of the common people, and has appeared as a portrait that complements Johnson rather than caricature. There is. For those who are actually ridiculed in "Every Man Out of His Humour, Carlo Buffon is Maston, Maliton Profane Jester" (vulgar clown full of malicious intent). のところでは 」the great scourge or second untruss [i. e., satirist] of the age「（ジョセフ・ホール自身が前者について自慢しており、マーストンの戯曲は 」The Scourge of Villainy"（悪意の惨劇）と題され From the fact, it was previously considered to be Maston, and gossip lovers and incorrect orblies said, "I'm a bold cheeky person, chatting, and tapping a drum in the room. That was, Sir Walter beats his mouth (that is, the upper and lower beard). It is probably the vicious, timid, and plagiarism of the playwright. This is what Johnson's own statement on this matter is: he quarreled with Maston many times, beat him, picked up the pistol, and wrote a poet.

[Note] The best descriptions of all of these are in the Belles Lettres Series version of J. H. Peniman's "Poet" and "Satiro Mastricks". I would also like to refer to the excellent contributions of H. C. Heart in the 1892 "The War of the Theater", "Notes and Queries" and the 1906 Johnson version.

At least we are on the concrete ground. This play was revised by Maston in 1598. The play "Historio Mastics" revised by Marston in 1598 has been regarded as a work that Johnson was "expressed on the stage." However, Krisogon, a person, poet, satire, and translator who has become a problem, is poor but proud and despised the swarm of the common people, and has appeared as a portrait that complements Johnson rather than caricature. There is. For those who are actually ridiculed in "Every Man Out of His Humour, Carlo Buffon is Maston, Maliton Profane Jester" (vulgar clown full of malicious intent). のところでは 」the great scourge or second untruss [i. e., satirist] of the age「（ジョセフ・ホール自身が前者について自慢しており、マーストンの戯曲は 」The Scourge of Villainy"（悪意の惨劇）と題され From the fact, it was previously considered to be Maston, and gossip lovers and incorrect orblies said, "I'm a bold cheeky person, chatting, and tapping a drum in the room. That was, Sir Walter Lawle (that is, the upper and lower beard) was sealed. I guess.

We have left this particular case in detail to illustrate the difficulty of criticism in finding references to such forgotten antagonisms. In the Sounder Lact we record other manifestations of Johnson's hostility. In "The Case Talked" Antonio Balladino's scorn of Anthony Munday, the town pageant poet, translator of romances, and playwright, is clear. In "Humorous Men" we certainly have a caricature of Samuel Daniel, who was recognized as a court poet, sonneteer, and companion of fashionable men. These men occupied the prestigious positions which Johnson considered to be worthy of his talents, and were therefore his sworn enemies. It seems almost certain that he developed his satire in "Humorless Men" and "Cynthia's Play," in the characters of Daniel as Heddon, Munday as Puntalboro, and Amorphous. But in these last works we again enter into Quagmire. The literary rivalry between Daniel and Jonson can be traced many times, through the entertainments given to King James on his journey to London, the masques at court, and the pastoral dramas. As for Jonson's personal ambitions against the two, it is notable that he was not an event poet, but a chronicler of the town of London, and won over Daniel as a royal entertainer on the accession of the new king.

The second "comical satire," Cynthia's Revels, was performed in 1600, and as a play is even longer, more elaborate, and more impossible than any man by his humor. Here the personal satire seems to absorb everything, and although many of the caricatures are commendable, especially in the details of the intelligent and satirical dialogue, the central idea of ​​a fountain of self-love is not very well realised, and the characters sometimes revert to abstraction, and the action to allegory. It is surprising that this difficult play was performed by children from Queen Elizabeth's chapel, including Nathaniel Field, whom Jonson read Horace and Martial to, and later taught acting, and Salatiel Pavy, who died before he was thirteen, and was already famous for playing the parts of old men. This Jonson is immortalised in one of his sweetest epitaphs: An interesting side note to the character of this surly and sullen satirist is that he had friends among these little-theatre ruffians, and fondly remembered them. To the caricatures of Daniel and Munday in Cynthia's Supper we must add an impud.

