Epiculian;

The greatest person among the British playwrights except Shakespeare, the first literary tyrant, the creator of the wreath poet, poetry, prose, carrier, and criticism, is stronger than all of the people of the same era. Ben Johnson, who has followed a further progress of the formation of British literature, has given us with little precedent attention in his era.

Ben Johnson is a clan who sent Thomas Curryle to the world for centuries. My grandfather, Johnson, was a clan in the Anandale, and in fact, he had moved to England before. Johnson's founder faded out his property under Queen Mary and was "thrown into Kutsuka and confiscated." He became a parish of the church, but died before the birth of his brilliant descendants, suffering a widow and a baby. Johnson's birthplace is Westmin Star, and the birth time was early 1573. In this way, he was nearly 10 years older than Shakespeare and had the inferior equipment, but appeared more than anyone else. However, with this small superb, Johnson had no merit. His mother married a lowe r-class craftsman or a mason, and Johnson was apprentice for the craftsman for a while. In his boyhood, he was interested in the old pages of Westminster Soder School, a famous ancient document scholar in William Camden, where poet had a permanent foundation for his traditional education. Johnson once respected Camden and admitted that he was really borrowed,

"What I am in the art, what I know, everything is true." < SPAN> Epiculian;

The greatest person among the British playwrights except Shakespeare, the first literary tyrant, the creator of the wreath poet, poetry, prose, carrier, and criticism, is stronger than all of the people of the same era. Ben Johnson, who has followed a further progress of the formation of British literature, has given us with little precedent attention in his era.

Ben Johnson is a clan who sent Thomas Curryle to the world for centuries. My grandfather, Johnson, was a clan in the Anandale, and in fact, he had moved to England before. Johnson's founder faded out his property under Queen Mary and was "thrown into Kutsuka and confiscated." He became a parish of the church, but died before the birth of his brilliant descendants, suffering a widow and a baby. Johnson's birthplace is Westmin Star, and the birth time was early 1573. In this way, he was nearly 10 years older than Shakespeare and had the inferior equipment, but appeared more than anyone else. However, with this small superb, Johnson had no merit. His mother married a lowe r-class craftsman or a mason, and Johnson was apprentice for the craftsman for a while. In his boyhood, he was interested in the old pages of Westminster Soder School, a famous ancient document scholar in William Camden, where poet had a permanent foundation for his traditional education. Johnson once respected Camden and admitted that he was really borrowed,

"I'm in the art, what I know, everything is true." Epiculian;

The greatest person among the British playwrights except Shakespeare, the first literary tyrant, the creator of the wreath poet, poetry, prose, carrier, and criticism, is stronger than all of the people of the same era. Ben Johnson, who has followed a further progress of the formation of British literature, has given us with little precedent attention in his era.

Ben Johnson is a clan who sent Thomas Curryle to the world for centuries. My grandfather, Johnson, was a clan in the Anandale, and in fact, he had moved to England before. Johnson's founder faded out his property under Queen Mary and was "thrown into Kutsuka and confiscated." He became a parish of the church, but died before the birth of his brilliant descendants, suffering a widow and a baby. Johnson's birthplace is Westmin Star, and the birth time was early 1573. In this way, he was nearly 10 years older than Shakespeare and had the inferior equipment, but appeared more than anyone else. However, with this small superb, Johnson had no merit. His mother married a lowe r-class craftsman or a mason, and Johnson was apprentice for the craftsman for a while. In his boyhood, he was interested in the old pages of Westminster Soder School, a famous ancient document scholar in William Camden, where poet had a permanent foundation for his traditional education. Johnson once respected Camden and admitted that he was really borrowed,

"What I am in art, what I know, everything is true."

and he referred to Johnson in his first dramatic personal triumph, "in various humours." It is unclear whether Johnson ever studied at the institute, but Fuller states that he was in fact "duly admitted to the Institute of Immaculate John, Cambridge." Indeed, he barely completed his degree, but later reports that "by their favour, and not by his own study, he was made Master of Arts in both institutes." Johnson enlisted in the Jägers as a young man, and served in Flanders at the peak of the country's tacit, lees-like war with Wilhelm's Spain dragged on. Johnson was a large, heavy man. In a conversation with another William Drummond of Hothornden, Johnson said that "on a mission in the Low Countries, when he was in the light of both sides, he killed his enemy and took from him the Opima spolia," and that "after arriving in England, he was called from behind, and he killed his own enemy. Johnson's scales probably made up for the shortcomings of his blade, but by no means did his bravery fade in the story. No doubt Johnson was indeed brazen, and kept silent about himself and his business while fighting.

In 1592 Johnson returned for the brink without a penny in his pocket. Soon he married almost too quickly, for example, unintentionally, like Shakespeare. In fact, he abruptly declared that "his lady was anti-foreign, but fair," and lived apart from her for several years at Lord Alberni's mansion. Nevertheless, two endearing epitaphs in Johnson's "Epigrams," "about my 1 daughter" and "about my first son," testify to the warmth of the poet's domestic affections. The daughter died in infancy, a child of the plague, and the other son grew to manhood without having properly inherited his grandfather's trust. Apart from this, nothing is known of Johnson's economic life.

Johnson doesn't know how quickly we jumped into a wonderful profession that we call "theater artist" today. In 1593, Marlow died tragic and another rival on Shakespeare's popular stage died the same unfortunate death a year ago before Marlow. Shakespeare was already alone. Johnson first appears at the owner of several actor groups, managers, and the fathe r-i n-law of Edward Alaine. From the records of Henro's diary and the accounting books of the theater, it can be seen that Johnson was an official of the Admiral; received 4 pounds from Henro on July 28, 1597, and then December 3rd, December 3rd. Henro said to him, "I would follow the books that showed the conspiracy and carry over to Christmas next year." In August of the following year, Johnson wrote a play titled "Hot Anger Will Cool Soon" in collaboration with Cutter and Porter. A simple actor can't receive the advance payment with a simple promise. From Satomastics's description of Daker's play, Johnson, like Shakespeare, started his life as an actor, gained the role of Jeronimo, a famous play, and said, "Walking near a carriage in a leather blanket. You can see that. < SPAN> Johnson doesn't know how quickly we jumped into a wonderful profession that we call "theater artist" today. In 1593, Marlow died tragic and another rival on Shakespeare's popular stage died the same unfortunate death a year ago before Marlow. Shakespeare was already alone. Johnson first appears at the owner of several actor groups, managers, and the fathe r-i n-law of Edward Alaine. From the records of Henro's diary and the accounting books of the theater, it can be seen that Johnson was an official of the Admiral; received 4 pounds from Henro on July 28, 1597, and then December 3rd, December 3rd. Henro said to him, "I would follow the books that showed the conspiracy and carry over to Christmas next year." In August of the following year, Johnson wrote a play titled "Hot Anger Will Cool Soon" in collaboration with Cutter and Porter. A simple actor can't receive the advance payment with a simple promise. From Satomastics's description of Daker's play, Johnson, like Shakespeare, started his life as an actor, gained the role of Jeronimo, a famous play, and said, "Walking near a carriage in a leather blanket. You can see that. Johnson doesn't know how quickly we jumped into a wonderful profession that we call "theater artist" today. In 1593, Marlow died tragic and another rival on Shakespeare's popular stage died the same unfortunate death a year ago before Marlow. Shakespeare was already alone. Johnson first appears at the owner of several actor groups, managers, and the fathe r-i n-law of Edward Alaine. From the records of Henro's diary and the accounting books of the theater, it can be seen that Johnson was an official of the Admiral; received 4 pounds from Henro on July 28, 1597, and then December 3rd, December 3rd. Henro said to him, "I would follow the books that showed the conspiracy and carry over to Christmas next year." In August of the following year, Johnson wrote a play titled "Hot Anger Will Cool Soon" in collaboration with Cutter and Porter. A simple actor can't receive the advance payment with a simple promise. From Satomastics's description of Daker's play, Johnson, like Shakespeare, started his life as an actor, gained the role of Jeronimo, a famous play, and said, "Walking near a carriage in a leather blanket. You can see.

