Not everyone's on his plate

The greatest of English dramatists, except Shakespeare, the first literary tyrant and poet laureate, the creator of poetry, prose, satire, and criticism, the man who influenced the further development of English literature more than any of his contemporaries: that was Ben Jonson, and in this respect the quality of his powerful face gives us an almost unparalleled attention, at least in his time.

Jonson's grandfather was a native of Annandale, beyond the Solway, from whence he emigrated to England. The founder of Jonson defiled his estates under Queen Mary, and was "prisoned and dispossessed." He became a parishioner of the church, but died in hardship a month before the birth of his illustrious descendant, leaving a widow and infant. Jonson's place of birth was Westminster, and his time of birth early in 1573. He was therefore nearly ten years younger than Shakespeare, and the least well equipped, and somewhat different in appearance from all the others. But even this slight advantage did not profit Jonson. His mother married a lowly artisan or mason, to whom Johnson was apprenticed for some time. In his youth he came under the care of the famous paleographer William Camden, senior clerk at Westminster High School, where the poet laid the lasting foundations of his traditional education. Johnson always held Camden in high regard, and acknowledged that he owed him something. "All I am really in the art world, all I actually know"

Fuller states that Johnson has officially enrolled in Cambridge's St. John College, but he is doubted if he went to college. Fuller states that "Cembridge has officially enrolled in St. John's College," but it is doubtful whether Johnson went to college. Fuller stated that he had officially enrolled in St. John College in Cambridge, but he did not get his degree, but he said, "I became a master's degree at both universities. When I was young, Johnson. Johnson was a big and heavy man, while Wilian the Silent was prolonging the war with Spain. In a conversation with William Dramond, Johnson said, "When I faced both camps in lowlands, killed the enemy and took Opima Sporia" and "when I came to England, I was called to the battlefield. He killed the wounded enemy, and his sword was 15 inches longer than his own. " Johnson's reach may have compensated for the lack of swords, but it is certain that his skills have not lost anything. It is clear that Johnson was brave, strong, and did not hate to talk about himself or himself.

In 1592, Johnson returned from a foreign country with no sentence. Immediately afterwards, he married as fast as Shakespeare and was careless. He told Dramond, "My wife was stubborn but fair," and had been separated from the wife of Lord Orbanie for many years. However, the two impressive epitafs, "From my first daughter" and "from my first son" in Johnson's epigram, tell the poet's warm affection from the poet. The daughter died in a pest in her childhood, and the other son lived long without gaining the trust of his father. I don't know anything about Johnson's family life. < SPAN> Fuller states that Johnson has officially enrolled in Cambridge's St. John College, but it is doubtful that he went to college. Fuller states that "Cembridge has officially enrolled in St. John's College," but it is doubtful whether Johnson went to college. Fuller stated that he had officially enrolled in St. John College in Cambridge, but he did not get his degree, but he said, "I became a master's degree at both universities. When I was young, Johnson. Johnson was a big and heavy man, while Wilian the Silent was prolonging the war with Spain. In a conversation with William Dramond, Johnson said, "When I faced both camps in lowlands, killed the enemy and took Opima Sporia" and "when I came to England, I was called to the battlefield. He killed the wounded enemy, and his sword was 15 inches longer than his own. " Johnson's reach may have compensated for the lack of swords, but it is certain that his skills have not lost anything. It is clear that Johnson was brave, strong, and did not hate to talk about himself or himself.

In 1592, Johnson returned from a foreign country with no sentence. Immediately afterwards, he married as fast as Shakespeare and was careless. He told Dramond, "My wife was stubborn but fair," and had been separated from the wife of Lord Orbanie for many years. However, the two impressive epitafs, "From my first daughter" and "from my first son" in Johnson's epigram, tell the poet's warm affection from the poet. The daughter died in a pest in her childhood, and the other son lived long without gaining the trust of his father. I don't know anything about Johnson's family life. Fuller states that Johnson has officially enrolled in Cambridge's St. John College, but he is doubted if he went to college. Fuller states that "Cembridge has officially enrolled in St. John's College," but it is doubtful whether Johnson went to college. Fuller stated that he had officially enrolled in St. John College in Cambridge, but he did not get his degree, but he said, "I became a master's degree at both universities. When I was young, Johnson. Johnson was a big and heavy man, while Wilian the Silent was prolonging the war with Spain. In a conversation with William Dramond, Johnson said, "When I faced both camps in lowlands, killed the enemy and took Opima Sporia" and "when I came to England, I was called to the battlefield. He killed the wounded enemy, and his sword was 15 inches longer than his own. " Johnson's reach may have compensated for the lack of swords, but it is certain that his skills have not lost anything. It is clear that Johnson was brave, strong, and did not hate to talk about himself or himself.

In 1592, Johnson returned from a foreign country with no sentence. Immediately afterwards, he married as fast as Shakespeare and was careless. He told Dramond, "My wife was stubborn but fair," and had been separated from the wife of Lord Orbanie for many years. However, the two impressive epitafs, "From my first daughter" and "from my first son" in Johnson's epigram, tell the poet's warm affection from the poet. The daughter died in a pest in her childhood, and the other son lived long without gaining the trust of his father. I don't know anything about Johnson's family life.

I don't know how fast Johnson has entered the magnificent sentence as a "theater expert" at this time. In 1593, Marlow died, and Green, who was another competitor in Shakespeare on the famous stage, died as unfortunately the previous year and overtook Marlow. Shakespeare was already left alone. Johnson's first attention is the job with Philip Henzlow. Henzlow was the owner of several troupes, managers, and the famous artist Edward Alaine's fathe r-i n-law. He borrowed 4 pounds from Henzlow on July 28, 1597 and repaid 3 pounds. Repayed 9d. This was for his own "share" (it is not clear at all), and on December 3, the same year, Henzlow gave him £ 20. "According to the books that he recommended to the company and gave it to the company during the right Christmas." In August of the following year, Johnson wrote a play titled "The Hot Anger Will Quickly Cool" in collaboration with Chettle and Porter. It's impossible for a simple artist to receive a down payment for a simple obligation. The description of the decker play "Satyromastyx" shows that Johnson wrote a play called "Satyromastyx", like Shakespeare. < SPAN> Johnson has no idea how fast he has entered a magnificent sentence as a "theater expert". In 1593, Marlow died, and Green, who was another competitor in Shakespeare on the famous stage, died as unfortunately the previous year and overtook Marlow. Shakespeare was already left alone. Johnson's first attention is the job with Philip Henzlow. Henzlow was the owner of several troupes, managers, and the famous artist Edward Alaine's fathe r-i n-law. He borrowed 4 pounds from Henzlow on July 28, 1597 and repaid 3 pounds. Repayed 9d. This was for his own "share" (it is not clear at all), and on December 3, the same year, Henzlow gave him £ 20. "According to the books that he recommended to the company and gave it to the company during the right Christmas." In August of the following year, Johnson wrote a play titled "The Hot Anger Will Quickly Cool" in collaboration with Chettle and Porter. It's impossible for a simple artist to receive a down payment for a simple obligation. The description of the decker play "Satyromastyx" shows that Johnson wrote a play called "Satyromastyx", like Shakespeare. I don't know how fast Johnson has entered the magnificent sentence as a "theater expert" at this time. In 1593, Marlow died, and Green, who was another competitor in Shakespeare on the famous stage, died as unfortunately the previous year and overtook Marlow. Shakespeare was already left alone. Johnson's first attention is the job with Philip Henzlow. Henzlow was the owner of several troupes, managers, and the famous artist Edward Alaine's fathe r-i n-law. He borrowed 4 pounds from Henzlow on July 28, 1597 and repaid 3 pounds. Repayed 9d. This was for his own "share" (it is not clear at all), and on December 3, the same year, Henzlow gave him £ 20. "According to the books that he recommended to the company and gave it to the company during the right Christmas." In August of the following year, Johnson wrote a play titled "The Hot Anger Will Quickly Cool" in collaboration with Chettle and Porter. It's impossible for a simple artist to receive a down payment for a simple obligation. The description of the decker play "Satyromastyx" shows that Johnson wrote a play called "Satyromastyx" like Shakespeare.

Returning to the fall of 1598, there was an event that temporarily cut off the relationship between Johnson and Henzlow. In a letter addressed to Alain on September 26, Henzlow wrote: "I lose one of my friends and feel very sad. This is Gabriel (Spencer), but he was killed by the mason Benjamin Johnson in the field of Hogsden." This last word may be more than Henzlow's dissatisfaction with Johnson, but he has been doing business so far. However, Johnson correctly states that he was a famous fire eating man who recently killed Fick, a similar skirmish. Duel was common among the lords and nobles at the time, which was a bold peaceful violation of the players. Johnson told Dramond a few years later in the duel, and Johnson was prosecuted in Old Bailey, was filed and convicted. He was sent to prison and all goods and property were "confiscated". If there was no ancient law in which a convicted criminal could apply for a clergy for rescue, Johnson would have to be horned by this act. He was saved by the fact that the poet could read and write, and only received the seal in the following form. < SPAN> Returning to the fall of 1598, there was an event that temporarily cut off the relationship between Johnson and Henzlow. In a letter addressed to Alain on September 26, Henzlow wrote: "I lose one of my friends and feel very sad. This is Gabriel (Spencer), but he was killed by the mason Benjamin Johnson in the field of Hogsden." This last word may be more than Henzlow's dissatisfaction with Johnson, but he has been doing business so far. However, Johnson correctly states that he was a famous fire eating man who recently killed Fick, a similar skirmish. Duel was common among the lords and nobles at the time, which was a bold peaceful violation of the players. Johnson told Dramond a few years later in the duel, and Johnson was prosecuted in Old Bailey, was filed and convicted. He was sent to prison and all goods and property were "confiscated". If there was no ancient law in which a convicted criminal could apply for a clergy for rescue, Johnson would have to be horned by this act. He was saved by the fact that the poet could read and write, and only received the seal in the following form. Returning to the fall of 1598, there was an event that temporarily cut off the relationship between Johnson and Henzlow. In a letter addressed to Alain on September 26, Henzlow wrote: "I lose one of my friends and feel very sad. This is Gabriel (Spencer), but he was killed by the mason Benjamin Johnson in the field of Hogsden." This last word may be more than Henzlow's dissatisfaction with Johnson, but he has been doing business so far. However, Johnson correctly states that he was a famous fire eating man who recently killed Fick, a similar skirmish. Duel was common among the lords and nobles at the time, which was a bold peaceful violation of the players. Johnson told Dramond a few years later in the duel, and Johnson was prosecuted in Old Bailey, was filed and convicted. He was sent to prison and all goods and property were "confiscated". If there was no ancient law in which a convicted criminal could apply for a clergy for rescue, Johnson would have to be horned by this act. He was saved by the fact that the poet could read and write, and only received the seal in the following form.