The third and final piece of the "Comical Satires," "The Poet," again performed by the children of the Chapel in 1601, is Jonson's only contribution to Fray. By the author's own account, it was written in fifteen weeks after he received a report that his enemies had asked Dekker to prepare a dramatic attack on himself, "Satyromastics, the Negligence of a Humourous Poet." Jonson was successful in this effort to thwart his opponents, and "The Poet" was an immediate and deserved success. Following a device borrowed from Lucian's Lexiphanes, the Poet is constructed to lead to a comical final scene in which the guilty poet Marston Crispinus is contrived to throw out words that are too difficult for his stomach and beyond his vocabulary. Finally, Crispinus, together with his colleague Decker-Demetrius, made a pact to keep the peace and to never again "disparage, hinder, or degrade the person or writings of Quintus Horace Flaccus [Johnson], or any other eminent man whose worth surpasses yours." One of the most amusing characters in Jonson's comedies is Captain Tucca, whose "peculiarities" are described by Ward as "like a swollen black gypsophila, which recovers in an instant from any exposure." The third and final piece of comic satire, "The Poet," again performed by the children of Chappell in 1601, is Jonson's only contribution to the Fray. By the author's own account, it was written in fifteen weeks after he received reports that his enemies had asked Decker to prepare "Satyromasticus, the Negligence of the Humorous Poet," a dramatic attack on himself. Johnson was successful in this effort to thwart his enemy, and the Poet was an immediate and natural success. The Poet is designed to lead to a humorous final scene, following a device borrowed from Lucian's Lexiphanes, in which the guilty poet Marston Crispinus is contrived to throw out words that are too difficult for his stomach and beyond his vocabulary. Crispinus, together with his colleague Dekker Demetrius, ultimately kept the peace, and vowed never again to "disparage, hinder, or degrade the person or writings of Quintus Horace Flaccus [Johnson], or any other eminent man whose worth surpasses yours." "One of the most amusing characters in Jonson's comedies is Captain Tucca; his 'peculiarities' are described by Ward as 'like a bloated black gypsophila, which recovers in an instant from whatever exposure it may receive.'The third and last of the comic satires is 'The Poet', again performed by the children of Chappell in 1601, and is the only work Jonson contributed to the Fray. By the author's own account, it was written in fifteen weeks, after a report that his enemies had commissioned Decker to prepare a 'Satiromasticus, the Negligence of a Humourous Poet', a dramatic attack on himself. Jonson succeeded in this effort to thwart his enemies, and 'The Poet' was an immediate and deserved success. The Poet is constructed, following a device borrowed from Lucian's Lexiphanes, to lead to a comical final scene in which the guilty poet Marston Crispinus is contrived to throw out words so difficult to stomach and so difficult to understand that they are beyond his vocabulary. Finally, Crispinus, along with his colleague Dekker-Demetrius, kept the peace and vowed never again to "disparage, hinder, or degrade the person or writings of Quintus Horace Flaccus [Johnson], or any other eminent man whose merits are superior to yours." One of the most amusing characters in Johnson's comedies is Captain Tucca, whose "peculiarities," as Ward describes them, "are like bloated black gypsophila, which recovers in an instant from any exposure."

Decker blamed him in the response work "Satiro Mastics", amplified him, turned his vocabulary of the abusive language to Johnson, "added the vulgarity that was not in the arrest of Johnson." He was a person named Captain Tukka. When Decker wrote a dramatic answer to Johnson as a professional, he wrote a history of Walter Terril's history in William Rufus. This was in a hurry to include the satirty character proposed by the poet, and was shaped to convey the satire of his response. The absurdity of putting a space in the court of King Norman is the result. However, Decker's play is not a highly evaluated Johnson Hores arrogance, literary pride, and confidence, but his "Ningle" or pulu Asunius Bubbo is a friend of Johnson. It has recently been revealed that it is highly likely that a poet Doraiton has been recorded. SATIROMASTIX is a light and in a hurry adaptation, especially when the Poetaster is driven, and compared to a more important satire, this city was given to Dicker instead of Johnson. As a result, Johnson abandoned "humorous satire." Johnson was reported to appear in front of the Justice Secretary to answer certain charges, but the charges were: < SPAN> Decker accused him of the response work "Satilomastics", amplified him, turned his vocabulary of the abusive language to Johnson, "added the vulgarity that was not in the arrest of Johnson." Was this person called Captain Tukka. When Decker wrote a dramatic answer to Johnson as a professional, he wrote a history of Walter Terril's history in William Rufus. This was in a hurry to include the satirty character proposed by the poet, and was shaped to convey the satire of his response. The absurdity of putting a space in the court of King Norman is the result. However, Decker's play is not a highly evaluated Johnson Hores arrogance, literary pride, and confidence, but his "Ningle" or pulu Asunius Bubbo is a friend of Johnson. It has recently been revealed that it is highly likely that a poet Doraiton has been recorded. SATIROMASTIX is a light and in a hurry adaptation, especially when the Poetaster is driven, and compared to a more important satire, this city was given to Dicker instead of Johnson. As a result, Johnson abandoned "humorous satire." Johnson was reported to appear in front of the Justice Secretary to answer certain charges, but the charges were: Decker blamed him in the response work "Satiro Mastics", amplified him, turned his vocabulary of the abusive language to Johnson, "added the vulgarity that was not in the arrest of Johnson." He was a person named Captain Tukka. When Decker wrote a dramatic answer to Johnson as a professional, he wrote a history of Walter Terril's history in William Rufus. This was in a hurry to include the satirty character proposed by the poet, and was shaped to convey the satire of his response. The absurdity of putting a space in the court of King Norman is the result. However, Decker's play is not a highly evaluated Johnson Hores arrogance, literary pride, and confidence, but his "Ningle" or pulu Asunius Bubbo is a friend of Johnson. It has recently been revealed that it is highly likely that a poet Doraiton has been recorded. SATIROMASTIX is a light and in a hurry adaptation, especially when the Poetaster is driven, and compared to a more important satire, this city was given to Dicker instead of Johnson. As a result, Johnson abandoned "humorous satire." Johnson was reported to appear in front of the Justice Secretary to answer a chart, but the charges were:

Other plays are said to have played more or less of a role in the theatrical wars. The most important of these is a university play from 1601-02 entitled The Return from Parnassus. In it, in a much-quoted passage, Burbage, as a character, declares: "Poets take potions, but Shakespeare gives them a catharsis, and disguises himself." Was Shakespeare troubled by this scuffle? And what was this "catharsis"? Among many theories, some consider Troilus and Cressida to be Shakespeare's "degradation" of his friend Jonson. A more sensible interpretation finds the "catharsis" in Satyromastix, a play not written by Shakespeare, but performed by his company, and therefore with his approval and under his direction as one of the company's leaders.