Returning in the early 1598, he traced his footprints by showing an event that temporarily cut off the transactions between Johnson and Henzlow. In a message addressed to Alain on September 26 of the same year, Henzlow said, "I lose the first one of my company and feel really sad. This is Gabriel (Spencer), and he is Hogsden's field. He was killed by the mason Benjamin Johnson. " This last sentence is more likely to be accepted as a dissatisfaction signal, rather than indicating that Hensurou had been passionate about his skills. However, Johnson learns that his enemy is a famous spark, killing a person called Ficks in a similar skeleton shortly before. In such an era, it is common for the lord and the nobles to have a duel, which was a serious peace infringement on the player. It was this duel that Johnson told Dramond a few years later, so Johnson was correctly judged in Old Bailey, and was convicted. He was sent to prison, and all the food and belongings he had were "confiscated". If there was no old law to allow the criminals who were convicted to petition to clergy, Johnson returned to < SPAN> early 1598 and temporarily deal with Johnson and Henzlow. He traces his footprints by showing the events that have been cut off. In a message addressed to Alain on September 26 of the same year, Henzlow said, "I lose the first one of my company and feel really sad. This is Gabriel (Spencer), and he is Hogsden's field. He was killed by the mason Benjamin Johnson. " This last sentence is more likely to be accepted as a dissatisfaction signal, rather than indicating that Hensurou had been passionate about his skills. However, Johnson learns that his enemy is a famous spark, killing a person called Ficks in a similar skeleton shortly before. In such an era, it is common for the lord and the nobles to have a duel, which was a serious peace infringement on the player. It was this duel that Johnson told Dramond a few years later, so Johnson was correctly judged in Old Bailey, and was convicted. He was sent to prison, and all the food and belongings he had were "confiscated". If there was no old law that the criminal who was convicted to petition to the clergy for support, Johnson returned in early 1598 and temporarily cut off his transactions between Johnson and Henzlow. He traces his footprint by showing the events. In a message addressed to Alain on September 26 of the same year, Henzlow said, "I lose the first one of my company and feel really sad. This is Gabriel (Spencer), and he is Hogsden's field. He was killed by the mason Benjamin Johnson. " This last sentence is more likely to be accepted as a dissatisfaction signal, rather than indicating that Hensurou had been passionate about his skills. However, Johnson learns that his enemy is a famous spark, killing a person called Ficks in a similar skeleton shortly before. In such an era, it is common for the lord and the nobles to have a duel, which was a serious peace infringement on the player. It was this duel that Johnson told Dramond a few years later, so Johnson was correctly judged in Old Bailey, and was convicted. He was sent to prison, and all the food and belongings he had were "confiscated". If there is no old law that unconsciously admitted that the convicted criminal would petition to clergy, Johnson was Johnson.

After the release, Johnson, who lost his favors from Henzlow and his former friends, made a proposal to Lord Chamberlen, a rival of Henzlow, and Shakespeare, a major shareholder. Shakespeare recalled Johnson, read the play himself and immediately accepted it. Regardless of whether this situation is true, it is undoubtedly premiered in 1598 with Shakespeare Group accepted by the Shakespeare Group and played a role. The certificate can be seen on a list of comedy performers in the Johnson's work published in 1616. However, there is Shakespeare at the top of the list of active people, and there is an elder Knovel at the top of the list of people in the play, so it is a mistake to think that Shakespeare played this role. The order of the characters in the Elizabeth Dynasty was usually determined by the importance and value of the group as a shareholder of the group, and rarely matched the characters list.

The comedy "Every Man in His Own Mind" has been a huge success, and Johnson has been established forever as one of the most important playwrights at the time. This is not a good comedy by Johnson, and he has just found that he was already one of Japan's best tragedy writers. "The Case is Changed", one of the comedy left in Johnson, has never been reported by him, has never been positioned as his work, but on the stage, it is definitely "Every Man in His Humour". It must have been ahead. The first play is a comedy that has evolved to the level of Proutus's Latin play. (She combines the story of this playwright "Captivi" and "Aulularia"). However, Johnson has found the attractive situation of beggar Rachel and a suggested marriage in a romantic love standard that Shakespeare had already popularized on the stage, not classic. Johnson never created a lively and impressive female character like Rachel, but in the otherity, A Change of Deeds is not an outstanding play, Antonio Balladino and Gabriel Harvey. Perhaps it's not a typical work in Johnson's comedy, except for the satire depiction of Anthony Monday.

Perhaps the play, "Everyone in his heart," performed on the stage of the "Curtain" theater at the end of 1598, is considered an epoc h-making, but this opinion is not reasonable. As for the scenario, thanks to the intercepted letter, I was able to take a man who seems to be a scientist to London and observe his life with the skill of the time. Not not. The true goodness of this comedy is the character of the characters and the theory of their base. Ben Johnson had the theory of poetry and theater and did not hesitate to speak or experiment in play. This is especially true, especially if many of Johnson's concepts have become mainstream for a while and have changed the whole direction of British poems. First, Johnson was a classist. In other words, he believed that art was sel f-control and precaution, in contrast to the underlying and irresponsible spirit that was widespread in the Renaissance. Johnson believed that there was a specialized approach gained by studying the best samples, and was mainly found from ancient people. Speaking of the play, Johnson objection to the intimidating no n-systematic nature of many contemporary plays and used Zi in the play configuration.

Johnson was very distorted on this issue, so let him introduce his own words about "humor." According to Johnson, humor is a bias of temperament, so to speak, a curvature.

"As a qualification possesses a person, the emotions, hearts, and power of the person are fused, and everything is implied in one direction."

However, Johnson carefully adds this:

"Boat, feather, cable tie, thre e-layer call, garden grease, French garter Swiss Knot, etc. will affect humor! There is a ridiculous ridiculous. < Span> probably at the end of 1598. Curtains' play on the theater stage, "Everyone in his heart" is considered an epoc h-making, but this opinion is not reasonable. As for the scenario, thanks to the intercepted letter, I was able to take a man who seems to be a scientist to London and observe his life with the skill of the time. Not not. The true goodness of this comedy is the character of the characters and the theory of their base. Ben Johnson had the theory of poetry and theater and did not hesitate to speak or experiment in play. This is especially true, especially if many of Johnson's concepts have become mainstream for a while and have changed the whole direction of British poems. First, Johnson was a classist. In other words, he believed that art had sel f-control and precautions, in contrast to the underlying and irresponsible spirit that was widespread in the Renaissance. Johnson believed that there was a specialized approach gained by studying the best samples, and was mainly found from ancient people. Speaking of the play, Johnson objection to the intimidating no n-systematic nature of many contemporary plays and used Zi in the play configuration.

Johnson was very distorted on this issue, so let him introduce his own words about "humor." According to Johnson, humor is a bias of temperament, so to speak, a curvature.