After his release, Johnson, who had fallen out of favor with Henslowe and his former associates, applied to Lord Chamberlain's company, rivals of Henslowe's, in which Shakespeare was a major shareholder, to propose his career as a playwright. Shakespeare called Johnson back, read the play himself, and immediately accepted it. Whether this circumstance is true or not, it is certain that Every Man in His Own Mind was accepted by the Shakespeare group and premiered in 1598, with Shakespeare playing a part. Evidence of this can be found in the list of actors accompanying the comedy in the 1616 Folio of Jonson's Works. However, because Shakespeare's name is at the top of the list of actors and the elder Knovel is at the top of the list of characters, it is a mistake to assume that Shakespeare played the part. The order of Elizabethan character lists was usually determined by the importance or value of the stockholders in the group, and rarely coincided with the character lists. The comedy Every Man in His Own Mind was an immediate success, and forever established Jonson's reputation as one of the most important dramatists of his time. It is not a completely premature comedy by Jonson, but we have just discovered that he was already considered one of "our greatest tragedians." One of Jonson's surviving comedies, The Case is Changed, was never reported by him or attributed to him, but it undoubtedly preceded Every Man in His Humour on the stage. The first play is a comedy that he developed to the level of the Latin plays of Plautus (she combines the stories of the playwright's Captivi and Aulularia). But Jonson found the charming situation of Rachel the Beggar and her suitors not in the classical sense, but in the standards of romantic love that Shakespeare had already popularized on the stage. Johnson never again created a female character as vivid and moving as Rachel, but in other respects A Change of Deeds is not an outstanding play and, apart from Anthony Munday's satirical portrayals as Antonio Balladino and Gabriel Harvey, is perhaps not all that typical of Johnson's comedies.

Perhaps at the end of the summer of 1598, the first "each person" created on the stage of the "Curtain" theater is an epoc h-making, and this consideration is impossible. As for the scenario, it is more than the fact that the founder goes to London through descendants with his scientific joint researchers with his own scientific joint researchers, and then lives in such an era of Habadashari. Not not. The true goodness of this comedy is the character and the doctrine of them created. Ben Johnson had a doctrine about poetry and play, and was not ashamed of talking or experimenting with them in his play. This was prepared to Johnson as a creator who could not be underestimated, like the thread and Wordworth later. This is especially true, even if almost all of Johnson's concepts have become dominant for a while and adapt to the entire purpose of British poetry. Before that, Johnson was a classicalist. In other words, he believed in art design and precautions, contrasted to an inexplicable and irresponsible spirit that was widespread in the Renaissance. In fact, Johnson believed that he could skillfully synchronize with the classics, learned the best criteria there, and found that most parts could be found from old ones. Our concerns

Johnson has twisted this issue firmly, so let him introduce his personal sentence about "humor". According to Johnson's view, humor is, for example, poisoning and temperament of personality to explain.

"For example, the special nature of a person is all drawn to one of his senses, his spirit, and his strength to his fusion."

However, Johnson carefully added:

"But putting feather, cable tie, 3 years of odor, Shinulkov or Swiss knot in the garden on my own French garter has a big impact on humor! Oh, this is more stupid. Probably 1598. At the end of the summer of the year, the first "each person" created on the stage of the "Curtain" theater is an epochmaking, which is reasonable. As for the scenario, it is more than the fact that the founder goes to London through descendants with his scientific joint researchers with his own scientific joint researchers, and then lives in such an era of Habadashari. Not not. The true goodness of this comedy is the character and the doctrine of them created. Ben Johnson had a doctrine about poetry and play, and was not ashamed of talking or experimenting with them in his play. This was prepared to Johnson as a creator who could not be underestimated, like the thread and Wordworth later. This is especially true, even if almost all of Johnson's concepts have become dominant for a while and adapt to the entire purpose of British poetry. Before that, Johnson was a classicalist. In other words, he believed in art design and precautions, contrasted to an inexplicable and irresponsible spirit that was widespread in the Renaissance. In fact, Johnson believed that he could skillfully synchronize with the classics, learned the best criteria there, and found that most parts could be found from old ones. Our concerns

Johnson has twisted this issue firmly, so let him introduce his personal sentence about "humor". According to Johnson's view, humor is, for example, poisoning and temperament of personality to explain.

"For example, the special nature of a person is all drawn to one of his senses, his spirit, and his strength to his fusion."

However, Johnson carefully added:

"But putting feather, cable tie, 3 years of odor, Shinulkov or Swiss knot in the garden on my French garter has a big impact on humor! Oh, this is more ridiculous. Probably the summer of 1598. At the end of the end, the first "each person" created on the stage of the Curtain Theater is an epoch making, which is reasonable. As for the scenario, it is more than the fact that the founder goes to London through descendants with his scientific joint researchers with his own scientific joint researchers, and then lives in such an era of Habadashari. Not not. The true goodness of this comedy is the character and the doctrine of them created. Ben Johnson had a doctrine about poetry and play, and was not ashamed of talking or experimenting with them in his play. This was prepared to Johnson as a creator who could not be underestimated, like the thread and Wordworth later. This is especially true, even if almost all of Johnson's concepts have become dominant for a while and adapt to the entire purpose of British poetry. Before that, Johnson was a classicalist. In other words, he believed in art design and precautions, contrasted to an inexplicable and irresponsible spirit that was widespread in the Renaissance. In fact, Johnson believed that he could skillfully synchronize with the classics, learned the best criteria there, and found that most parts could be found from old ones. Our concerns

Johnson has been twisted on this issue, so let me introduce his personal sentence about "humor". According to Johnson's view, humor is, for example, poisoning and temperament of personality to explain.

"For example, the special nature of a person is all drawn to one of his senses, his spirit, and his strength to his fusion."

However, Johnson carefully added:

"But putting feather, cable tie, 3 years of odor, Shinulkov or Swiss knot in the garden on my French garter has a huge impact on humor! Oh, this is even more ridiculous.

The comedy of humor Johnson gives the stage characters in a certain sentence based on a certain kind of temperament and charm (we pay attention to the remarkable simplification of real life). 。 Then, these categorized features are compared, and in contrast to the incident, sparks from comedy are scattered. Dawn Late is a "simple servant", as follows his footprints on behalf of him. Boord's humor is a humor of the arm group that has an attractive and humorous effect because it turns out to be a coward. The humor of the brain is clarifying events aimed at deceiving everyone: After all, it turned out that it was stupid. But not only that, Johnson's doctrine brought the victory of "everyone has humor." This play is an excellent script that each character is brightly depicted in a solid color, based on the old London people. Johnson is not in this, a majestic comedian (not in any other play written by him), but in the UK to return to a slave according to the traditional situation. I asked for a theater. In accordance with the laws of ancient comedies, he talks (implications of this luggage by the "law" as a time and space permission or the introduction of chorus): I explain our invention. I do not know if I have to use free or free power to enlarge. < SPAN> The comedy of Humor Johnson is based on a certain kind of temperament and charm (we keep in mind that it is a remarkable simplification of real life). I'm giving. Then, these categorized features are compared, and in contrast to the incident, sparks from comedy are scattered. Dawn Late is a "simple servant", as follows his footprints on behalf of him. Boord's humor is a humor of the arm group that has an attractive and humorous effect because it turns out to be a coward. The humor of the brain is clarifying events aimed at deceiving everyone: After all, it turned out that it was stupid. But not only that, Johnson's doctrine brought the victory of "everyone has humor." This play is an excellent script that each character is brightly depicted in a solid color, based on the old London people. Johnson is not in this, a majestic comedian (not in any other play written by him), but in the UK to return to a slave according to the traditional situation. I asked for a theater. In accordance with the laws of ancient comedies, he talks (implications of this luggage by the "law" as a time and space permission or the introduction of chorus): I explain our invention. I do not know if I have to use free or free power to enlarge. The comedy of humor Johnson gives the stage characters in a certain sentence based on a certain kind of temperament and charm (we pay attention to the remarkable simplification of real life). 。 Then, these categorized features are compared, and in contrast to the incident, sparks from comedy are scattered. Dawn Late is a "simple servant", as follows his footprints on behalf of him. Boord's humor is a humor of the arm group that has an attractive and humorous effect because it turns out to be a coward. The humor of the brain is clarifying events aimed at deceiving everyone: After all, it turned out that it was stupid. But not only that, Johnson's doctrine brought the victory of "everyone has humor." This play is an excellent script that each character is brightly depicted in a solid color, based on the old London people. Johnson is not in this, a majestic comedian (not in any other play written by him), but in the UK to return to a slave according to the traditional situation. I asked for a theater. In accordance with the laws of ancient comedies, he talks (implications of this luggage by the "law" as a time and space permission or the introduction of chorus): I explain our invention. I do not know if I have to use free or free power to enlarge.

Lowering humor: Transform into abnormalities in speaking, strange image, clothes and beards. Anonymous play was "Every Lady in Her Own Humour". Chapman writes "Jolly Day", "Breathless Humour", Frecher, and Johnson returns to this title along with "Every Man is in a Bad Mood". , Or "Reconciliation of Humours" completed your comedy cycle. < SPAN> Lower humor: Transform into abnormalities in speaking, unusual image, clothes and beard cuts. Anonymous play was "Every Lady in Her Own Humour". Chapman writes "Jolly Day", "Breathless Humour", Frecher, and Johnson returns to this title along with "Every Man is in a Bad Mood". , Or "Reconciliation of Humours" completed your comedy cycle. Lowering humor: Transform into abnormalities in speaking, strange image, clothes and beards. Anonymous play was "Every Lady in Her Own Humour". Chapman writes "Jolly Day", "Breathless Humour", Frecher, and Johnson returns to this title along with "Every Man is in a Bad Mood". , Or "Reconciliation of Humours" completed your comedy cycle.