In the later years of the reign of Elizabeth, Johnson was recognized as a playwright after Shakespeare, and was as good as even a strange r-painted satire. But Johnson turned his talent to a new field. The play on the historical history and myths of the classic history and myths has been supported by the stage since the play began, so Shakespeare did not make a new departure even after writing Julius Caesar around 1600. Thus, when Johnson again performed "Shanus" three years later at Shangpia's troupe, he just followed the footprints of a great playwright. However, it was very different from Johnson's idea of ​​making a classical story into a drama and the ideas of Shakespeare and old popular players. A few years ago, Haywood derived in the Ovid story and performed five plays in a row with little sense and characteristics. Shakespeare had a more delicate concept in the format, but even he was satisfied with taking out the entire ancient story from the Nort h-translated Plutak and dramatically dramatizing the theme without any further investigation. Johnson was a scholar and a classical archeologist. He denied this amateurism and wrote "Sanus" as a scholar to read Takitus, Suetonius, other authorities, and to confirm the facts, stage settings, and atmosphere. < SPAN> Late in the reign of Elizabeth, Johnson was recognized as a playwright after Shakespeare, and was as good as a stranger and satire. But Johnson turned his talent to a new field. The play on the historical history and myths of the classic history and myths has been supported by the stage since the play began, so Shakespeare did not make a new departure even after writing Julius Caesar around 1600. Thus, when Johnson again performed "Shanus" three years later at Shangpia's troupe, he just followed the footprints of a great playwright. However, it was very different from Johnson's idea of ​​making a classical story into a drama and the ideas of Shakespeare and old popular players. A few years ago, Haywood derived in the Ovid story and performed five plays in a row with little sense and characteristics. Shakespeare had a more delicate concept in the format, but even he was satisfied with taking out the entire ancient story from the Nort h-translated Plutak and dramatically dramatizing the theme without any further investigation. Johnson was a scholar and a classical archeologist. He denied this amateurism and wrote "Sanus" as a scholar to read Takitus, Suetonius, other authorities, and to confirm the facts, stage settings, and atmosphere. In the later years of the reign of Elizabeth, Johnson was recognized as a playwright after Shakespeare, and was as good as even a strange r-painted satire. But Johnson turned his talent to a new field. The play on the historical history and myths of the classic history and myths has been supported by the stage since the play began, so Shakespeare did not make a new departure even after writing Julius Caesar around 1600. Thus, when Johnson again performed "Shanus" three years later at Shangpia's troupe, he just followed the footprints of a great playwright. However, it was very different from Johnson's idea of ​​making a classical story into a drama and the ideas of Shakespeare and old popular players. A few years ago, Haywood derived in the Ovid story and performed five plays in a row with little sense and characteristics. Shakespeare had a more delicate concept in the format, but even he was satisfied with taking out the entire ancient story from the Nort h-translated Plutak and dramatically dramatizing the theme without any further investigation. Johnson was a scholar and a classical archeologist. He denied this amateurism, and wrote "Sanus" as a scholar to read Takitus, Suetonius, other authorities, and to confirm the facts, stage settings, and atmosphere.

In 1605, Johnson actively cooperated with Chapman and Marston to perform a great comedy in London, "Eastward Hoe". Last year, Marston dedicated the inequin molecules to Johnson with no noisy praise, and the wounds of the theater war were healed. Between Johnson and Chapman, there was a sense of closeness with the same academic ideal. The two were unchanged friends throughout their lives. The "Touhou Memorial Record" gained extraordinary popularity, as represented by the anecdote that three books were published in a year, but this was not only due to the goodness of the game. The first edition. Then, there was a passage that the exciting warning was despised his country, Scottish, and both Chapman and Johnson were sent to prison, but at this time, Johnson. In the court, Pan & Amp; GT? The praise was dedicated to Johnson, and the wounds of the theater war were healed. He was an unchanged friend throughout his life, and was outstanding between Johnson and Chapman at the end of the 19th century. < SPAN> In 1605, Johnson actively cooperated with Chapman and Marston to perform a great comedy in London, Eastward Hoe. Last year, Marston dedicated the inequin molecules to Johnson with no noisy praise, and the wounds of the theater war were healed. Between Johnson and Chapman, there was a sense of closeness with the same academic ideal. The two were unchanged friends throughout their lives. The "Touhou Memorial Record" gained extraordinary popularity, as represented by the anecdote that three books were published in a year, but this was not only due to the goodness of the game. The first edition. Then, there was a passage that the exciting warning was despised his country, Scottish, and both Chapman and Johnson were sent to prison, but at this time, Johnson. In the court, Pan & Amp; GT? The praise was dedicated to Johnson, and the wounds of the theater war were healed. He was an unchanged friend throughout his life, and was outstanding between Johnson and Chapman at the end of the 19th century. In 1605, Johnson actively cooperated with Chapman and Marston to perform a great comedy in London, "Eastward Hoe". Last year, Marston dedicated the inequin molecules to Johnson with no noisy praise, and the wounds of the theater war were healed. Between Johnson and Chapman, there was a sense of closeness with the same academic ideal. The two were unchanged friends throughout their lives. The "Touhou Memorial Record" gained extraordinary popularity, as represented by the anecdote that three books were published in a year, but this was not only due to the goodness of the game. The first edition. Then, there was a passage that the exciting warning was despised his country, Scottish, and both Chapman and Johnson were sent to prison, but at this time, Johnson. In the court, Pan & Amp; GT? The praise was dedicated to Johnson, and the wounds of the theater war were healed. He was an unchanged friend throughout his life, and was outstanding between Johnson and Chapman at the end of the 19th century.