"As a qualification possesses a person, the emotions, hearts, and power of the person are fused, and everything is implied in one direction."

However, Johnson carefully adds this:

"Boat, feather, cable tie, thre e-layer call, gardening lease, French garter Swiss knots, etc. affect humor! There is a ridiculousness. Probably the" Curtain "theater at the end of the summer of 1598. The play, "Everyone in his heart," performed on the stage, is considered an epoc h-making, but this opinion is not reasonable. As for the scenario, thanks to the intercepted letter, I was able to take a man who seems to be a scientist to London and observe his life with the skill of the time. Not not. The true goodness of this comedy is the character of the characters and the theory of their base. Ben Johnson had the theory of poetry and theater and did not hesitate to speak or experiment in play. This is especially true, especially if many of Johnson's concepts have become mainstream for a while and have changed the whole direction of British poems. First, Johnson was a classist. In other words, he believed that art was sel f-control and precaution, in contrast to the underlying and irresponsible spirit that was widespread in the Renaissance. Johnson believed that there was a specialized approach gained by studying the best samples, and was mainly found from ancient people. Speaking of the play, Johnson objection to the intimidating no n-systematic nature of many contemporary plays and used Zi in the play configuration.

Johnson was very distorted on this issue, so let him introduce his own words about "humor." According to Johnson, humor is a bias of temperament, so to speak, a curvature.

"As a qualification possesses a person, the emotions, hearts, and power of the person are fused, and everything is implied in one direction."

However, Johnson carefully adds this:

"Boat, feathers, cable ties, thre e-layer calls, garden grease, French garter Swiss knots, etc. affect humor!

Jonson's humorous comedies create comedic sparks by describing characters in a single sentence based on certain personality traits and charms (a gross simplification of real life, I must say), and then contrasting these stereotyped traits with the events they inflict. The Downright is, as the name suggests, a "common squire," the Bobadilla humor is that of a boaster who, by chance, turns out to be a coward with charmingly funny effect, and the Brain-Worm humor is that of a man who invents events to fool everyone. But it was not only Jonson's doctrine that ensured the triumph of "To Each His Own Humour." The play is brilliantly written, with each character vividly painted in vibrant colours, based on the observations of the people of old London. In his Great Comedy (and in all the other plays he wrote), Jonson was not a docile classicist who sought to restore English drama to its traditional conditions. Using the ancient laws of comedy ("laws" being this baggage, such as the correspondence of time and space, the introduction of a chorus), he says:

Degradation of humour: deviations in speech, eccentric images, clothing, beards and hairstyles. There was an anonymous play called Every Lady in her own humour. Chepman wrote Funny Day, Day wrote Humor Without Breathing, Fletcher wrote Humor Lieutenant, Johnson returned to the name except for Every Man Out of Spirit, completing his cycle of comedies with Magnetic Lady, or the reconciliation of humour.

In 1599, the performance of the play song "Everyone is Not in OUR OWN MINDS" by the world Shakespeare Group revealed a new page in Johnson's career. In particular, it is possible to add sel f-satisfaction in the criteria of criticism and satire. "Everyone is the first of" Johnson's three "humorous satire, which is not in his heart, and it was brought to what De Decker actually called Pos Makia or Drama War. However, the type of carrier in the age of the era is to support the catchy satire, which is supported by a smart and glossy conversation. Aiming for the dangerous or corruption, which is expanded by, and all of these are the stages of the same age. A unique attack method in 1599, the player of the world, "Everyone Is Not in Minds" with a real way to make the upper person. Was revealed. In particular, it is possible to add sel f-satisfaction in the criteria of criticism and satire. "Everyone is the first of" Johnson's three "humorous satire, which is not in his heart, and it was brought to what De Decker actually called Pos Makia or Drama War. However, the type of carrier in the age of the era is to support the catchy satire, which is supported by a smart and glossy conversation. Aiming for the dangerous or corruption, which is expanded by, and all of these are the stages of the same age. In 1599, the player of the world in Johnson's career reveals a new page in Johnson's career in 1599. did. In particular, it is possible to add sel f-satisfaction in the criteria of criticism and satire. "Everyone is the first of" Johnson's three "humorous satire, which is not in his heart, and it was brought to what De Decker actually called Pos Makia or Drama War. However, the type of carrier in the age of the era is to support the catchy satire, which is supported by a smart and glossy conversation. Aiming for the dangerous or corruption, which is expanded by, is the stage of the mocking poet and other people. A unique attack method using a technique to make the upper person in a real manner.

And 100), the weakness, timidness, and plagiarism of the "playwright" (it would be appropriate to think of it as Maston). According to Johnson's own testimony, Dramond said: He was a big discussion with Maston, beat him, picked up a revolver, and wrote his own "poet."

The best description of this matter is in the version of J. H. Peniman's "Belles Lettres Series" "Poetaster" and "SATIROMASTRESS". A wonderful contribution to this theme of "The War of the Theater" in 1892 and the G. C. Hart "Johnson" of the 1906 "Notes and Queries" (Notes and Queries). I want to be referred to.

At least here, based on concrete evidence, the main members of the opinions are popular. The play "Historio Mastics" revised by Maston in 1598 is a play that Johnson appeared on the stage in this picture, but the characters in question are poet and satire. It is an interpreter, a poor, crude, a person who contemes a simple flock, and is considered a portrait that complements Johnson rather than a caricature. Regarding the person who is ridiculed in "Every Man is out of spirit", it is rather doubtful because Carlo Buffon is described as "a bad, bad, and a bad idiot in front of the public." In other spaces, the great tragedy of the time, or as two enlastra (= carrier) (the first person, as he recognizes, is the Goseph Hall, and Maston's work is. It was called "the tragedy of a villain"). Gossip lovers and incorrect orburi knows that he is a sloppy person, keeps talking endlessly, and is like the front yard in the room. At one time, he was beaten by Lord Walter Rory at the inn and sealed up and down with hard wax. From him, Ben Johnson adopted Carlo Buffon, who appeared in the play song "Every Man in His Own Mind" (the Japanese title "clown"). Is it possible to imagine Johnson Marst? < SPAN>, 100), the weakness, timid, and plagiarism of "playwrights" (it would be appropriate to think of Marston). According to Johnson's own testimony, Dramond said: He was a big discussion with Maston, beat him, picked up a revolver, and wrote his own "poet."

The best description of this matter is in the version of J. H. Peniman's "Belles Lettres Series" "Poetaster" and "SATIROMASTRESS". A wonderful contribution to this theme of "The War of the Theater" in 1892 and the G. C. Hart "Johnson" of the 1906 "Notes and Queries" (Notes and Queries). I want to be referred to.

At least here, based on concrete evidence, the main members of the opinions are popular. The play "Historio Mastics" revised by Maston in 1598 is a play that Johnson appeared on the stage in this picture, but the characters in question are poet and satire. It is an interpreter, a poor, crude, a person who contemes a simple flock, and is considered a portrait that complements Johnson rather than a caricature. Regarding the person who is ridiculed in "Every Man is out of spirit", it is rather doubtful because Carlo Buffon is described as "a bad, bad, and a bad idiot in front of the public." In other spaces, the great tragedy of the time, or as two enlastra (= carrier) (the first person, as he recognizes, is the Goseph Hall, and Maston's work is. It was called "the tragedy of a villain"). Gossip lovers and incorrect orburi knows that he is a sloppy person, keeps talking endlessly, and is like the front yard in the room. At one time, he was beaten by Lord Walter Rory at the inn and sealed up and down with hard wax. From him, Ben Johnson adopted Carlo Buffon, who appeared in the play song "Every Man in His Own Mind" (the Japanese title "clown"). Is it possible to imagine Johnson Marst? And 100), the weakness, timidness, and plagiarism of the "playwright" (it would be appropriate to think of it as Maston). According to Johnson's own testimony, Dramond said: He was a big discussion with Maston, beat him, picked up a revolver, and wrote his own "poet."