The 1599 production of the play Everybody is not in our own minds by the Shakespeare Group of the World marked a new chapter in Jonson's career, one in which self-indulgence could be added, especially in the standards of criticism and satire. "Every man is not in his own mind" is the first of Jonson's three "funny satires" that De Dekker actually brought into what he called the Poetomachy or theatrical wars. But as a type of satirical character of such an age, it is deployed by the support of catchy caricature, dressed in smart and glossy dialogue and supported by a righteous indignation that should be placed in the database of true satire. Aiming at danger or general deposits, abstract abuses and corruptions: and the personalities, all this finds a particular use in the mocking poets and other people, Jonson's contemporaries. Its own method of attack, by the method of realistically caricaturing the characters on the stage.

But the date of this epigram cannot possibly be set with complete confidence. In Johnson's own presentation, Drummond "quarrelled with Marston, beat him very much, took his revolver, and wrote his own" poet "over him."

[The best account on this subject is in the "Stathler" and "Satymustri" by J. H. Penniman, published in the "Belles Lettres Series." See the "War of Theatres" of 1892, and the delightful contribution on this subject by G. K. Hart, published in "Notes and Queries" and "Johnson" of 1906.

At the same time, we are here on some grounds, and the leading members of the discord are popular. The play "Hystriomastix", treated by Marston in 1598, is a case in which Johnson thus became "on stage." But the character in question, Chrisogon, a poet, satirist and interpreter, a poor man, despising the prude and simple otara, is seen earlier than the gratuitous portrait of Johnson than the caricature. Carlo Buffon, described in other spaces as "a public, bad-tasting and disreputable Nestor" and as "the great scourge of such times, or many two disquietudes" (i. e. a satirist), was previously considered undoubtedly Marston (the former was Joseph Hall, who, according to his personal confession, called Marston's work "the scourge of ruffians"). Apparently, we are forced to prefer Carlo, a sad character called Charles Chester, about whom the gossipy and non-native Obli instructs, in effect, that he was "bold and dashing, chattering endlessly, and as noisy as a vegetable tambour". He was slapped by Sir Walter Leyly in a tavern and had his eskin (upper and lower beard) sealed with hard wax. Ben Jonson plays Carlo Buffon [the "Jester"] in his play "Everyone in his own mind." Nevertheless, it is not difficult to imagine that Jonson mocked Marston.

We deepened the details in this special case and showed his criticism in his eerie, trying to detect Aleucasu from this forgotten string. Other expressions of hostility to Johnson were organized based on more reliable evidence. Anthnio, Anthony Monday, a poet in a big city, the interpretation of romance, and the "unusual things" are clearly smiling. Samuel Daniel has absolutely enriched the satellite of the court poet, Sonnet, and the top people in "Every Man in His Humour". These people accounted for a universal position, according to Johnson, with his talent giving him more than justice. As a result, they became Johnson's natural enemy. In fact, the carriers that appear in "Every Man Out of His House" and "CynThia's Revels" are Daniel, "Hedon" and "AMORPHUS". Middle It seems that there is almost no discussion to pursue both. The literary competition between Johnson and Daniel is repeated over and over again, including King Jacob's rest, court mask play, and reasons. It is noteworthy that Johnson's ambition about the two data is that he was not a poet but an ol d-fashioned city scholar, and that he actually broke Daniel, in fact, a new king. 。 < SPAN> We deepened the details in this special case and showed his criticism of his eerieness, trying to detect Aleucases from this forgotten string. Other expressions of hostility to Johnson were organized based on more reliable evidence. Anthnio, Anthony Monday, a poet in a big city, the interpretation of romance, and the "unusual things" are clearly smiling. Samuel Daniel has absolutely enriched the satellite of the court poet, Sonnet, and the top people in "Every Man in His Humour". These people accounted for a universal position, according to Johnson, with his talent giving him more than justice. As a result, they became Johnson's natural enemy. In fact, the carriers that appear in "Every Man Out of His House" and "CynThia's Revels" are Daniel, "Hedon" and "AMORPHUS". Middle It seems that there is almost no discussion to pursue both. The literary competition between Johnson and Daniel is repeated over and over again, including King Jacob's rest, court mask play, and reasons. It is noteworthy that Johnson's ambition about the two data is that he was not a poet but an ol d-fashioned city scholar, and that he actually broke Daniel, in fact, a new king. 。 We deepened the details in this special case and showed his criticism in his eerie, trying to detect Aleucasu from this forgotten string. Other expressions of hostility to Johnson were organized based on more reliable evidence. Anthnio, Anthony Monday, a poet in a big city, the interpretation of romance, and the "unusual things" are clearly smiling. Samuel Daniel has absolutely enriched the satellite of the court poet, Sonnet, and the top people in "Every Man in His Humour". These people accounted for a universal position, according to Johnson, with his talent giving him more than justice. As a result, they became Johnson's natural enemy. In fact, the carriers that appear in "Every Man Out of His House" and "CynThia's Revels" are Daniel, "Hedon" and "AMORPHUS". Middle It seems that there is almost no discussion to pursue both. The literary competition between Johnson and Daniel is repeated over and over again, including King Jacob's rest, court mask play, and reasons. Regarding Johnson's ambition about the two data, it is noteworthy that he was not a poet, but a British city, and that he actually broke Daniel, in fact, a new king. 。

The second "humorous satire", "Cynthia's Dinner Party" was staged in 1600, and is a more long and elaborate work than "Men who have escaped humor". In this work, it seems that personal satire is swallowing everything, and many of the satire, especially the details of the witty and painful satire dialogue, are excellent, but the central ideas of ego fountain are realized. Instead, the face turn is abstract, and the behavior is falling into an allegoric. Surprisingly, this complex drama was played by the children of the Queen Elizabeth Chapel. It also includes Nasaniel Field, where Johnson read Holes and Marshall and later learned the play. Another supporting role was Salatiel Pavy, who died before he was 13 and was already famous for the old man. Johnson made him immortal, one of his most wonderful tombstones. Interestingly, he had a friendship with such small theater girls and remembered it favorably. Some of them were literally kidnapped (as we know) and entered the theater to practice difficult roles. Daniel and Monday's caricature in Cynthia's Apocalypse should definitely add Anida (arrogant attitude), here, Marston, and Assotas. Critbs, like Aspe r-Machirente in "All people," was staged in 1600, "Cynthia's Dinner", which is the second "humorous satire", and as a play, "Men who escaped from humor. It is a longer and elaborate work. In this work, it seems that personal satire is swallowing everything, and many of the satire, especially the details of the witty and painful satire dialogue, are excellent, but the central ideas of ego fountain are realized. Instead, the face turn is abstract, and the behavior is falling into an allegoric. Surprisingly, this complex drama was played by the children of the Queen Elizabeth Chapel. It also includes Nasaniel Field, where Johnson read Holes and Marshall and later learned the play. Another supporting role was Salatiel Pavy, who died before he was 13 and was already famous for the old man. Johnson made him immortal, one of his most wonderful tombstones. Interestingly, he had a friendship with such small theater girls and remembered it favorably. Some of them were literally kidnapped (as we know) and entered the theater to practice difficult roles. Daniel and Monday's caricature in Cynthia's Apocalypse should definitely add Anida (arrogant attitude), here, Marston, and Assotas. Critbs was performed in 1600, the second "humorous satire", like Aspe r-Machirente in "Everyone", in 1600, and as a play, rather than "Men who have escaped from humor". It is a long, elaborate and impossible work. In this work, it seems that personal satire is swallowing everything, and many of the satire, especially the details of the witty and painful satire dialogue, are excellent, but the central ideas of ego fountain are realized. Instead, the face turn is abstract, and the behavior is falling into an allegoric. Surprisingly, this complex drama was played by the children of the Queen Elizabeth Chapel. It also includes Nasaniel Field, where Johnson read Holes and Marshall and later learned the play. Another supporting role was Salatiel Pavy, who died before he was 13 and was already famous for the old man. Johnson made him immortal, one of his most wonderful tombstones. Interestingly, he had a friendship with such small theater girls and remembered it favorably. Some of them were literally kidnapped (as we know) and entered the theater to practice difficult roles. Daniel and Monday's caricature in Cynthia's Apocalypse should definitely add Anida (arrogant attitude), here, Marston, and Assotas. Critbs is like Aspe r-Machirente in "Everyone"

In 1601, the third work of the "Houhami" updated by "Children in the Chapel" is the only intentional contribution of Johnson against this struggle. According to the author's personal confession, this play is 15 months based on the message that the enemy has entrusted the preparation of the "humorous poet to peel the mask of the humorous poet", which dramatically attacks himself. Written in. In this attempt to get out of the enemy, Johnson succeeded, and the Poet immediately won the suitable victory. However, in terms of configuration, Poeta Star is almost close to the previous fellow drama, and in the way he borrowed from Rukianne's "Lexifani", the poet Marsto n-Crispin, who was offended, had to abandon esoteric things. It is made to lead to a humorous last scene. Finally, Crispinus promises to protect the universe with his comrades, Dekke l-Demetrius, and from this moment, "Quintus Holes Frackas (Johnson) and other famous people's personal honor, and bribed. His "specificity" should not be disgusted, "returned immediately after being completely exposed to a cheerful, sensitive". In the third work of "humorous satire", the last work "Poet" is Johnson's only intentional contribution to this struggle. According to the author's personal confession, this play is 15 months based on the message that the enemy has entrusted the preparation of the "humorous poet to peel the mask of the humorous poet", which dramatically attacks himself. Written in. In this attempt to get out of the enemy, Johnson succeeded, and the Poet immediately won the suitable victory. However, in terms of configuration, Poeta Star is almost close to the previous fellow drama, and in the way he borrowed from Rukianne's "Lexifani", the poet Marsto n-Crispin, who was offended, had to abandon esoteric things. It is made to lead to a humorous last scene. Finally, Crispinus promises to protect the universe with his comrades, Dekke l-Demetrius, and from this moment, "Quintus Holes Frackas (Johnson) and other famous people's personal honor, and bribed. The "specificity" is not to be disgusted or "kids in the chapel" in 1601, "the children of the chapel" in 1601. The last work, the poet, is the only intentional contribution of Johnson in this struggle. According to the author's personal confession, this play is 15 months based on the message that the enemy has entrusted the preparation of the "humorous poet to peel the mask of the humorous poet", which dramatically attacks himself. Written in. In this attempt to get out of the enemy, Johnson succeeded, and the Poet immediately won the suitable victory. However, in terms of configuration, Poeta Star is almost close to the previous fellow drama, and in the way he borrowed from Rukianne's "Lexifani", the poet Marsto n-Crispin, who was offended, had to abandon esoteric things. It is made to lead to a humorous last scene. Finally, Crispinus promises to protect the universe with his comrades, Dekke l-Demetrius, and from this moment, "Quintus Holes Frackas (Johnson) and other famous people's personal honor, and bribed. Or not, his "specificity" returns as soon as he is completely exposed.