Along with the throne of King James, Johnson started his long career as a Kamen playwright. He wrote more masks than the total of all the peers, and his type and poetic outstanding are extraordinary. Johnson did not invent the mask. Such a planned mechanism to set up a court's ball and put it in the frame has been known for a long time since his era, and has been practiced for some differences. But Johnson gave the mask a dramatic value. In particular, it is the invention of ant i-mask, a comedy or tangible element that is allocated to professional actors and dancers. In addition, noble nobles and ladies played their roles, enhancing the beauty and dignity of the masks that create a rich stage with gorgeous costumes, artistic teamwork and development. In terms of machinery and stage art, Johnson gained an original and original partner called Royal architect Inigo Jones. Johnson wrote masks and other entertainment works, and continued to play an active part in the court, until the King of Charles. However, at the end of the game, Jones and his life broke his life, and the two old people who repeated trial and error were not only irritated, but with the throne of King James, Johnson was a masked playwright. Started a long successful career. He wrote more masks than the total of all the peers, and his type and poetic outstanding are extraordinary. Johnson did not invent the mask. Such a planned mechanism to set up a court's ball and put it in the frame has been known for a long time since his era, and has been practiced for some differences. But Johnson gave the mask a dramatic value. In particular, it is the invention of ant i-mask, a comedy or tangible element that is allocated to professional actors and dancers. In addition, noble nobles and ladies played their roles, enhancing the beauty and dignity of the masks that create a rich stage with gorgeous costumes, artistic teamwork and development. In terms of machinery and stage art, Johnson gained an original and original partner called Royal architect Inigo Jones. Johnson wrote masks and other entertainment works, and continued to play an active part in the court, until the King of Charles. However, at the end of the game, Jones and his life broke his life, and the two old people who repeated trial and error were not only frustrated, but also with the throne of King James. I started my career. He wrote more masks than the total of all the peers, and his type and poetic outstanding are extraordinary. Johnson did not invent the mask. Such a planned mechanism to set up a court's ball and put it in the frame has been known for a long time since his era, and has been practiced for some differences. But Johnson gave the mask a dramatic value. In particular, it is the invention of ant i-mask, a comedy or tangible element that is allocated to professional actors and dancers. In addition, noble nobles and ladies played their roles, enhancing the beauty and dignity of the masks that create a rich stage with gorgeous costumes, artistic teamwork and development. In terms of machinery and stage art, Johnson gained an original and original partner called Royal architect Inigo Jones. Johnson wrote masks and other entertainment works, and continued to play an active part in the court, until the King of Charles. However, at the end of the game, Jones and the two elderly people who broke his life and repeated trial and error were not only irritated.

However, when Johnson turned his eyes to Ki n-chan's entertainment, he never abandoned the popular drama. "Volpone" was performed in 1605, "Sudden Woman" was performed in 1609, and "Alchemist" was performed in the following year. These comedy represented the peak of Johnson, along with "BARTHOLOMEW FAIR" in 1614. It is an outstanding work in the British play in the work, wit and the vividness of the wit and dialogue drawn well in the composed wit, the caricature method. "Volpone, or Fox" is a transition period from a dramatic caricature drama of the theater war to a pure comedy represented by the above play. The theme is applied to the other. In the wisdom, the villain Fox himself, Mosca's miserable servant, Voltre (Vulture), Colvaccio (Large Crow and Small Crow), Police Welby, and others in the play. The reason why the forbidden story is a comedy has been raised, but the wicked person suffers and imprisoned. This is because Volpone is much more logical than Shakespeare's romantic drama. While praising the former, the brain, deception, and foolishness, praise the former, but when he turns his eyes on Ki n-chan's entertainment without any contradiction. "Volpone" was performed in 1605 in 1609, and "Alchemist" was performed in 1609. Along with "Fair", it is a representative of Johnson's climax, and is outstanding in the British play in the vividness of wits, wits and dialogue, which is well drawn in the composition wit, caricature method. "Volpone, or Fox" is a transition period from a dramatic caricature drama of the theater war to a pure comedy represented by the above play. The theme is applied to the other. In the wisdom, the villain Fox himself, Mosca's miserable servant, Voltre (Vulture), Colvaccio (Large Crow and Small Crow), Police Welby, and others in the play. The reason why the forbidden story is a comedy has been raised, but the wicked person suffers and imprisoned. This is because Volpone is much more logical than Shakespeare's romantic drama. While praising the former, the brain, deception, and foolishness, praise the former, while praising the former, Johnson always turned to Ki n-chan's entertainment. He did not abandon the drama in 1605, "Volpone" was performed in 1609, and these comrades in 1614, "Bartholomew Fair". It is a representative of Johnson's climax, and is outstanding in the British play in the wit and the vividness of wits and lines that are well drawn in the composition method. "Volpone, or Fox" is a transition period from a dramatic caricature drama of the theater war to a pure comedy represented by the above play. The theme is applied to the other. In the wisdom, the villain Fox himself, Mosca's miserable servant, Voltre (Vulture), Colvaccio (Large Crow and Small Crow), Police Welby, and others in the play. The question is that the story of the forbidden story is a comedy, but the worst is the worst. This is because Volpone is much more logical than Shakespeare's romantic drama. He identifies the brain, deception, innocence and foolish to Peten teachers, praising the former, while praising the former.