The best description of this matter is in the version of J. H. Peniman's "Belles Lettres Series" "Poetaster" and "SATIROMASTRESS". A wonderful contribution to this theme of "The War of the Theater" in 1892 and the G. C. Hart "Johnson" of the 1906 "Notes and Queries" (Notes and Queries). I want to be referred to.

At least here, based on concrete evidence, the main members of the opinions are popular. The play "Historio Mastics" revised by Maston in 1598 is a play that Johnson appeared on the stage in this picture, but the characters in question are poet and satire. It is an interpreter, a poor, crude, a person who contemes a simple flock, and is considered a portrait that complements Johnson rather than a caricature. Regarding the person who is ridiculed in "Every Man is out of spirit", it is rather doubtful because Carlo Buffon is described as "a bad, bad, and a bad idiot in front of the public." In other spaces, the great tragedy of the time, or as two enlastra (= carrier) (the first person, as he recognizes, is the Goseph Hall, and Maston's work is. It was called "the tragedy of a villain"). Gossip lovers and incorrect orburi knows that he is a sloppy person, keeps talking endlessly, and is like the front yard in the room. At one time, he was beaten by Lord Walter Rory at the inn and sealed up and down with hard wax. From him, Ben Johnson adopted Carlo Buffon, who appeared in the play song "Every Man in His Own Mind" (the Japanese title "clown"). Is it possible to imagine Johnson Marst?

We have gone into detail in this particular case, and shown the problem of his critique in trying to detect the aleatory in this forgotten string of letters. We have put other manifestations of hostility towards Jonson on a more reliable basis. He is clearly smiling at Antonio, Anthony Munday, the metropolitan poet, the interpreter of romance, the dramatist, in the form of "strange matters". Samuel Daniel, in "every man in his humour", makes absolute the undisputed court poet, the sonnet, the satellite of the first class. These people occupied a universally recognized position, which, according to Jonson, his talent gave him more than justice. As a result, they became Jonson's nemesis. Indeed, it seems hardly indisputable that Jonson pursued both the satirists in "every man out of his House" and "Cynthia's Revels", Daniel in "Fastidious brisse" and "Hedon", Munday in "Puntarvolo" and "Amorphus", and so on. The literary rivalry between Johnson and Daniel is repeated again and again in the Rest of King Jacob to London, in the Court Masques, in the Pastoral Dramas. As for Johnson's own ambitions on the two data, it is noteworthy that he was not a poet, but a chronicler of the English city, and that, indeed, the reign of the new king, he soon defeated Daniel.

The second "humorous satire" was performed in 1600, and it is longer, intentional, and lacks imagination. This play seems to have absorbed everything, but most of the caricature is worthy of praise, especially in the details of the clever and intense satire dialogue. The ideas are not selling well. Surprisingly, the children of the chapel of Queen Elizabeth played this esoteric play, including Nasaniel, who read Hores and Marshall with Johnson and later dedicated the play. It was. Another minor actor was Salatiel Pavy, who died before he was 13, but was already famous for the old man. Johnson made him immortal, one of the most impressive tomb stores. Interestingly, this was a precedent, in fact, he became a friend and gently remembered the girls in a small theater. The caricature of Daniel and Monday in Cynthia's Apocalypse followed the footprints with Anida (arrogant), but here is definitely Marston and Assoctus (prostitute) and is interpreted as a lodge. < SPAN> The second "humorous satire" was performed in 1600, and it is longer, intentional, and lacks imagination. This play seems to have absorbed everything, but most of the caricature is worthy of praise, especially in the details of the clever and intense satire dialogue. The ideas are not selling well. Surprisingly, the children of the chapel of Queen Elizabeth played this esoteric play, including Nasaniel, who read Hores and Marshall with Johnson and later dedicated the play. It was. Another minor actor was Salatiel Pavy, who died before he was 13, but was already famous for the old man. Johnson made him immortal, one of the most impressive tomb stores. Interestingly, this was a precedent, in fact, he became a friend and gently remembered the girls in a small theater. The caricature of Daniel and Monday in Cynthia's Apocalypse followed the footprints with Anida (arrogant), but here is definitely Marston and Assoctus (prostitute) and is interpreted as a lodge. The second "humorous satire" was performed in 1600, and it is longer, intentional, and lacks imagination as a play. This play seems to have absorbed everything, but most of the caricature is worthy of praise, especially in the details of the clever and intense satire dialogue. The ideas are not selling well. Surprisingly, the children of the chapel of Queen Elizabeth played this esoteric play, including Nasaniel, who read Hores and Marshall with Johnson and later dedicated the play. It was. Another minor actor was Salatiel Pavy, who died before he was 13, but was already famous for the old man. Johnson made him immortal, one of the most impressive tomb stores. Interestingly, this was a precedent, in fact, he became a friend and gently remembered the girls in a small theater. The caricature of Daniel and Monday in Cynthia's Apocalypse followed the footprints with Anida (arrogant), but here is definitely Marston and Assoctus (prostitute) and is interpreted as a lodge.

The third and final of his "comical satires," The Poetaster, was performed again by the Children of the Chapel in 1601, but is Jonson's only known contribution to the struggle. By the author's own account, it was written in fifteen weeks, acting on a report that his opponents had asked Decker to prepare a dramatic attack on him, "Sateromastyx, the Humorous Unmasking of the Poet." In this attempt to get ahead of his opponents, Jonson was successful, and The Poetaster was an immediate and well-deserved success. Structurally it differs little from the earlier plays, but, following a device borrowed from Lucian's Lexiphani, it is arranged to lead to a comical final scene in which the offended poet Marston Crispinus is forced to utter difficult words, taxing his stomach and vocabulary. Finally, Crispinus, along with his companion Decker-Demetrius, promises to keep the peace and never again "to mock, bribe, or degrade the person or works of Quintus Horace Flaccus (Jonson), or any man of higher character than himself." One of the most comical characters in Jonson's comedies is Captain Tucca, whose "idiosyncrasy" is described by Ward as "a cheerful insensibility, which he recovers from even after the most complete exposure." The third and last of his "comical satires," The Poet, was performed again in 1601 by the Children of the Chapel, and is Jonson's only known contribution to the struggle. By the author's own account, the play was written in fifteen weeks, based on a report that his opponents had asked Decker to prepare a dramatic attack on himself, "Sateromastyx, the Humorous Unmasking of the Poet." In this attempt to get ahead of his opponents, Jonson succeeded, and "Poetaster" was an immediate and well-deserved success. Structurally it differs little from his earlier plays, but, following a device borrowed from Lucian's "Lexifani," it is designed to lead to a comical final scene in which the offended poet Marston Crispinus is forced to speak difficult words, taxing his stomach and vocabulary. At the end, Crispinus, along with his companion Dekker Demetrius, promises to keep the peace and never again "to mock, bribe, or degrade the person or works of Quintus Horatius Flaccus (Jonson), or any man of higher character than yourself." "One of the most comical characters in Jonson's comedies is Captain Tucca; his 'idiosyncrasy' is described by Ward as a 'cheerful insensibility, from which he soon recovers even after the most complete exposure. The third and last of his 'comical satires', The Poetaster, reperformed by the Children of the Chapel in 1601, is Jonson's only known contribution to the struggle. By the author's own account, the play was written in fifteen weeks, acting on a report that his opponents had asked Decker to prepare a dramatic attack on himself, 'A Sateromastyx, Unmasking a Humorous Poet.' Jonson was successful in this attempt to get ahead of his opponents, and The Poetaster was an immediate and well-deserved success. The Poetaster differs little in structure from the earlier plays, but, following a device borrowed from Lucian's Lexiphani, is constructed to lead to a comic final scene in which the offended poet Marston Crispinus is forced to utter difficult words, taxing his stomach and vocabulary. At the end, Crispinus, along with his companion Dekker Demetrius, keep the peace and promise never again to "taunt, bribe, or degrade the person or works of Quintus Horace Flaccus, or any man of higher character than himself." One of the most comical characters in Jonson's comedies is Captain Tucca, whose "idiosyncrasy" is described by Ward as "a cheerful insensibility, from which he quickly recovers even after the most complete exposure."