Just in this letter, Captain Tukka, Dekker directed his concerns to his own Satimasticus, and he returned to Johnson his personal derogatory vocabulary, adding "indecencies to his personal conversations which did not enter into Johnson's theory," and strengthening him. There is an absolutely reliable consideration, for example, that Dekker was working on a Variety Chronicle dedicated to the situation of Walter Terrill in the reign of William Rufus, when he was brilliantly engaged in writing a dramatic refutation of Johnson. He immediately dramatized it, and, linking the satirical characters introduced and dramatized by POOLETER, sent a satire of his own response. The result was that the nonsense that Horace was at the court of the Norman king was brought to light. But Dekker's play is not without some heavy blows against the arrogance, literary pride, and self-satisfaction of Johnson's Horace. It is highly probable, even if only recently discovered, that its "friend," the absurd Asinius Bubo, was Johnson's friend, the poet Dryson. However petty and highbrow Satymathic was, especially when compared with the finer and more important satires of "The Phaser," Metropolis gave the palm of its champion to Dexker, not to Johnson. Johnson, however, was called to the Supreme Adjudicator and removed from the practice of "comic satire."

In fact, a certain number of other plays play a major or minor role in the war of the theatre. Among them, a play for the Institute entitled The Return from Parnassus, performed in 1601-02, is important. In it, quoted excerpts often make Burbage, as a character, say: Ah, Ben Jonson is a man with an ulcer; he brought up Horace and gave medicine to the poets, but our friend Shakespeare made him clean. Did Shakespeare take part in this war? And what could this "cleaning" have been? There is even a theory that the play in which Shakespeare "lowered" his friend Jonson was Troyle and Cressida. The most sensible interpretation is to find the "cleaning" in the Satymastique, which means that it was not written by Shakespeare, but was set up by Shakespeare's group and was under the encouragement and control of Shakespeare, the first person in charge of this group.

As a result, Elizabeth Johnson's last few years were recognized as a playwright that was inferior to Shakespeare, and was not even inferior to Shakespeare. But now, Johnson has changed his talent into a new territory. Shakespeare has not done anything new when the play of classical history and myths has been performed on the stage since the birth of the play, so when "Juliet Caesar" was written in 1600. Ta. Thus, three years later, when Johnson joined Syanus again to the Shakespeare Group, he just followed the footprints of a senior player. However, Johnson's idea about the classical history play was completely different for Shakespeare and on the other hand, both senior popular playwrights. A few years ago, Haywood immediately raised five miscellaneous plays to the stage, all of which were based on the Ovid story and had no sense or discrimination. Shakespeare had a more subtle format, but he was satisfied with his very old story from the translation of Plutk North and dramatically dramatized the scenario without investigating. Johnson was a scholar and a classical classical researcher. He accuses this worthless initiative, writes "Sian" as a scientist, reads Takitus, Swetonia, and other authority in fact, confident in the atmosphere, atmosphere, and a little identical authority. I wrote it. < SPAN> The last few years of Elizabeth Johnson's reign were recognized as a playwright that was inferior to Shakespeare, and was not even inferior to Shakespeare as a dramatic sting writer. But now, Johnson has changed his talent into a new territory. Shakespeare has not done anything new when the play of classical history and myths has been performed on the stage since the birth of the play, so when "Juliet Caesar" was written in 1600. Ta. Thus, three years later, when Johnson joined Syanus again to the Shakespeare Group, he just followed the footprints of a senior player. However, Johnson's idea about the classical history play was completely different for Shakespeare and on the other hand, both senior popular playwrights. A few years ago, Haywood immediately raised five miscellaneous plays to the stage, all of which were based on the Ovid story and had no sense or discrimination. Shakespeare had a more subtle format, but he was satisfied with his very old story from the translation of Plutk North and dramatically dramatized the scenario without investigating. Johnson was a scholar and a classical classical researcher. He accuses this worthless initiative, writes "Sian" as a scientist, reads Takitus, Swetonia, and other authority in fact, confident in the atmosphere, atmosphere, and a little identical authority. I wrote it. As a result, Elizabeth Johnson's last few years were recognized as a playwright that was inferior to Shakespeare, and was not even inferior to Shakespeare. But now, Johnson has changed his talent into a new territory. Shakespeare has not done anything new when the play of classical history and myths has been performed on the stage since the birth of the play, so when "Juliet Caesar" was written in 1600. Ta. Thus, three years later, when Johnson joined Syanus again to the Shakespeare Group, he just followed the footprints of a senior player. However, Johnson's idea about the classical history play was completely different for Shakespeare and on the other hand, both senior popular playwrights. A few years ago, Haywood immediately raised five miscellaneous plays to the stage, all of which were based on the Ovid story and had no sense or discrimination. Shakespeare had a more subtle format, but he was satisfied with his very old story from the translation of Plutk North and dramatically dramatized the scenario without investigating. Johnson was a scholar and a classical classical researcher. He accuses this worthless initiative, writes "Sian" as a scientist, reads Takitus, Swetonia, and other authority in fact, confident in the atmosphere, atmosphere, and a little identical authority. I wrote it.

In 1605, Johnson actively cooperated with the Czech Republic and Maston to publish an attractive comedy depicting the British life entitled "EastWard How". Last year, Marston called Johnson's own "Dissatisfied", and expresses a hot praise, for example, the wounds injured by the war in the theater have been cured. Between Johnson and Chepman, there was a similar scientific sense of intimacy. They continued to be friends throughout their lives. East Word Ho has gained extraordinary fame, as you can see from the demand for three output at a time. However, this was not only to the positive aspects of the play. In the played version of the play, there were fragments that seemed to despise the nonsense of Scottish people, the civilization of their own country, and both Capen and Johnson were sent to prison. However, Johnson was quickly resolved because he had the influence of the court at the time. < SPAN> In 1605, Johnson actively cooperated with the Czech Republic and Marston to publish an attractive comedy depicting the British life entitled "EastWard How". Last year, Marston called Johnson's own "Dissatisfied", and expresses a hot praise, for example, the wounds injured by the war in the theater have been cured. Between Johnson and Chepman, there was a similar scientific sense of intimacy. They continued to be friends throughout their lives. East Word Ho has gained extraordinary fame, as you can see from the demand for three output at a time. However, this was not only to the positive aspects of the play. In the played version of the play, there were fragments that seemed to despise the nonsense of Scottish people, the civilization of their own country, and both Capen and Johnson were sent to prison. However, Johnson was quickly resolved because he had the influence of the court at the time. In 1605, Johnson actively cooperated with the Czech Republic and Maston to publish an attractive comedy depicting the British life entitled "EastWard How". Last year, Marston called Johnson's own "Dissatisfied", and expresses a hot praise, for example, the wounds injured by the war in the theater have been cured. Between Johnson and Chepman, there was a similar scientific sense of intimacy. They continued to be friends throughout their lives. East Word Ho has gained extraordinary fame, as you can see from the demand for three output at a time. However, this was not only to the positive aspects of the play. In the played version of the play, there were fragments that seemed to despise the nonsense of Scottish people, the civilization of their own country, and both Capen and Johnson were sent to prison. However, Johnson was quickly resolved because he had the influence of the court at the time.

Along with the reign of King Jacob, an endless success career as Johnson as a mask creator has begun. The number of masks he wrote exceeds the total number of masks written by rivals, and the unnatural and poetic perfection is high. Johnson did not invent a mask, for example, because the intentional device for decorations and units, such as a court ball, has been widespread and practiced for a long time before his era. be. However, Johnson had a dramatic meaning to the mask, especially an ant i-mask, a comedy or falsa rescue substance left to a professional player and dancer. He also gave the beauty and ambition of a generous gentleman and lady played his roles, and the part of the masked dance party, which forms a splendid costume, artistic groups and gorgeous spectacles that have evolved. Johnson had a unique and wealthy companion called Royal Designer Inigo Jones in the machine and stage part. He has increased the stereotype of stage expression in the same time in the same time. Until he became the reign of King Charles, Johnson continued his job in the court to produce masked and other entertainment. However, if you open the lid, the discord with Jones will have a shadow in his life, and the two sullen elderly people are not only friends and friends, but also in court. Ta. Along with the reign of the hig h-manner

However, Johnson did not completely abandon the famous scenes, looking at King James. Volpone was performed in 1605, the silent woman was performed in 1609, and the alchemist was performed the same year. These comedys, like the 1614 "Burtholo Mew County", are reminiscent of Johnson's peak, and its configuration, wel l-caregial morality, humorous, and wonderful lines. Therefore, it is familiar with the British drama. Volpone, or a fox, is a transitional work from the dramatic satire of the theatrical theaters during the war to a pure comedy from the above plays. Because there are few people who are appropriate for active characters, such as the villain fox, the villain's servant, Mosca, Voltol (Vulture), Corvaccio, Colvino (Great Raven and Large Crow), and Lord Hotelka, a politician. It is. There is a question about whether such a forbidden situation can be regarded as a comedy, but the scenario ends with the decision to confin the sinful person, but there is no fatal accident. This is because Volpone is much more intelligent in accordance with the teachings of ancient people than Shakespeare's love drama. < SPAN> However, Johnson did not completely abandon the famous scene, looking at King James. Volpone was performed in 1605, the silent woman was performed in 1609, and the alchemist was performed the same year. These comedys, like the 1614 "Burtholo Mew County", are reminiscent of Johnson's peak, and its configuration, wel l-caregial morality, humorous, and wonderful lines. Therefore, it is familiar with the British drama. Volpone, or a fox, is a transitional work from the dramatic satire of the theatrical theaters during the war to a pure comedy from the above plays. Because there are few people who are appropriate for active characters, such as the villain fox, the villain's servant, Mosca, Voltol (Vulture), Corvaccio, Colvino (Great Raven and Large Crow), and Lord Hotelka, a politician. It is. There is a question about whether such a forbidden situation can be regarded as a comedy, but the scenario ends with the decision to confin the sinful person, but there is no fatal accident. This is because Volpone is much more intelligent in accordance with the teachings of ancient people than Shakespeare's love drama. However, Johnson did not completely abandon the famous scenes, looking at King James. Volpone was performed in 1605, the silent woman was performed in 1609, and the alchemist was performed the same year. These comedys, like the 1614 "Burtholo Mew County", are reminiscent of Johnson's peak, and its configuration, wel l-caregial morality, humorous, and wonderful lines. Therefore, it is familiar with the British drama. Volpone, or a fox, is a transitional work from the dramatic satire of the theatrical theaters during the war to a pure comedy from the above plays. Because there are few people who are appropriate for active characters, such as the villain fox, the villain's servant, Mosca, Voltol (Vulture), Corvaccio, Colvino (Great Raven and Large Crow), and Lord Hotelka, a politician. It is. There is a question about whether such a forbidden situation can be regarded as a comedy, but the scenario ends with the decision to confin the sinful person, but there is no fatal accident. This is because Volpone is much more intelligent in accordance with the teachings of ancient people than Shakespeare's love drama.