A "silent woman" is a very cleverly huge farce drama. This comedy, played by a ruthless nephew and an uncle who dislikes human dislikes, is forced to take a young, fair and silent wife. However, it is based on the alchemist, which is also found to be a silent or a woman, and the overall composition has reached the climax, and the overall composition is high. Intelligent, Johnson expresses the most sharp human life in the "Alchemist" in his intelligent, forgetting the deviation from the possibility of life. He enjoys the noisy, and the only person who was disappointed in the play of the victims and the diverse of evil. This comedy is very wonderful, and the characters are very specific in various genres, and the whole is very specific. Alchemist is the end of this group, "Bersolo Mew Fair," which is a lively and originality. Compared to, it is not worth the praise, blessed, and structurally praised, but is full of most vigorous and intelligent satire and originality.

Volpone was placed as a stage for Venice. The other three comedies are stated in the words of the Prologue of "Alchemist", whether to succeed in the "Touhou Kemiki Record" or because of other reasons:

"Our stage is London. I want to inform that the joy of any country is not better than us." < SPAN> "Spring Woman" is a huge farce drama that is very clever. There is a comedy that is forced to be a young, fair and silent wife, but it turns out that his wife is neither a quiet nor a woman. The alchemist also has the most skillful configuration, and the overall composition reaches the climax, intelligent, and forgets to deviate from the possibility of life. Johnson is presented in the Alchemist, expressing the sharpest human life in the big city, and the silliness, the foolishness and evil of the victims. The only person who was in good faith in the play was recognized, and the rewards were briefly written. , Awakened, is very realistic in various genres with a very realistic specificity, and the whole is moving with a very lively originality, so the "Alkimist" is new every time you read. The end of this group is not deserving the clear, blurry, and structural praise compared to the formal comedy. It is the most vivid, intelligent satire and rich in originality.

Volpone was placed as a stage for Venice. The other three comedies are stated in the words of the Prologue of "Alchemist", whether to succeed in the "Touhou Kemiki Record" or because of other reasons:

"Our stage is London. Because I want to inform that the joy of any country is not better than us" is a huge farce that is very cleverly configured. This comedy, played by his nephew and human disliked uncle, is forced to marry a young, fai r-skinned, silent wife, but is based on a comedy that it turns out that his wife is neither silent nor a woman. But the alchemist also has the most skillful composition, and the overall configuration reaches the climax, is rich in intelligent, and has been presented with the possibility of forgetting the possibilities of life. Johnson expresses the sharpest human life in the Alchemist, and enjoys the silliness, the foolishness and evil of the victims. The only person in the play is disappointed, the biggest Peten teacher is recognized at the end, and this comedy will be briefly written and devised. The characters are very realistic in various genres and are outstanding, and the whole is moving with a very lively and originality, so every time the "Alchemist" is read, a new surprise is a new surprise. The last group is given to the formal comedy, "Berso Mew", but it is not worth it. It is full of intellectual satire and is rich.

Volpone was placed as a stage for Venice. The other three comedies are stated in the words of the Prologue of "Alchemist", whether to succeed in the "Touhou Kemiki Record" or because of other reasons:

"Our stage is London, because I want to know that the joy of any country is not better than us."

In fact, when adapting the works for publication in the 1616 Folio, Jonson transferred the characters of "Humorous Men" from Florence to London, transforming Lorenzo di Pazzi into Mr. Knowell, Prospero into Reverend Welborn, and Hesperida into Lady Kitley, "I who live in an old Jew."

Despite the tendency to caricature in London comedies, Jonson proved himself a true realist. There is a delightful comparison between Ben Jonson and Charles Dickens. Both were men of the people, of lowly birth and upbringing. Each knew the London of his time. And each represented it in intimate detail. Both were inveterate moralists, seeking truth through the exaggerated methods of humor and caricature. They could be sometimes mad, but they had real passion and a big heart.