Decker expressed his concern in his own answer to Satulomastics, which was directed to this Captain Tukka, and he turned his personal speech to Johnson and "Personal conversation. The miscellaneous line does not fit Johnson's theory. " For example, when Decker wrote a dramatic rebuttal to Johnson, he thought he was working on a kind of age notes dedicated to Walter Terril under William Rufus. That's what. He immediately adapted it and modified it to convey the satire of his own response, including the satire proposed by the poet. As a result, Hores reached a nonsense ending of being imprisoned in the court of King Norman. However, Decker's play does not mean that Johnson's arrogance, arrogance as a literary scholar, and sel f-righteousness are not specific. It has recently been found that his "friend" Ashinius Bubo is likely to be a poet Doraiton, a friend of Johnson. No matter how small and urgent of Satiro Mastics, the Great Corporation gave a palm, not Johnson, compared to the more hig h-quality and more meaningful satire of Poteta Star. 。 As a result, Johnson completely abandoned the practice of "humorous satire." < SPAN> Decker was concerned in his own answer to Satulomastics, which was directed to this Captain Tukka, and he turned his personal deroved name to Johnson. The miscellaneous line in a conversation does not fit Johnson's theory. " For example, when Decker wrote a dramatic rebuttal to Johnson, he thought he was working on a kind of age notes dedicated to Walter Terril under William Rufus. That's what. He immediately adapted it and modified it to convey the satire of his own response, including the satire proposed by the poet. As a result, Hores reached a nonsense ending of being imprisoned in the court of King Norman. However, Decker's play does not mean that Johnson's arrogance, arrogance as a literary scholar, and sel f-righteousness are not specific. It has recently been found that his "friend" Ashinius Bubo is likely to be a poet Doraiton, a friend of Johnson. No matter how small and urgent of Satiro Mastics, the Great Corporation gave a palm, not Johnson, compared to the more hig h-quality and more meaningful satire of Poteta Star. 。 As a result, Johnson completely abandoned the practice of "humorous satire." Decker expressed his concern in his own answer to Satulomastics, which was directed to this Captain Tukka, and he turned his personal speech to Johnson and "Personal conversation. The miscellaneous line does not fit Johnson's theory. " For example, when Decker wrote a dramatic rebuttal to Johnson, he thought he was working on a kind of age notes dedicated to Walter Terril under William Rufus. That's what. He immediately adapted it and modified it to convey the satire of his own response, including the satire proposed by the poet. As a result, Hores reached a nonsense ending of being imprisoned in the court of King Norman. However, Decker's play does not mean that Johnson's arrogance, arrogance as a literary scholar, and sel f-righteousness are not specific. It has recently been found that his "friend" Ashinius Bubo is likely to be a poet Doraiton, a friend of Johnson. No matter how small and urgent of Satiro Mastics, the Great Corporation gave a palm, not Johnson, compared to the more hig h-quality and more meaningful satire of Poteta Star. 。 As a result, Johnson completely abandoned the practice of "humorous satire."

In fact, it is a certain number of other plays that play a big or small role in the war in theaters. Among them, a play for a research institute entitled "Return from Palnas", which was performed from 1601 to 2002, is important. Among them, the quoted excerpts are often said to the barbage as a character. Oh, Ben Johnson is a man like an ulcer. He raised a space and gave the poet a medicine, but the friend Shakespeare cleaned him. Did Shakespeare participate in this war? And what is this "cleaning" like? There is even a theory that Shakespeare's "lowered his friend Johnson" is "Troil and Cressida". The most wise interpretation is that Shakespeare is not written, but to find "cleaning" in "Satimastique", which was staged by his seat. < SPAN> In fact, it is a certain number of other plays that play a big or small role in the war in the theater. Among them, a play for a research institute entitled "Return from Palnas", which was performed from 1601 to 2002, is important. Among them, the quoted excerpts are often said to the barbage as a character. Oh, Ben Johnson is a man like an ulcer. He raised a space and gave the poet a medicine, but the friend Shakespeare cleaned him. Did Shakespeare participate in this war? And what is this "cleaning" like? There is even a theory that Shakespeare's "lowered his friend Johnson" is "Troil and Cressida". The most wise interpretation is that Shakespeare is not written, but to find "cleaning" in "Satimastique", which was staged by his seat. In fact, it is a certain number of other plays that play a big or small role in the war in theaters. Among them, a play for a research institute entitled "Return from Palnas", which was performed from 1601 to 2002, is important. Among them, the quoted excerpts are often said to the barbage as a character. Oh, Ben Johnson is a man like an ulcer. He raised a space and gave the poet a medicine, but the friend Shakespeare cleaned him. Did Shakespeare participate in this war? And what is this "cleaning" like? There is even a theory that Shakespeare's "lowered his friend Johnson" is "Troil and Cressida". The most wise interpretation is that Shakespeare is not written, but to find "cleaning" in "Satimastique", which was staged by his seat.