"Silence Woman" is the huge farce drama with the most original structure. This comedy is persuaded to marry a woman who is guaranteed to be young, honest and silent. However, it is a wi t-witty, lif e-ca n-wit, wit, wit, wit, wit, from the climax to the climax of the ruthless cousin, which is found to be neither a silent nor a woman. The whole is built in "Alchemist", and the sect of the suggests, the whole, is built in the whole development that is so believed to be believed. In this play, the only person who has no sincerity in this play is a good idea. The script and concept are very wonderful, the characters stand out in a lively brightness, and the whole play is lively and imaginable, so every time you read, this group reveals new surprises. The end of the great comedy is the clear, clarity, and structural satire compared to the thre e-yea r-old Barsolo Mew. , Very original.

The stage of Volpone is Venice. Due to the success of the Touhou Memorial Record, or another reason, three more comedy declare in the words of the prologue of "Alchemist":

"Our stage is London. < SPAN>" Silent Woman "is the huge farce with the most original structure. This comedy is a young, honest and quiet uncle. It is persuaded to marry a woman who is guaranteed, but it is also found on the cruel cousin, which is found to be neither a silent nor a woman. " Johnson is a wit, creative, and can be believed enough to forget the abnormal life of life. In this play, the only person who has no sincerity, who has not been sincere in this play, is the only one who has no focus on the victims. You can see that you will be cheered and rewarded, and the concept of the comedy is very wonderful, and the characters are lively and the whole play is lively and imaginable. The end of this group is clear, the clear, structural praise, and structural praise, compared to the thre e-yea r-olds of this group. Not, but full of the sharpest and skillful satire and very original.

The stage of Volpone is Venice. Due to the success of the Touhou Memorial Record, or another reason, three more comedy declare in the words of the prologue of "Alchemist":

"Our stage is London." Silence Woman "is the huge farce drama with the most creative structure. This comedy is a guarantee that his uncle, who dislikes humans, is young, honest and honest. It is persuaded to marry a woman, but after all, it turns out to the climax to the climax, even on the alchemist by the ruthless cousin, which is not a silent or a woman. Johnson is built in "Alchemist" and the spirit of "Alchemist", which is a rich, creative, and forgetting the abnormalities of life. In this play, the only person who has no sincerity is applauded, while the only person without sincerity, in this play, the various foolishness and corruption of the victims. The view of being rewarded is also very wonderful, and the characters are very lively and the entire play is moving lively and imagination, so the alkimist is read. The end of this group is not clear, clarified, and structural. It is full of the sharpest and skillful satire and very original.

The stage of Volpone is Venice. Due to the success of the Touhou Memorial Record, or another reason, three more comedy declare in the words of the prologue of "Alchemist":

"Our stage is London.

In fact, Jonson further worked on his plays for publication in the 1616 Foliant magazine. He transferred the scenes of "all the characters in my head" from Florence to London, changing Lorenzo di Pazzi's Signore to old Quenelle, Propo to Welborn's master, and Hesperide to Kytheri, a woman "who lives in an old Jew's house."

In his comedies depicting London life, Jonson showed himself to be a true realist, despite his tendency to challans, and drew from the life around him with an experience and insight rare in any generation. Ben Jonson and Charles Dickens are well compared. Both were commoners born and raised in modest circumstances. Each knew of the London of his time by very few. Both were moralists at heart, seeking the truth through the exaggerated methods of humour and caricature, and although frank and sometimes even incorrect, they possessed true pathos and broad-mindedness.

In 1616, when Shakespeare died, Johnson collected his play, poetry and masked play. This was an unusual thing at the time, and there was no playwright who tried this before Johnson. In this book, all the plays mentioned so far have been published in carefully edited textbooks, except for the "disguise case", "justice of justice," "the devil is a horse" that Johnson did not recognize. There is. In addition, this book contains more than 130 "Epigram", which Johnson was recognized as a master of short and sharp sentences, 10 "Masks", "Mask" and "Entertainment", a collection of lyric poems and episodes. I am. In the same year, Johnson became a poet in the waga waga who was paid 100 Marcu per year. In addition to this, rewards, income from various aristocrats, and a little income from play songs must have occupied most of his income. The poet seemed to have worked literally for others, such as part of the Poeni War, including Rory's World History. It is known from a low credibility that Johnson accompanied Rory's son's study abroad as a tutor. In 1618, Johnson returned to the specially suitable Master of Revels post, but could not enjoy it. Johnson was awarded his degree from both universities, but it is unknown when and when it was awarded. In 1616, when SPAN> Shakespeare died, Johnson gathered his play, poetry, and Kamen play. This was an unusual thing at the time, and there was no playwright who tried this before Johnson. In this book, all the plays mentioned so far have been published in carefully edited textbooks, except for the "disguise case", "justice of justice," "the devil is a horse" that Johnson did not recognize. There is. In addition, this book contains more than 130 "Epigram", which Johnson was recognized as a master of short and sharp sentences, 10 "Masks", "Mask" and "Entertainment", a collection of lyric poems and episodes. I am. In the same year, Johnson became a poet in the waga waga who was paid 100 Marcu per year. In addition to this, rewards, income from various aristocrats, and a little income from play songs must have occupied most of his income. The poet seemed to have worked literally for others, such as part of the Poeni War, including Rory's World History. It is known from a low credibility that Johnson accompanied Rory's son's study abroad as a tutor. In 1618, Johnson returned to the specially suitable Master of Revels post, but could not enjoy it. Johnson was awarded his degree from both universities, but it is unknown when and when it was awarded. In 1616, when Shakespeare died, Johnson collected his play, poetry and masked play. This was an unusual thing at the time, and there was no playwright who tried this before Johnson. In this book, all the plays mentioned so far have been published in carefully edited textbooks, except for the "disguise case", "justice of justice," "the devil is a horse" that Johnson did not recognize. There is. In addition, this book contains more than 130 "Epigram", which Johnson was recognized as a master of short and sharp sentences, 10 "Masks", "Mask" and "Entertainment", a collection of lyric poems and episodes. I am. In the same year, Johnson became a poet in the waga waga who was paid 100 Marcu per year. In addition to this, rewards, income from various aristocrats, and a little income from play songs must have occupied most of his income. The poet seemed to have worked literally for others, such as part of the Poeni War, including Rory's World History. It is known from a low credibility that Johnson accompanied Rory's son's study abroad as a tutor. In 1618, Johnson returned to the specially suitable Master of Revels post, but could not enjoy it. Johnson was awarded his degree from both universities, but it is unknown when and when it was awarded.

From 1616 to the end of the reign of King Jacob Johnson, he did nothing for the stage. However, what he actually called the "class that he loves" was "pursued" with this enthusiasm, and in fact, he became one of the most scientific workers in the same era. Ta. The author's doctrine to Johnson wanted a wide range of books and "technology", as he said. "Change the substance and properties of other poets to make your own advantage." In addition, Johnson not only reads Greek and Latin classics to small writers, but also leads to Latin's Latin's work, prose, poetry, ancient and mysterious traditions, and even deeper learning. Until, everything was carefully familiar. But Johnson was an unhappy man. He was a collection of books. In fact, he tells Dramond, "Count Pemblock has sent £ 20 from day to buy a new book." Unfortunately, in 1623, his collection was wiped out by a fire, and the rarity was enjoyed with the skillful poems of "volcanic execution." But now, occasionally, a book written in a large Italian font with Ben Johnson is found. In fact, Doradiden secretly states that Johnson's own material is used. < SPAN> He did nothing for the stage from 1616 to the end of the reign of King Jacob Johnson. However, what he actually called the "class that he loves" was "pursued" with this enthusiasm, and in fact, he became one of the most scientific workers in the same era. Ta. The author's doctrine to Johnson wanted a wide range of books and "technology", as he said. "Change the substance and properties of other poets to make your own advantage." In addition, Johnson not only reads Greek and Latin classics to small writers, but also leads to Latin's Latin's work, prose, poetry, ancient and mysterious traditions, and even deeper learning. Until, everything was carefully familiar. But Johnson was an unhappy man. He was a collection of books. In fact, he tells Dramond, "Count Pemblock has sent £ 20 from day to buy a new book." Unfortunately, in 1623, his collection was wiped out by a fire, and the rarity was enjoyed with the skillful poems of "volcanic execution." But now, occasionally, a book written in a large Italian font with Ben Johnson is found. In fact, Doradiden secretly states that Johnson's own material is used. From 1616 to the end of the reign of King Jacob Johnson, he did nothing for the stage. However, what he actually called the "class that he loves" was "pursued" with this enthusiasm, and in fact, he became one of the most scientific workers in the same era. Ta. The author's doctrine to Johnson wanted a wide range of books and "technology", as he said. "Change the substance and properties of other poets to make your own advantage." In addition, Johnson not only reads Greek and Latin classics to small writers, but also leads to Latin's Latin's work, prose, poetry, ancient and mysterious traditions, and even deeper learning. Until, everything was carefully familiar. But Johnson was an unhappy man. He was a collection of books. In fact, he tells Dramond, "Count Pemblock has sent £ 20 from day to buy a new book." Unfortunately, in 1623, his collection was wiped out by a fire, and the rarity was enjoyed with the skillful poems of "volcanic execution." But now, occasionally, a book written in a large Italian font with Ben Johnson is found. In fact, Doradiden secretly states that Johnson's own material is used.