In 1616, the year of Shakespeare's death, Jonson published a collection of his plays, poems, and masques, an unusual feat for the time and something no playwright had attempted before him. This volume included all the plays mentioned so far, with carefully revised texts, except for "The Case is Changed," "Bartholomew Fair," and "The Devil is an Ass," which Jonson disapproved of. It also contained some 130 "epigrams," written in short, sharp sentences, for which Jonson was recognized as a master. It also contained "The Forest," a collection of short poems and occasional lines, and a dozen "Masks" and "Pastries." In the same year, Jonson was made a poet with a pension of 100 marks per year. This, together with fees and tributes from a few nobles, and a small profit from his works, must have made up the bulk of his income. The poet appears to have done literary work for others, for example, a part on the Punic Wars, which he contributed to Raleigh's History of the World. There is also a story, little credited, that he accompanied Raleigh's son abroad as tutor. In 1618, Johnson was reinstated as a master of the company, a position he was particularly fond of, but he did not live to enjoy it. He received degrees from both universities, but it is unclear when and under what circumstances they were awarded. Satireists of the time disliked King James's habit of awarding peerages indiscriminately; in his time the worst men were peeraged by the worthy Ben Jonson.

From 1616 to the end of the reign of King James, Johnson did not publish any works for the stage. However, he was eager to do what he called "research in foreign countries", and became one of the most knowledge at the time, as it was actually reported. Johnson's theory of writer included a wide range of knowledge of books and the ability to convert other poets and wealth to their own use. Therefore, Johnson not only read the classics of Greek and Latin to the lower writer, but also the Latin language of the disciples of the same era, not only the poetry, but also the prose, the Kojiki, the unusual knowledge, and the more stable. I was particularly familiar with the learning. Despite being a poor, Johnson was an extraordinary book collector. He told Dramond, "Count Pembrok has sent £ 20 every day to buy a new book." Unfortunately, in 1623, his collection was burned by a fire. The accident is described alone in his psychiatric poem, "Exceptions to Valkan." Even now, a book engraved with "Ben Johnson" in large characters in Italian. Regarding the use of Johnson's material, Diliden states a surprising thing about him: "He not only proclaims that he is a hole imitator, but also stretched his cheeks. The robbery is < ban>. Until 1616 to the end of the reign of King James, Johnson did not publish anything for the stage, but he was enthusiastic about what he called "foreign research." As it was, he became one of the most academic people at the time. Johnson's theory of writer included a wide range of knowledge of books and the ability to convert other poets and wealth to their own use. Therefore, Johnson not only read the classics of Greek and Latin to the lower writer, but also the Latin language of the disciples of the same era, not only worrisome, worthwhile, unusual knowledge, more stable. I was particularly familiar with the learning. Despite being a poor, Johnson was an extraordinary book collector. He told Dramond, "Count Pembrok has sent £ 20 every day to buy a new book." Unfortunately, in 1623, his collection was burned by a fire. The accident is described alone in his psychiatric poem, "Exceptions to Valkan." Even now, a book engraved with "Ben Johnson" in large characters in Italian. Regarding the use of Johnson's material, Diliden states a surprising thing about him: "He not only proclaims that he is a hole imitator, but also puts his cheeks on all others. The robbery from 1616. Until the reign of James was over, Johnson did not announce anything for the stage, but he was eager to call it a "foreign study." As a matter of fact, he became one of the most academic people at the time. Johnson's theory of writer included a wide range of knowledge of books and the ability to convert other poets and wealth to their own use. Therefore, Johnson not only read the classics of Greek and Latin to the lower writer, but also the Latin language of the disciples of the same era, not only worrisome, worthwhile, unusual knowledge, more stable. I was particularly familiar with the learning. Despite being a poor, Johnson was an extraordinary book collector. He told Dramond, "Count Pembrok has sent £ 20 every day to buy a new book." Unfortunately, in 1623, his collection was burned by a fire. The accident is described alone in his psychiatric poem, "Exceptions to Valkan." Even now, a book engraved with "Ben Johnson" in large characters in Italian. Regarding the use of Johnson's material, Diliden states a surprising thing about him: "He not only proclaims he is a horror imitation, but also stretched the cheeks of all other people. The robbery is.

Jonson's lyric poetry, especially his occasional poems, is of peculiar value. His theory demanded design and perfection of literary finish; he distinguished himself from the ramblings of idle days and the careless singers; and he believed that Apollo sang the song of robes, and Laurel could only serve when crowned. But many of Jonson's lyrics will live as long as language. Who does not know "The Queen and the Hunter, the Good and the Just"? "Drink with your eyes only," "Stay well, and yet dress yourself." Beautiful in form, elusive and graceful in expression, too many words or too few to play their part in the overall effect, yet there is in Jonson's poetry a certain stiffness, a certain turn of phrase, a certain spontaneousness and undifferentiatedness. For this reason Jonson writes better poems in epigrams and occasional verses, where rhetorical finishing and displays of wit do not so much interfere with the spontaneity and emotion we usually associate with lyric poetry. There is no epitaph like Ben Jonson's. Witness the charming epitaphs given to Salatiel Pavey, the Child Actors, and many others. And this, My strict rules and mine and yours must now be undone.

Some of Johnson's most noble poems are inspired by friendship. A song dedicated to the memories of Lucius Cary and Henry Morisung, and said, "My beloved teacher, William Shakespeare and what he left for us." , A work that expresses critical insights and friendly affection. In addition, "Epord", which begins with "I don't know malicious intentions at all", is not comparable to Shakespeare's own solid and magnificent and magnificent wisdom.