In the later years of Elizabeth's reign, Johnson was recognized as a playwright after Shakespeare, and was as good as a pla y-style sting writer. However, Johnson turned his talent to a new field. The play based on traditional situations and legends has been performed on the stage since the birth of a play. For example, Shakespeare did not do anything new when he wrote Julius Caesar in 1600. So when Johnson r e-performed Seyanus three years later at the Sayanus troupe, he just followed the footprints of an old playwright. On the other hand, on the other hand, Johnson's thoughts on Shakespeare and old playwrights were strongly outstanding about the play in traditional situations. A few years ago, Haywood had immediately performed five different plays, all of which were based on the Ovid situation, especially without elaborate or discriminatory. Shakespeare had a more delicate understanding of the format, but enjoyed taking out the entire old situation from the translation of Protalcos North and dramatizing personal scenes without any further investigation. Johnson was a scholar and a traditional old book researcher. He accused this useless amateur activity, read Takitus, Suetonius, other authorities as a scholar, and wrote his own "Shanus" to convince the precedent, life, and atmosphere In his later years, Johnson was recognized as a playwright after Shakespeare, and was inferior to him as a pla y-style sting writer. However, Johnson turned his talent to a new field. The play based on traditional situations and legends has been performed on the stage since the birth of a play. For example, Shakespeare did not do anything new when he wrote Julius Caesar in 1600. So when Johnson r e-performed Seyanus three years later at the Sayanus troupe, he just followed the footprints of an old playwright. On the other hand, on the other hand, Johnson's thoughts on Shakespeare and old famous playwrights were strongly outstanding about the play in traditional situations. A few years ago, Haywood had immediately performed five different plays, all of which were based on Ovid's situation, especially without elaborate or discriminatory. Shakespeare had a more delicate understanding of the format, but enjoyed taking out the entire old situation from the translation of Protalcos North and dramatizing personal scenes without any further investigation. Johnson was a scholar and a traditional old book researcher. He accused this unnecessary amateur activity, reads Takitus, Suetonius, and other authority as a scholar, and wrote his own "Shanus" to convince the precedent, life, and atmosphere, and in this way, Elizabeth's later years in Elizabeth. Johnson was recognized as a playwright after Shakespeare, and was inferior to him as a pla y-style sting writer. However, Johnson turned his talent to a new field. The play based on traditional situations and legends has been performed on the stage since the birth of a play. For example, Shakespeare did not do anything new when he wrote Julius Caesar in 1600. So when Johnson r e-performed Seyanus three years later at the Sayanus troupe, he just followed the footprints of an old playwright. On the other hand, on the other hand, Johnson's thoughts on Shakespeare and old famous playwrights were strongly outstanding about the play in traditional situations. A few years ago, Haywood had immediately performed five different plays, all of which were based on the Ovid situation, especially without elaborate or discriminatory. Shakespeare had a more delicate understanding of the format, but enjoyed taking out the entire old situation from the translation of Protalcos North and dramatizing personal scenes without any further investigation. Johnson was a scholar and a traditional old book researcher. He accused this useless amateur activity, read Takitus, Suetonius, other authorities as a scholar, and wrote his own "Shanus" to convince the precedent, life, and atmosphere.

In 1605, Johnson actively cooperated with Chapman and Marston and wrote an attractive comedy depicting the British life entitled "Eastward HoE." Last year, Marston gave Johnson's own "inequality" and gave a warm praise that the wounds in the theater war should have been healed. There was a sense of close scientific standard between Johnson and Chapman. They continued to be friends throughout their lives. "East Word Ho" has gained extraordinary fame, as can be seen from the fact that there was No. 3 demand every year. But this is not only due to the use of play. In the early version of the play, there was a passage that the difficult court thought that the courtesy of the country despised its civilization, and both Scottish people, Chapman and Johnson, were sent to prison, but Johnson so far affected the court. This problem was solved immediately because of his power. < SPAN> In 1605, Johnson actively cooperated with Chapman and Marston and wrote an attractive comedy depicting the British life entitled "Eastward HoE." Last year, Marston gave Johnson's own "inequality" and gave a warm praise that the wounds in the theater war should have been healed. There was a sense of close scientific standard between Johnson and Chapman. They continued to be friends throughout their lives. "East Word Ho" has gained extraordinary fame, as can be seen from the fact that there was No. 3 demand every year. But this is not only due to the use of play. In the early version of the play, there was a passage that the difficult court thought that the courtesy of the country despised its civilization, and both Scottish people, Chapman and Johnson, were sent to prison, but Johnson so far affected the court. This problem was solved immediately because of his power. In 1605, Johnson actively cooperated with Chapman and Marston and wrote an attractive comedy depicting the British life entitled "Eastward HoE." Last year, Marston gave Johnson's own "inequality" and gave a warm praise that the wounds in the theater war should have been healed. There was a sense of close scientific standard between Johnson and Chapman. They continued to be friends throughout their lives. "East Word Ho" has gained extraordinary fame, as can be seen from the fact that there was No. 3 demand every year. But this is not only due to the use of play. In the early version of the play, there was a passage that the difficult court thought that the courtesy of the country despised its civilization, and both Scottish people, Chapman and Johnson, were sent to prison, but Johnson so far affected the court. This problem was solved immediately because of the power.

Along with the throne of King James, an endless success of Johnson as a mask craftsman began. He draws more masks than all rivals, standing out of its unnatural richness and poetic perfection. Johnson did not invent a mask, for example, because the planned design for decorating and biting court balls has been popular before his era and has been used for a long time. It is. However, Johnson gave a dramatic meaning to the mask, especially by inventing ant i-masks (a humorous or farc e-like manner assigned to professional actors and dancers). He also gave beauty and ambition to the role of the masquerade. In this masked ball, a large lord and lady played their roles, forming a gorgeous show in a splendid costume, artistic groups, and development. Johnson had a unique and wealthy friend, Inigo Jones, a royal designer, Inigo Jones, who had a higher level of British stage, regarding machinery and stage art. However, the discord with Jones eventually darkened Johnson's life, and the two sullen old man was not only irritated by each other, but also became an unbearable annoying person in the court. Jones has the name of "Himeea", "Queen's Mask", "Love released from ignorance", "Lover who has become a man", "Pleasure that has been settled with virtue", and many other works. With the throne of King James, the endless success of Johnson as a mask craftsman has begun. He draws more masks than all rivals, standing out of its unnatural richness and poetic perfection. Johnson did not invent a mask, for example, because the planned design for decorating and biting court balls has been popular before his era and has been used for a long time. It is. However, Johnson gave a dramatic meaning to the mask, especially by inventing ant i-masks (a humorous or farc e-like manner assigned to professional actors and dancers). He also gave beauty and ambition to the role of the masquerade. In this masked ball, a large lord and lady played their roles, forming a gorgeous show in a splendid costume, artistic groups, and development. Johnson had a unique and wealthy friend, Inigo Jones, a royal designer, Inigo Jones, who had a higher level of British stage, regarding machinery and stage art. However, the discord with Jones eventually darkened Johnson's life, and the two sullen old man was not only irritated by each other, but also became an unbearable annoying person in the court. Jones has the name of "Himeea", "Queen's Mask", "Love released from ignorance", "Lover who has become a man", "Pleasure that has been settled with virtue", and many other works. Along with the throne of King James, an endless success of Johnson as a mask craftsman began. He draws more masks than all rivals, standing out of its unnatural richness and poetic perfection. Johnson did not invent a mask, for example, because the planned design for decorating and biting court balls has been popular before his era and has been used for a long time. It is. However, Johnson gave a dramatic meaning to the mask, especially by inventing ant i-masks (a humorous or farc e-like manner assigned to professional actors and dancers). He also gave beauty and ambition to the role of the masquerade. In this masked ball, a large lord and lady played their roles, forming a gorgeous show in a splendid costume, artistic groups, and development. Johnson had a unique and wealthy friend, Inigo Jones, a royal designer, Inigo Jones, who had a higher level of British stage, regarding machinery and stage art. However, the discord with Jones eventually darkened Johnson's life, and the two sullen old man was not only irritated by each other, but also became an unbearable annoying person in the court. Jones has the name of "Himeea", "Queen's Mask", "Love released from ignorance", "Lover who has become a man", "Pleasure that has been settled with virtue", and many other works.