Lyric poetry, and especially Jonson's incidental poetry, has a special merit. His doctrine called for scheme and majesty of literary ornament. He was far from the rhapsodies and the wayward artists of the day of the idols, and in fact believed that Apollo could only work with a volte in vocal costume and crowned with laurel. Nevertheless, almost all of Jonson's poems, for example, will long remain in the language of what the Queen and the Hunter, the Maiden and the Beauties, cannot understand. "Drink only your eyes to me", or "Still be handsome, still be clothed"? In form, skillful and beautiful expression, there is no text in the first place, nor does the first play its own role in the overall effect, but Jonson's words are still distinguished by some restriction and formality, doubt, in fact. They are spontaneous and ineffable, not cut out, for example, to declare an imbalance with a powerful writer whose usual thoughts are concentrated in a more fantastic baggage. Epic and episodic poetry, according to Jonson, shine in Jonson, where rhetorical completeness and humor give no less than the spontaneity and sensuality that we usually associate with lyric poetry. These epics, like Ben Jonson's, do not eat - you see what entertaining epics are limited to his personal companion, the actor-detonator Salatiel Pavi and almost all others; and this does not mind the fact

The avant-garde Scottish poet was proud to have been a guest at Hothornden for a certain number of months. Some of Jonson's most generous poems were inspired by that friendship, including the beautiful "Od a-remembrance of Sir Lucius Carey and Sir Henry Maurison," and a charming work expressing the critical sagacity and habit of his son around the first Shakespeare, "Memory of My beloved master William Shakespeare and that, in fact, that he has left us." The more poignant "Elaus," which begins with the lyrics "Not at all a nobleman of vice," has yet to be matched for great thoroughness and nomic wisdom in a time of personal ingenuity and importance. But even if Tom was subsequently released and disappeared from the public eye until the end of King Jacob Johnson's reign, he was not entirely inactive. In "The Golden Age Resurrected," Pallas transforms metallic eternity and its attendant vices into a sculpture buried before his eyes; in "Pleasures Reconciled with Virtue," Atlas is depicted as an old man, his windows covered with snow, and Comus, "god of holidays and bellies," is considered one of the characters. "Birth of Pan," written at the end of Jacob's reign, shows Johnson still not forgetting how to scribble unique lyrics, and "The Gypsy Through Metamorphosis" shows the humor and sweeping humorous movement of the past, not yet lost and overtaken, actually appointed. Charles was prescribed to Johnson, the unqualified monarch of English literary Bohemia, as "the devil" in the Apollonian room of the tavern. We hear about the company, made up of the best minds of the era, about the faithful, about the rooms beautifully designed by the gilded sign of Johnson's own rational "Leges Convenivales."

"We had such a cluster, but we were, in fact, generously cocked, and not reckless."

Not everyone's on his plate

Johnson died on August 6, 1637, and was printed in 1640, the second forio, which collected his book. Approximately 15 masks written from 1617 to 1630, another text and poem collection called "Underwood", translation of "Horse Poetry Technique" (published in Visimo-Quarto in 1640), poet Includes fragments and roundtable discussions that are rarely recorded. The latter includes three acts: a tragedy "Mortimer Fall" fragment (less than 70 lines) and a very beautiful and poetic spirit "Rolished Shepherd". In addition, "Ben Johnson compiled by Ben Johnson for all unknown people based on the English observation of English", "English grammar," a very interesting "English grammar" in Latin and English. There is a place and discovery of people and things reflected in his special view of time. What is usually called "discovery" is an ordinary book that many writers executed, which recorded their own reading, translated and rewritten their favorite fragments, and described their fleeting opinions. Ta. A number of excerpts from the discovery of Johannesburg. < SPAN> Johnson died on August 6, 1637, and was printed in 1640, the second foro, which collected his books. Approximately 15 masks written from 1617 to 1630, another text and poem collection called "Underwood", translation of "Horse Poetry Technique" (published in Visimo-Quarto in 1640), poet Includes fragments and roundtable discussions that are rarely recorded. The latter includes three acts: a tragedy "Mortimer Fall" fragment (less than 70 lines) and a very beautiful and poetic spirit "Rolished Shepherd". In addition, "Ben Johnson compiled by Ben Johnson for all unknown people based on the English observation of English", "English grammar," a very interesting "English grammar" in Latin and English. There is a place and discovery of people and things reflected in his special view of time. What is usually called "discovery" is an ordinary book that many writers executed, which recorded their own reading, translated and rewritten their favorite fragments, and described their fleeting opinions. Ta. A number of excerpts from the discovery of Johannesburg. Johnson died on August 6, 1637, and was printed in 1640, the second forio, which collected his book. Approximately 15 masks written from 1617 to 1630, another text and poem collection called "Underwood", translation of "Horse Poetry Technique" (published in Visimo-Quarto in 1640), poet Includes fragments and roundtable discussions that are rarely recorded. The latter includes three acts: a tragedy "Mortimer Fall" fragment (less than 70 lines) and a very beautiful and poetic spirit "Rolished Shepherd". In addition, "Ben Johnson compiled by Ben Johnson for all unknown people based on the English observation of English", "English grammar," a very interesting "English grammar" in Latin and English. There is a place and discovery of people and things reflected in his special view of time. What is usually called "discovery" is an ordinary book that many writers executed, which recorded their own reading, translated and rewritten their favorite fragments, and described their fleeting opinions. Ta. A number of excerpts from the discovery of Johannesburg.

When Johnson died, an elegant monument was erected in his memory, but internal strife broke out and the plan was foiled. The stone covering his tomb in a chamber in Westminster Abbey was missing a commemorative inscription: "To the Great Ben Johnson." Felix E. Schelling, Institute, Philadelphia, USA. Here is an exhaustive list of the cases in which he was used: - Every man in his own mind, 1601; The Case Has Been Changed, 1609; Every man is not in his own mind, 1600; The Appearance of Cynthia's Soul, 1601; Festator, 1602; Sejanus, 1605; East (with Capen and Marston), 1605; Volpone, 1607; Epicoene, or the Silent Woman, 1609 (? 1616; The Alchemist, 1612; Katilin, his compression, 1611; Bartholomew Feir, 1614 (?), Fol., 1631; DW Alll - ass, fol., 1631; Fresh Clip, fol., 1631; Fresh Sun, 8vo, 1631, fol, 1692; The Magnetic Lady, or Humours Reconcon, fol., 1640; A Tale of a Bath, fol., 1640; The Sad Shepherd, or a Tale of Robin Hood, fol., 1641; Mortimer's Fall (fragment), fol., 1640.

Johnson is still adding to Kyd's "Jerome," co-writing "The Widow" with Fletcher and Middleton, and "The Bloody Brother" with Fletcher.

Epigrams, The Forrest, Underwoods published in sheets, 1616, 1640; Favourites: reprisals against the volcano and Epigrams, 1640; G. Hor. Flaccus his art of poetry, Englined by Ben Jonson, 1640; Leges Convivialis, fol., 1692. Other poems first appeared in Gifford's Collected Works.

Wood, or Discovered Made on Men and Matter, fol., 1641; The English Grammar, made by Ben Jonson for the benefit of Strangers, fol., 1640.

Masks and Pleasures was published in a scarlet volume.

Folklore, 1616, vol. 2, 1640 (1631-41); Tom, 1692, 1716-19, 1729; Edited by P. Wally, 7 volumes, 1756; Gifford (with memoirs), 9 volumes, 1816, 1846; reprinted by F. Cunningem, 3 volumes, 1871; in 9 volumes, 1875; Barry Cornwell (with memoirs), 1838; B. Nicholson ('Mermaid' series), with the entry of K. H. Hurford, 1893, etc. 9 plays, 1904; Ed. H. C. Hart (Standard Library), 1906, etc.; Plays and Poems, with introduction by H. Morley (Universal Library), 1885; Plays (7) and Poems (Newnes), 1905; Poems, with memoirs by H. Bennett (Carlton Classics), 1907; Masques and Entertainment, ed. by H. Morley, 1890.

Ja Symonds, Biographical and Critical Essay, 1886; Grosart, Brave Translunar Things, 1895; Derwoods, Cambridge UNIVERSITY PRESS, 1905; TEXTS (JONSON, Beaumont and Fletcher), The Chap Books , No. 4, 1906; Songs (from Plays, Masques, etc), With Earliet Known Setting, Eragny Pres, 1906.

Memories accompanying the work; JA Symonds (English Wortheries), 1886; Notes of Jonson-Conversions with Drummond from Hawthorden; 1842; Ed. With Introduction and Notes by P. Sidney, 1906; Swinburne, a Study of See Ben Jonson, 1889.

Everyone in that spirit

To the most noble Sedros of mankind and the freedom of the kingdom-court Tenks

I understand you, but I don't understand your house. When I wrote this poem, I was a friend with some people in your academic society. They were great people in the field of learning, and at the same time, a model of life. She wasn't despised as much as she, and I couldn't say any more. Now, I believe that the printing doubles her wages and is worthy of living a longer life than that of such a appearance, and I am the first heir, the first heir that grew up from her. Try to bind her. Nevertheless, you will not be able to disturb more noble and socially useful pursuit. However, when the cloak and the hat are removed and the lord of freedom reigns, you will probably not let the human bank read and repent.

Fair,

Ben Johnson character

Asper, presenter Machirente. Puntal rag, mistress. -A gentleman waiting. -Hunte r-Employee. -Dog and cat. Carlo Buffonone. Fastidius Brisk, -Sinded, his page. Deliro, Faras, -Fide, their servants. -Musician. Sabiurina. Soldid e-his ass fungoso. -A tailor, Oma shop, shoe store SOGLIARDO. distribution. -Hillbilly. Notary public. Key, orange. -Fro m-groom. -Proade d-Contestable and officers. GREX. -Cordatas-Mitis.

character

ASPER, he is original and fre e-spirited, constantly condemn without fear of mistakes in the world. Those who are forced to parasitize the time, place, and opinions without the forced gain's desire to gain or the dangers like ice.

Macilente, an excellent manner, a very academic and har d-working man. In his opinion, there is no space in this world where his rewards are prepared, so he finds himself in this jealousy, blind and sways his consciousness. For example, he is actually expecting some rewarding happiness elsewhere.