However, after the publication of the booklet, even if Johnson left the stage by the end of the reign of King James, he did not stop his activities. Every year, his inexhaustible ingenuity continues to contribute to the court disguise and entertainment. In the "Golden Age, Palas turns the iron era and the associated evil into a statue and sinks so that it is noticeable. In the "pleasure that has been settled with the virtue", Atlas is expressed as an old man who has been covered by snow with snow, and "god of entertainment, or god of belly" is also one of the characters, and is imaginable, John Milton. It was an unforgettable opportunity for a 1 0-yea r-old boy. James's late reign, "Bread Anniversary", declared that Johnson had not yet forgotten how to write the exquisite lyrics, and "Transformed Gypsy" has an old doll and a wide humorous hit. , Still, and in the mismatch as it is. The era of Charles and the early days of Charles were the days of the Devil's Tavern, the Devil's Tavern, presided over by the absolute monarchy Johnson of British literature. Veteran dictators, his memories, opinions, affection, hatred, with his wise rooms filled with Johnson's wise "LEGES CONVIVAVALES" and his friends, composed of selected spirits at the time. I hear the story of dedicated affection. And we are again such wonderful

"As we had such a cluster, we are not kind and wild, but all the poems have surpassed meat and exceeded wine feasts." < SPAN> Johnson. Some of the most noble poems of poetry are inspired by friendship. A song dedicated to the memories of Lucius Cary and Henry Morisung, and said, "My beloved teacher, William Shakespeare and what he left for us." , A work that expresses critical insights and friendly affection. In addition, "Epord", which begins with "I don't know malicious intentions at all", is not comparable to Shakespeare's own solid and magnificent and magnificent wisdom.

However, after the publication of the booklet, even if Johnson left the stage by the end of the reign of King James, he did not stop his activities. Every year, his inexhaustible ingenuity continues to contribute to the court disguise and entertainment. In the "Golden Age, Palas turns the iron era and the associated evil into a statue and sinks so that it is noticeable. In the "pleasure that has been settled with the virtue", Atlas is expressed as an old man who has been covered by snow with snow, and "god of entertainment, or god of belly" is also one of the characters, and is imaginable, John Milton. It was an unforgettable opportunity for a 1 0-yea r-old boy. James's late reign, "Bread Anniversary", declared that Johnson had not yet forgotten how to write the exquisite lyrics, and "Transformed Gypsy" has an old doll and a wide humorous hit. , Still, and in the mismatch as it is. The era of Charles and the early days of Charles were the days of the Devil's Tavern, the Devil's Tavern, presided over by the absolute monarchy Johnson of British literature. Veteran dictators, his memories, opinions, affection, hatred, with his wise rooms filled with Johnson's wise "LEGES CONVIVAVALES" and his friends, composed of selected spirits at the time. I hear the story of dedicated affection. And we are again such wonderful

"As we had such a cluster, we are not kindly wild, not crazy, but all of your poems have surpassed meat and exceeded wine feasts." Johnson's highest noble. Some of the poems are inspired by friendship. A song dedicated to the memories of Lucius Cary and Henry Morisung, and said, "My beloved teacher, William Shakespeare and what he left for us." , A work that expresses critical insights and friendly affection. In addition, "Epord", which begins with "I don't know malicious intentions at all", is not comparable to Shakespeare's own solid and magnificent and magnificent wisdom.

However, after the publication of the booklet, even if Johnson left the stage by the end of the reign of King James, he did not stop his activities. Every year, his inexhaustible ingenuity continues to contribute to the court disguise and entertainment. In the "Golden Age, Palas turns the iron era and the associated evil into a statue and sinks so that it is noticeable. In the "pleasure that has been settled with the virtue", Atlas is expressed as an old man who has been covered by snow with snow, and "god of entertainment, or god of belly" is also one of the characters, and is imaginable, John Milton. It was an unforgettable opportunity for a 1 0-yea r-old boy. James's late reign, "Bread Anniversary", declared that Johnson had not yet forgotten how to write the exquisite lyrics, and "Transformed Gypsy" has an old doll and a wide humorous hit. , Still, and in the mismatch as it is. The era of Charles and the early days of Charles were the days of the Devil's Tavern, the Devil's Tavern, presided over by the absolute monarchy Johnson of British literature. Veteran dictators, his memories, opinions, affection, hatred, with his wise rooms filled with Johnson's wise "LEGES CONVIVAVALES" and his friends, composed of selected spirits at the time. I hear the story of dedicated affection. And we are again such wonderful

"As we had such a cluster, we are not kind and wild, but all of your poems have surpassed meat and surpassed wine feasts."