But Jonson did not completely abandon his famous scenes, even when he turned to the revival of King James: Volpone was performed in 1605, The Silent Woman in 1609, and The Alchemist in the same year. These comedies, as well as Bartholomew's Fair in 1614, recall Jonson's heyday and are familiar to the English drama for their sharpness of structure, well-caricatured morality, humour and the brilliance of the dialogue. Volpone, or the Fox, is in a sense a transitional work from the dramatic satire of the wartime theatre to the purer comedy of the above plays, since few of the characters in action are worthy of being played, such as the villain himself, the rogue servant Mosca, Voltor (the Vulture), Corbaccio, Corvino (the Raven and the Raven), and the statesman Lord Hoteloca. The question arises whether such a forbidden situation can be considered a comedy, since, although the plot ends with disgrace and the decision to imprison the most guilty, there is no fatal accident. Volpone is much more intelligently constructed according to the ancient teachings of comedy than Shakespeare's romantic tragedies.

"The Silent Woman is a gigantic farce of the most ingenious design. The whole comedy is based on a comedy act performed by a misanthropic uncle, who is advised to take a wife who is guaranteed to be young, fair, and silent, but who turns out to be neither silent nor feminine at all. In The Alchemist, again, the ultimate in structural mastery is displayed, the whole substance building from climax to climax, witty, ingenious, and so believable that one forgets the extraordinary possibilities of life. In The Alchemist, Johnson He portrays metropolitan wits, no less believable than those of the Count of Rome, rejoicing in their insight and admiration, and depicting the various follies and cruelties of their victims. It can be said that the only characters in the play with at least a drop of honesty are shared, and the greatest villains receive recognition and reward at the end. The comedy is so vividly written and invented, the characters so vivid and distinctive, their figures so unique, and the whole play so vivid and inventive that The Alchemist gives new surprises every time you read it. The final play in the group is a magnificent comedy. "Bartholomew is honest, and although it is more modest and less praiseworthy in structure than the previous three, it is full of the sharpest and cleverest satire and is the most inventive.

Volpone is set in Venice. Whether because of the success of The Eastern Hoe or for other reasons, the other three comedies explain the words of the prologue to the "Alchemist":

"Our stage is London.

Johnson advanced further and reworked his play for the corporate version of the book published in 1616. He moved the scene of "Everyone in his heart" from Florence to London, and made Lorenzo di Pazzi into the old Knovel and Prosto as a wellborn master. In addition, a woman named Kitelli, who lives in an old Jewish house, appears.

Despite being good at caricature, Johnson, in his comedy depicting the life of the British, emerged as a true realist, with rare techniques and insights in all generations. I drew it. Ben Johnson and Charles Dickens were a suitable combination. Both of them were common people in the common people and were born and raised in an unprecedented environment. Each knew London in his age so that no one else knew it. Both of them were the most rooted moralists and pursued the truth through the exaggerated form of humor and caricatures. He was immoral, sometimes contained pagans, but had a true prestige and a wide soul. And when everything was over-but the Elizabeth Dynasty ran in a satire, and the Victoria dynasty ran in a sentiment, and they left unprecedented universe for the art that was practiced in space. < SPAN> Johnson advanced further and revised his play for the corporate version of the book published in 1616. He moved the scene of "Everyone in his heart" from Florence to London, and made Lorenzo di Pazzi into the old Knovel and Prosto as a wellborn master. In addition, a woman named Kitelli, who lives in an old Jewish house, appears.

Despite being good at caricature, Johnson, in his comedy depicting the life of the British, emerged as a true realist, with rare techniques and insights in all generations. I drew it. Ben Johnson and Charles Dickens were a suitable combination. Both of them were common people in the common people and were born and raised in an unprecedented environment. Each knew London in his era so that no one else knew it. Both of them were the most rooted moralists and pursued the truth through the exaggerated form of humor and caricatures. He was immoral, sometimes contained pagans, but had a true prestige and a wide soul. And when everything was over-but the Elizabeth Dynasty ran in a satire, and the Victoria dynasty ran in a sentiment, and they left unprecedented universe for the art that was practiced in space. Johnson advanced further and reworked his play for the corporate version of the book published in 1616. He moved the scene of "Everyone in his heart" from Florence to London, and made Lorenzo di Pazzi into the old Knovel and Prosto as a wellborn master. In addition, a woman named Kitelli, who lives in an old Jewish house, appears.

Despite being good at caricature, Johnson, in his comedy depicting the life of the British, emerged as a true realist, with rare techniques and insights in all generations. I drew it. Ben Johnson and Charles Dickens were a suitable combination. Both of them were common people in the common people and were born and raised in an unprecedented environment. Each knew London in his era so that no one else knew it. Both of them were the most rooted moralists and pursued the truth through the exaggerated form of humor and caricatures. He was immoral, sometimes contained pagans, but had a true prestige and a wide soul. And when everything was over-but the Elizabeth Dynasty ran in a satire, and the Victoria dynasty ran in a sentiment, and they left unprecedented universe for the art that was practiced in space.

In 1616, in the year of Shakespeare's death, Johnson collected his play, poetry and masked and published as a group. It was unusual in such an era, and the players did not try to arrange it before Johnson. This volume contains all the plays mentioned by the time, except for "Jubystra", "Fairy's Burtholo Mew" and "Devil-Donnet", which were written in a fairly delay. Apart from these, 100 and 33 unusual "epigures" were recorded, and Johnson was recognized by everyone as a talkative and sharp sentence master. "Forest" is a collection of lyrical and episode poems, which include "masks" and "entertainment" within 10 editions. This year, Johnson became a poet for 100 points a year. This must be the main part of his income, along with rewards, income from various nobles, and the little income from play songs. The poet seems to have worked literally for others, for example, a part of the Puni War in the "World History" Riliri. We know from situations that are not worthwhile, Johnson actually combined Railie's offspring abroad as a mentor. In 1618, Johnson was returned to the Revels Master pos t-he was all more adapted; but he wasn't alive for this because of her soup. In 1616, in the year of Shakespeare's death, Johnson collected his play, poetry and masked and published as a group. It was unusual in such an era, and the players did not try to arrange it before Johnson. This volume contains all the plays mentioned by the time, except for "Jubystra", "Fairy's Burtholo Mew" and "Devil-Donnet", which were written in a fairly delay. Apart from these, 100 and 33 unusual "epigures" were recorded, and Johnson was recognized by everyone as a talkative and sharp sentence master. "Forest" is a collection of lyrical and episode poems, which include "masks" and "entertainment" within 10 editions. This year, Johnson became a poet for 100 points a year. This must be the main part of his income, along with rewards, income from various nobles, and the little income from play songs. The poet seems to have worked literally for others, for example, a part of the Puni War in the "World History" Riliri. We know from situations that are not worthwhile, Johnson actually combined Railie's offspring abroad as a mentor. In 1618, Johnson was returned to the Revels Master pos t-he was all more adapted; but he was in 1616, in 1616, where he was from her soup. In the year of Shakespeare's death, Johnson gathered his play, poetry and masked and published as a group. It was unusual in such an era, and the players did not try to arrange it before Johnson. This volume contains all the plays mentioned by the time, except for "Jubystra", "Fairy's Burtholo Mew," and "Devil-Donnet", which were written in a very delay. Apart from these, 100 and 33 unusual "epigures" were recorded, and Johnson was recognized by everyone as a talkative and sharp sentence master. "Forest" is a collection of lyrical and episode poems, which include "masks" and "entertainment" within 10 editions. This year, Johnson became a poet for 100 points a year. This must be the main part of his income, along with rewards, income from various nobles, and the little income from play songs. The poet seems to have worked literally for others, for example, a part of the Puni War in the "World History" Riliri. We know from situations that are not worthy of trust, Johnson actually combined Railie's offspring overseas as a mentor. In 1618, Johnson was returned to the Revels Master pos t-he was all more adapted; but he was not alive for this because of her soup.