Puntarvolo, an ambitious knight, overestimating his own journey, almost completely faithful, a jacob wand for compliments, he is more long enough to notice the change of time in most of his clothes A living monarch. The presence is not bad, but for example, he tends to run for his personal praise, and if he fails to become a duck, he will enhance himself to the point where his personal family will be lost. He likes comeback and unusual performance because he decides to stick to his own fashion, rants, and gestures, not the mocking of the world.

Carlo Buffonone is in front of the public, a bad, obscene idiot, a faster and absurd agreement, turns all the people into an indigenous agreement. While sniffing dinner at a distance of 5 kilometers, the patron makes a curse, saying, "The devil takes him!" He just rowed, though he was just brought by a boat. A slave with unusual abilities that satisfies personal preferences for free, drink more than bags at a time. His religion is absurd and his words are obscene.

Quick BRISK-Clear, dressy, sweet court, fashionable, people who practice salute in a glass, people who speak in good words, without worrying about viola or cigarettes People who have various curse, minimize women's favors or care about the fame of male: It is not a bad feature to smell in a carriage trunk. He borrows another person's horse and praised it, and consider it as his own horse. Or, in fact, pedestrians have the ability to make the merchant's credit simply by spurning and shaking the cane. < SPAN> Macilente, a very academic and har d-working man with excellent manners. In his opinion, there is no space in this world where his rewards are prepared, so he finds himself in this jealousy, blind and sways his consciousness. For example, he is actually expecting some rewarding happiness elsewhere.

Puntarvolo, an ambitious knight, overestimating his own journey, almost completely faithful, a jacob wand for compliments, he is more long enough to notice the change of time in most of his clothes A living monarch. The presence is not bad, but for example, he tends to run for his personal praise, and if he fails to become a duck, he will enhance himself to the point where his personal family will be lost. He likes comeback and unusual performance because he decides to stick to his own fashion, rants, and gestures, not the mocking of the world.

Carlo Buffonone is in front of the public, a bad, obscene idiot, a faster and absurd agreement, turns all the people into an indigenous agreement. While sniffing dinner at a distance of 5 kilometers, the patron makes a curse, saying, "The devil takes him!" He just rowed, though he was just brought by a boat. A slave with unusual abilities that satisfies personal preferences for free, drink more than bags at a time. His religion is absurd and his words are obscene.

Quick BRISK-Clear, dressy, sweet court, fashionable, people who practice salute in a glass, people who speak in good words, without worrying about viola or cigarettes People who have various curse, minimize women's favors or care about the fame of male: It is not a bad feature to smell in a carriage trunk. He borrows another person's horse and praised it, and consider it as his own horse. Or, in fact, pedestrians have the ability to make the merchant's credit simply by spurning and shaking the cane. Macilente, an excellent manner, a very academic and har d-working man. In his opinion, he has no space in this world, so he finds himself in this jealousy, blind and sways his consciousness. For example, he is actually expecting some rewarding happiness elsewhere.

Puntarvolo, an ambitious knight, overestimating his own journey, almost completely faithful, a jacob wand for compliments, he is more long enough to notice the change of time in most of his clothes A living monarch. The presence is not bad, but for example, he tends to run for his personal praise, and if he fails to become a duck, he will enhance himself to the point where his personal family will be lost. He likes comeback and unusual performance because he decides to stick to his own fashion, rants, and gestures, not the mocking of the world.

Carlo Buffonone is in front of the public, a bad, obscene idiot, a faster and absurd agreement, turns all the people into an indigenous agreement. While sniffing dinner at a distance of 5 kilometers, the patron makes a curse, saying, "The devil takes him!" He just rowed, though he was just brought by a boat. A slave with unusual abilities that satisfies personal preferences for free, drink more than bags at a time. His religion is absurd and his words are obscene.

Quick BRISK-Clear, dressy, sweet court, fashionable, people who practice salute in a glass, people who speak in good words, without worrying about viola or cigarettes People with various curse, minimizing women's favors, or not care about the fame of men with a style: It is not a bad feature to smell in a carriage trunk. He borrows another person's horse and praised it, and consider it as his own horse. Or, in fact, pedestrians have the ability to make the merchant's credit simply by spurning and shaking the cane.

I love my wife purely, I am inspired by its perfection, and I think I am not suitable for my wife. Also, she is afraid of her discretion, as she loved her for the first time. Every morning, before she gets up, he dedicates two juniper nuts and wakes her with bad hobby music.

Faras is Delhilo's wife and idol. She is also dedicated to the court as well as her husband, and she needs to have a face to be dishonest.

Saviolina, the judiciary female, the main compliment is a little humor, she praised it and praised another servant.

Saltideide, its entertainment is to read the yearbook, and happiness is bad. Those who have never prayed for a bad harvest, but are always crying.

Solkidid's son and student. It hardens immediately and looks at fashion like a spy from afar. A unfortunate father tries to remove him as much money to put on court clothes. For that reason, he works seriously, but it doesn't work too well and still doesn't wear a suit.

Sogyard, an indispensable clown, Saltideide's younger brother, but he wants to get a gentleman's name. He comes to school to learn how to take cigarettes and see new movements. He is his kingdom when he is in a constant laugh.

SHIFT (shift), wire shake. A person who has never become a fighter, but lives on a loan. Specializes in Skelding and Odo ring, banks are Paules and warehouses are picked. Up to the day of the referee, take a personal test under the oath. 3 Singing executions and connects 5 cents. While dieting in public housing, rents and food expenses, in the neighborhood of their own house, submitted a report on the service, took notes without books, and got new information from them. Tell yourself. I have a wonderful and happy memory of greeting an old acquaintance who has never been born. Just add fraud, quarrel, and robbery just to raise your name. The main activity is to catch Cocatrice and find a hideout to shock it.

CLOV and Orange, a couple that can not be cut even after being born in the city. Twins, that is, twins, is useless, except for a pair of wooden swords, except for being trained with a wooden sword. They regret borrowing money because they are very good at flattering. They are known for inviting players and holding a banquet. And in the highest ranked company, he desperately pushes his ignorance to avoid suspected of being scarce, to gain the awareness of all luggage. Orange is more humorous (squeezed a small amount of fruit juice) in these two, and the cloves are effective and praised.

Cordatus-The author's friend, a person who is familiar with the range and direction of his own theme, a stingy, comprehension, and a moderator's space.

MITIS is virtually unavoidable, and as a result we do not give him any property. < SPAN> SHIFT, wire shake. A person who has never become a fighter, but lives on a loan. Specializes in Skelding and Odo ring, banks are Paules and warehouses are picked. Up to the day of the referee, take a personal test under the oath. 3 Singing executions and connects 5 cents. While dieting in public housing, rents and food expenses, in the neighborhood of their own house, submitted a report on the service, took notes without books, and got new information from them. Tell yourself. I have a wonderful and happy memory of greeting an old acquaintance who has never been born. Just add fraud, quarrel, and robbery just to raise your name. The main activity is to catch Cocatrice and find a hideout to shock it.

CLOV and Orange, a couple that can not be cut even after being born in the city. Twins, that is, twins, is useless, except for a pair of wooden swords, except for being trained with a wooden sword. They regret borrowing money because they are very good at flattering. They are known for inviting players and holding a banquet. And in the highest ranked company, he desperately pushes his ignorance to avoid suspected of being scarce, to gain the awareness of all luggage. Orange is more humorous (squeezed a small amount of fruit juice) in these two, and the cloves are effective and praised.

Cordatus-The author's friend, a person who is familiar with the range and direction of his own theme, a stingy, comprehension, and a moderator's space.

MITIS is virtually unavoidable, and as a result we do not give him any property. SHIFT (shift), wire shake. A person who has never become a fighter, but lives on a loan. Specializes in Skelding and Odo ring, banks are Paules and warehouses are picked. Up to the day of the referee, take a personal test under the oath. 3 Singing executions and connects 5 cents. While dieting in public housing, rents and food expenses, in the neighborhood of their own house, submitted a report on the service, took notes without books, and got new information from them. Tell yourself. I have a wonderful and happy memory of greeting an old acquaintance who has never been born. Just add fraud, quarrel, and robbery just to raise your name. The main activity is to catch Cocatrice and find a hideout to shock it.

CLOV and Orange, a couple that can not be cut even after being born in the city. Twins, that is, twins, is useless, except for a pair of wooden swords, except for being trained with a wooden sword. They regret borrowing money because they are very good at flattering. They are known for inviting players and holding a banquet. And in the highest ranked company, he desperately pushes his ignorance to avoid suspected of being scarce, to gain the awareness of all luggage. Orange is more humorous (squeezed a small amount of fruit juice) in these two, and the cloves are effective and praised.

Cordatus-The author's friend, a person who is familiar with the range and direction of his own theme, a stingy, comprehension, and a moderator's space.

MITIS is virtually unavoidable, and as a result we do not give him any property.