However, in the era of King Charles, the protection of the court failed. The old poet returned to the stage and performed "The Taple of News", "The New Inn", "The Magnetic Lady", and "The Tale of A Bath" from 1625 to 1633. Neither of these plays to be particularly noteworthy, but it is unreasonable for Dryden to become "Johnson's Drops". In this way, the idea of ​​collecting news, appropriate clothes, and publishing offices (at that time, "Flying Flying Flying") was the perfect subject to satire the absurdity existing in the news. However, because of its generativeity, "magne t-like women" attract the subjects for various humor, and finally reconcile according to the other title "holding hands and han d-t o-reconcile". I can't talk a lot. The last play of the old playwright writer has returned to a hard line of satire and fable. It is more moral than ever before, and the satire has fallen into a personal satire, and his friend Inigo Jones, especially his friend, has his influence on the old poetry in court. And now, Johnson was ill and was sleeping for several months. He was inherited after Middleton. < SPAN> But in the era of King Charles, the court's protection failed. The old poet returned to the stage and performed "The Taple of News", "The New Inn", "The Magnetic Lady", and "The Tale of A Bath" from 1625 to 1633. Neither of these plays to be particularly noteworthy, but it is unreasonable for Dryden to become "Johnson's Drops". In this way, the idea of ​​collecting news, appropriate clothes, and publishing offices (at that time, "Flying Flying Flying") was the perfect subject to satire the absurdity existing in the news. However, because of its generativeity, "magne t-like women" attract the subjects for various humor, and finally reconcile according to the other title "holding hands and han d-t o-reconcile". I can't talk a lot. The last play of the old playwright writer has returned to a hard line of satire and fable. It is more moral than ever before, and the satire has fallen into a personal satire, and his friend Inigo Jones, especially his friend, has his influence on the old poetry in court. And now, Johnson was ill and was sleeping for several months. He succeeded Midton. However, in the era of King Charles, the protection of the court failed. The old poet returned to the stage and performed "The Taple of News", "The New Inn", "The Magnetic Lady", and "The Tale of A Bath" from 1625 to 1633. Neither of these plays to be particularly noteworthy, but it is unreasonable for Dryden to become "Johnson's Drops". In this way, the idea of ​​collecting news, appropriate clothes, and publishing offices (at that time, "Flying Flying Flying") was the perfect subject to satire the absurdity existing in the news. However, because of its generativeity, "magne t-like women" attract the subjects for various humor, and finally reconcile according to the other title "holding hands and han d-t o-reconcile". I can't talk a lot. The last play of the old playwright writer has returned to a hard line of satire and fable. It is more moral than ever before, and the satire has fallen into a personal satire, and his friend Inigo Jones, especially his friend, has his influence on the old poetry in court. And now, Johnson was ill and was sleeping for several months. He was inherited after Middleton.

Johnson died on August 6, 1637, and the second piece of his work, which was summarized after a while, was printed in 1640. Paragraphs other than the case have been changed. About 15 disguised, written between 1617 and 1630. Translation of poetry and poetry called "underwoods" (published as VICESIMO QUARTO in 1640) and fragments and obstacles that the poet themselves rarely wrote. The latter includes a tragedy fragment called "Mortimer His Fall" (less than 70 lines) and the three actors "The Sad Shepherd", a very beautiful and poetic wit, three acts. There is also a very interesting "English grammar" in Latin and English, "Ben Johnson, who is currently spoken and used, for all foreigners." "Wooden, or discovery" is "a person or substance that has been returned from his everyday reading or returned in his unique era." What is usually called "discovery" is an ordinary book with their reading, like many literaryists. < SPAN> Johnson died on August 6, 1637, and the second piece of his work, which was summarized for a while, was printed in 1640. Paragraphs other than the case have been changed. About 15 disguised, written between 1617 and 1630. Translation of poetry and poetry called "underwoods" (published as VICESIMO QUARTO in 1640) and fragments and obstacles that the poet themselves rarely wrote. The latter includes a tragedy fragment called "Mortimer His Fall" (less than 70 lines) and the three actors "The Sad Shepherd", a very beautiful and poetic wit, three acts. There is also a very interesting "English grammar" in Latin and English, "Ben Johnson, who is currently spoken and used, for all foreigners." "Wooden, or discovery" is "a person or substance that has been returned from his everyday reading or returned in his unique era." What is usually called "discovery" is an ordinary book with their reading, like many literaryists. Johnson died on August 6, 1637, and the second piece of his work, which was summarized after a while, was printed in 1640. Paragraphs other than the case have been changed. About 15 disguised, written between 1617 and 1630. Translation of poetry and poetry called "underwoods" (published as VICESIMO QUARTO in 1640) and fragments and obstacles that the poet themselves rarely wrote. The latter includes a tragedy fragment called "Mortimer His Fall" (less than 70 lines) and the three actors "The Sad Shepherd", a very beautiful and poetic wit, three acts. There is also a very interesting "English grammar" in Latin and English, "Ben Johnson, who is currently spoken and used, for all foreigners." "Wooden, or discovery" is "a person or substance that has been returned from his everyday reading or returned in his unique era." What is usually called "discovery", like many literary artists, is an ordinary book where their reading is recorded.

When Johnson died, there was a beautiful monument project in memory of him. However, the Civil War broke out and the plan failed. The stone covering his grave in a corner of the corridor of the Westminster Daibu House, but a monument was engraved, not insufficient:

"Rare Ben Johnson."

Felix E / Scheling

College in Philadelphia, USA.

The following was a beautiful monument project in memory of him when Johnson died, a list of all the works he published: -& am & amp; gt died. However, the Civil War broke out, and the plan failed. A monument that is not insufficient is engraved on the stone covering his grave in the corner of the Westminster's corridor:

"Rare Ben Johnson."

Felix E / Scheling