The next sound of the scene. Cordatus, Asper and Mitis are recorded. Col. No, my lane is Asper. Mitis. Don't distract. Adder. Leave! For example, who is patient in this evil world, what actually has the ability to postpone personal hearts and collapse personal languages? Or who has this deadly, unsuitable feeling that there is no chance to raise the terrible lightning of heaven? The area seems to be cracked by the weight of sin. There is a dark carnivorous slump with a straight wings above us, how hell is shining under us, and we are sinking and trying to serve us. Looking at these amazing, are there any people who do not block their lips? Not me. My soul has never been painted in such an oi l-covered color, as it can be added to o n-day or dirty laws. However, with the armed hands, I wear Donaga's wor n-out nonsense. Don't be brave. Adder. You get in the way-and scratch their steel ribs, whip and gray steel ribs. If you like to reveal public evil, I'm not afraid that my personal amount will be depressed. Don't be afraid of drugs or knives. No McLor, trap, or defender are afraid. Even if I find a gentle gentleman, I'm not afraid of the glance of the court's eyebrows. < SPAN> The next sound after the scene. Cordatus, Asper and Mitis are recorded. Col. No, my lane is Asper. Mitis. Don't distract. Adder. Leave! For example, who is patient in this evil world, what actually has the ability to postpone personal hearts and collapse personal languages? Or who has this deadly, unsuitable feeling that there is no chance to raise the terrible lightning of heaven? The area seems to be cracked by the weight of sin. There is a dark carnivorous slump with a straight wings above us, how hell is shining under us, and we are sinking and trying to serve us. Looking at these amazing, are there any people who do not block their lips? Not me. My soul has never been painted in such an oi l-covered color, as it can be added to o n-day or dirty laws. However, with the armed hands, I wear Donaga's wor n-out nonsense. Don't be brave. Adder. You get in the way-and scratch their steel ribs, whip and gray steel ribs. If you like to reveal public evil, I'm not afraid that my personal amount will be depressed. Don't be afraid of drugs or knives. No McLor, trap, or defender are afraid. Even if I find a gentle gentleman, I'm not afraid of the glance of the court's eyebrows. The next sound of the scene. Cordatus, Asper and Mitis are recorded. Col. No, my lane is Asper. Mitis. Don't distract. Adder. Leave! For example, who is patient in this evil world, what actually has the ability to postpone personal hearts and collapse personal languages? Or who has this deadly, unsuitable feeling that there is no chance to raise the terrible lightning of heaven? The area seems to be cracked by the weight of sin. There is a dark carnivorous slump with a straight wings above us, how hell is shining under us, and we are sinking and trying to serve us. Looking at these amazing, are there any people who do not block their lips? Not me. My soul has never been painted in such an oi l-covered color, as it can be added to o n-day or dirty laws. However, with the armed hands, I wear Donaga's wor n-out nonsense. Don't be brave. Adder. You get in the way-and scratch their steel ribs, whip and gray steel ribs. If you like to reveal public evil, I'm not afraid that my personal amount will be depressed. Don't be afraid of drugs or knives. No McLor, trap, or defender are afraid. Even if I find a gentle gentleman, I'm not afraid of the glance of the court's eyebrows.

I do not write to beg your patience, nor to shudder at your applause. I do not mind being rebuked by harsh men for my lack of art and prudence. I do not ask for favors from jealous censors, who see through me with wide-open eyes. How I hate the monstrosity of an age in which, imitating a mind afflicted by the vices of humor, a fettered mind strives to throw a body ulcerated with simple rage into the well of the theater, and a poet springs forth at once! But as lousy as Vulcan and the founder of Crypregate. MIT. Someone will not like this humor. TSA. This humor? Well! Why this humor? Answer without turning away. MIT What answer? TSA I do not mean to test your patience, pardon me, but I have asserted it for many reasons, but rather to give these ignorant and clear-sighted days a taste of the wrong use of the word "humor." KOR. Especially to those who have the good fortune to see every day how poor and innocent words are tormented and tortured. MIT. Yes, go on. TSA. What? What is this? KOR. Against the abuse of humor. TSA. Sorry, my thoughts were wandering. Why do I define humor this way? 'tis 'ens': the quality of air or water, which contains these two qualities in itself.

And if bright sounds and fantastic sounds are the only characteristic of fools, this is the humor. Adar. Now I take these monkeys, and I will show them with these dogs a mirror as big as the scene we are playing, where they will see the ugliness of time, dissected in every nerve and sinew, with unchanging courage and scorn from fear. MIT. Asper, (I call this as your friend), beware, the days are dangerous, full of exceptions, and people are intolerant of criticism. Adar. Ha, ha! Air is air, earth is earth, man is man, everything moves the same way. "Don't I know how great I am?" Yes, Metis and her soul. Nothing but fools. They despise the healing of the mind, and are so sick that they kick at every touch, like a stag camel. Good people and noble perfumes would hate their vices, treasure my free works, keep between my lines, and by the ardor of their shining graces, make my brain fertile and worthy of their serious and thoughtful gaze. But why do I force myself to do this? Faint? No. If I am ashamed to be known of my insignificance, I should first be ashamed to perform it.

This is not all, but why are we obliged to take care of them? This is TSA. Oh, I want their nobleism. Because, in such rally, they have a stronger transmission power than plastic. As a result, I give them tablets for purification so that they can be applied to a conscientious society. A person who has no art or reason sits like a critic or a horse, is covered with cigarettes and saliva, and works near him, with a personal smile, which is the true nature of vicious. It's terrible and vomiting to see people's remarks in order to drive away the sensible gaze of people trying to focus on! Oh, that's pretty annoying. MIT. No, Asper. Asper. Peace, Mitis, I will consider your thoughts; you will say that your guests here will not accept this: you are very embarrassing and hesitant. During this time, he was connected to the bed by a chain, and would refuse all treatments because the doctor said, "You are sick," if you declare that he is a sinner. Will not ask anything about the virtue. Now, you are in love. Do I have to be luxurious enough to protest my rights to tax on these people? Unpleasant. Kor. It is not necessary, but please forgive. We are not obliged to withstand sails like this lord. < SPAN> This is not all, but why are we obliged to take care of them? This is TSA. Oh, I want their nobleism. Because, in such rally, they have a stronger transmission power than plastic. As a result, I give them tablets for purification so that they can be applied to a conscientious society. A person who has no art or reason sits like a critic or a horse, is covered with cigarettes and saliva, and works near him, with a personal laugh, which is the true nature of vicious. It's terrible and vomiting to see people's remarks in order to drive away the sensible gaze of people trying to focus on! Oh, that's pretty annoying. MIT. No, Asper. Asper. Peace, Mitis, I will consider your thoughts; you will say that your guests here will not accept this: you are very embarrassing and hesitant. During this time, he was connected to the bed by a chain, and would refuse all treatments because the doctor said, "You are sick," if you declare that he is a sinner. Will not ask anything about the virtue. Now, you are in love. Do I have to be luxurious enough to protest my rights to tax on these people? Unpleasant. Kor. It is not necessary, but please forgive. We are not obliged to withstand sails like this lord. This is not all, but why are we obliged to take care of them? This is TSA. Oh, I want their nobleism. Because, in such rally, they have a stronger transmission power than plastic. As a result, I give them tablets for purification so that they can be applied to a conscientious society. A person who has no art or reason sits like a critic or a horse, is covered with cigarettes and saliva, and works near him, with a personal smile, which is the true nature of vicious. It's terrible and vomiting to see people's remarks in order to drive away the sensible gaze of people trying to focus on! Oh, that's pretty annoying. MIT. No, Asper. Asper. Peace, Mitis, I will consider your thoughts; you will say that your guests here will not accept this: you are very embarrassing and hesitant. During this time, he was connected to the bed by a chain, and would refuse all treatments because the doctor said, "You are sick," if you declare that he is a sinner. Will not ask anything about the virtue. Now, you are in love. Do I have to be luxurious enough to protest my rights to tax on these people? Unpleasant. Kor. It is not necessary, but please forgive. We are not obliged to withstand sails like this lord.

The judgment is on hold. What I can say about this work is itself unnatural, in a sense, a unique family similar to Vetus Comoedia, and a work that delighted me. It is only that we do not consider how to respond to general expectations. MIT. Does he follow all comedy laws? Kor. What are the rules? MIT. Dividing the performances and scenes into Terentz style, determining the number of actors, and the stage with Greeks and choirs. Kor. Well, it's a very good comment. MIT. Otherwise, there is no possibility that it is true. Kor. Trot, I don't think it's necessary. MIT. no! Kor. No, I affirm. However, in fact, until Suzarius devised the second song, it is known that what we call "comedia" was just a simple and long song that played alone at first. Formus and Kionides have prologue and refrain, and come up with the idea that four actors will play, and Clatinus added the fifth and sixth person over a long time: Eupolis-Lake, Aristophans < Span> Judgment. Will hold. What I can say about this work is itself unnatural, in a sense, a unique family similar to Vetus Comoedia, and a work that delighted me. It is only that we do not consider how to respond to general expectations. MIT. Does he follow all comedy laws? Kor. What are the rules? MIT. Dividing the performances and scenes into Terentz style, determining the number of actors, and the stage with Greeks and choirs. Kor. Well, it's a very good comment. MIT. Otherwise, there is no possibility that it is true. Kor. Trot, I don't think it's necessary. MIT. no! Kor. No, I affirm. However, in fact, until Suzarius devised the second song, it is known that what we call "comedia" was just a simple and long song that played alone at first. Formus and Kionides have prologue and refrain, and come up with the idea that four actors will play, and Clatinus added the fifth and sixth person over a long time: Eupolis-Lake, Aristophans. 。 What I can say about this work is itself unnatural, in a sense, a unique family similar to Vetus Comoedia, and a work that delighted me. It is only that we do not consider how to respond to general expectations. MIT. Does he follow all comedy laws? Kor. What are the rules? MIT. Dividing the performances and scenes into Terentz style, determining the number of actors, and the stage with Greeks and choirs. Kor. Well, it's a very good comment. MIT. Otherwise, there is no possibility that it is true. Kor. Trot, I don't think it's necessary. MIT. no! Kor. No, I affirm. However, in fact, until Suzarius devised the second song, it is known that what we call "comedia" was just a simple and long song that played alone at first. Formus and Kionides have prologue and refrain, and come up with the idea that four actors will play, and Clatinus added the fifth and sixth person over a long time: Eupolis-Lake, Aristo Fannes.

This shows how great creators can wander from their calling and overtake their hearing. This delay dulls patience, which is most amplified in the theatre. [Third sound MIT. They have satisfied your desire. Col. Ah, this is the prologue. [Prologue. Sovereign, if you will stand a little longer, I will tell you the prologue. Prologue. Sovereign, sincerely, Sovereign, you will make this, and I thank you (Leaf. Col. No, wait, wait. Prowl. I protest to you, I am imperfect, and if I declared this, I, I should have dropped out of the game. Destroy, what is this conspiracy! Gentlemen, no matter how much his weak humor unfolds, it cannot explain the prologue.

] He is a sincere and extraordinary villain. I pray that I can't hear my voice. -A and when the belly is filled with enough and the brain is corrected, it crawls as if you return home. He arranged the play here and called it "anybody in his heart." But if he rescued me from the state of falling, I would no longer trust his tribe while he was alive. All you can say for him is to say, "Please." I want my bottles to be included in you, but there are old rules. Faithfully, if you want to drink, the best way (as far as I know) is to sitting calmly, sealing your lips, and drinking so that the debris falls into your ears. [Outgoing. Mit. Who is Cordatas? Coll Vera, if time is allowed, let's explain him. He is a bold and ordinary clown, a cruel sculptor, and an har d-t o-understand epic.