From 1616 to the end of the reign of King Jacob Johnson, he did nothing for the stage. However, what he actually called the "class that he loves" was "pursued" with this enthusiasm, and in fact rumors became one of the most scientific workers in the same era. 。 The author's doctrine to Johnson wanted a wide range of books and "technology", as he said. "Change the substance and properties of other poets to make your own advantage." In addition, Johnson not only reads Greek and Latin classics to small writers, but also leads to Latin's Latin's work, prose, poetry, ancient and mysterious traditions, and even deeper learning. Until, everything was carefully familiar. But Johnson was an unhappy man. He was a collection of books. In fact, he tells Dramond, "Count Pemblock has sent £ 20 from day to buy a new book." Unfortunately, in 1623, his collection was wiped out by a fire, and the rarity was enjoyed with the skillful poems of "volcanic execution." Now, however, you can find a book written as Ben Johnson in a large font in Italian. In fact, Doradiden secretly states that Johnson's own material is used. < SPAN> He did nothing for the stage from 1616 to the end of the reign of King Jacob Johnson. However, what he actually called the "class that he loves" was "pursued" with this enthusiasm, and in fact rumors became one of the most scientific workers in the same era. 。 The author's doctrine to Johnson wanted a wide range of books and "technology", as he said. "Change the substance and properties of other poets to make your own advantage." In addition, Johnson not only reads Greek and Latin classics to small writers, but also leads to Latin's Latin's work, prose, poetry, ancient and mysterious traditions, and even deeper learning. Until, everything was carefully familiar. But Johnson was an unhappy man. He was a collection of books. In fact, he tells Dramond, "Count Pemblock has sent £ 20 from day to buy a new book." Unfortunately, in 1623, his collection was wiped out by a fire, and the rarity was enjoyed with the skillful poems of "volcanic execution." Now, however, you can find a book written as Ben Johnson in a large font in Italian. In fact, Doradiden secretly states that Johnson's own material is used. From 1616 to the end of the reign of King Jacob Johnson, he did nothing for the stage. However, what he actually called the "class that he loves" was "pursued" with this enthusiasm, and in fact rumors became one of the most scientific workers in the same era. 。 The author's doctrine to Johnson wanted a wide range of books and "technology", as he said. "Change the substance and properties of other poets to make your own advantage." In addition, Johnson not only reads Greek and Latin classics to small writers, but also leads to Latin's Latin's work, prose, poetry, ancient and mysterious traditions, and even deeper learning. Until, everything was carefully familiar. But Johnson was an unhappy man. He was a collection of books. In fact, he tells Dramond, "Count Pemblock has sent £ 20 from day to buy a new book." Unfortunately, in 1623, his collection was wiped out by a fire, and the rarity was enjoyed with the skillful poems of "volcanic execution." Now, however, you can find a book written as Ben Johnson in a large font in Italian. In fact, Doradiden secretly states that Johnson's own material is used.

Johnson's lyric poems, especially the poems, have special advantages. His theory required the perfection of design and literary finish. He was different from Kyogen turning and careless singers in the vanity. He believed that Apollo could serve with dignity in wearing a song and laurel wreath. But many of Johnson's poems will live as long as the language. No one will know the chaste and beautiful queen and hunter. I just need to drink from your eyes. " The shape is beautiful, the expression is skillful and graceful, there is no extra word, and there is nothing that is not useful for the overall effect. However, Johnson's lyrics are some kind of stiffness and formal one, that is, neither naturally born nor that is not suitable,, so to speak mediocre thoughts are more powerful. It is still outstanding due to the suspicion that it was cut off by an disproportionate effort by a writer. For this reason, Johnson specializes in epigures and episode poems, and rearing perfection and humor do not hinder the spontaneous and emotionalness we usually associate with lyric poems. There is no tomb inscription like Ben Johnson. Look at the attractive tomb inscription dedicated to your children, the orphanage actor Salatiel Pavay, and many other people. < SPAN> Johnson's lyric poems, especially the poems, have special advantages. His theory required the perfection of design and literary finish. He was different from Kyogen turning and careless singers in the vanity. He believed that Apollo could serve with dignity in wearing a song and laurel wreath. But many of Johnson's poems will live as long as the language. No one will know the chaste and beautiful queen and hunter. I just need to drink from your eyes. " The shape is beautiful, the expression is skillful and graceful, there is no extra word, and there is nothing that is not useful for the overall effect. However, Johnson's lyrics are some kind of stiffness and formal one, that is, neither naturally born nor that is not suitable,, so to speak mediocre thoughts are more powerful. It is still outstanding due to the suspicion that it was cut off by an disproportionate effort by a writer. For this reason, Johnson specializes in epigures and episode poems, and rearing perfection and humor do not hinder the spontaneous and emotionalness we usually associate with lyric poems. There is no tomb inscription like Ben Johnson. Look at the attractive tomb inscription dedicated to your children, the orphanage actor Salatiel Pavay, and many other people. Johnson's lyric poems, especially the poems, have special advantages. His theory required the perfection of design and literary finish. He was different from Kyogen turning and careless singers in the vanity. He believed that Apollo could serve with dignity in wearing a song and laurel wreath. But many of Johnson's poems will live as long as the language. No one will know the chaste and beautiful queen and hunter. I just need to drink from your eyes. " The shape is beautiful, the expression is skillful and graceful, there is no extra word, and there is nothing that is not useful for the overall effect. However, Johnson's lyrics are some kind of stiffness and formal one, that is, neither naturally born nor that is not suitable,, so to speak mediocre thoughts are more powerful. It is still outstanding due to the suspicion that it was cut off by an disproportionate effort by a writer. For this reason, Johnson specializes in epigures and episode poems, and rearing perfection and humor do not hinder the spontaneous and emotionalness we usually associate with lyric poems. There is no tomb inscription like Ben Johnson. Look at the attractive tomb inscription dedicated to your children, the orphanage actor Salatiel Pavay, and many other people.

The avan t-gardo Scottish poet was proud to have a certain number of months as a hoton den. Some of Johnson's most generous poems were inspired by friendship. A beautiful "OD A-Remembrance of Sir Lucius Carey and Sir Henry Maurison" (Remember Lord Lucius and Henry Maurison) and the attractive work that expresses the son's habits related to the first Shakespeare Emory Of My Beloved Master William Shakespeare and that, in Fact, That He Has Left US (my beloved master William Shakespeare's memories, what he left to us). The more injured "Elaus" begins with the lyrics "not generally not a nobleman", but still has the ability to be comparable to that, with the stunning thoroughness and wisdom of the personally clever and important era. Not.

However, even if he was released from the front stage until the end of the reign of King Jacob Johnson, he did not work at all. In the resurrected Golden Century, Palas turned a metallic eternal and accompanying vicious into a buried sculpture in front of him. In "Pleasure that has been settled with the virtue," Atlas is drawn as an old man, his windows are covered with snow, and "Holiday and belly gods" are regarded as one of the characters. At the end of the reign of Jacob, "Bread Birthday" was a way to run and write unique lyrics, and "Gypsy that transformed" is a former humor and sweeping humorous. He showed his movement, was lost, has not been overtaken, and has been appointed. Charles was prescribed a "devil" in an unconditional monarch of British literature, Bohemia, as a "devil." We are the best in such an era for Johnson's own rational "LEGES CONVENIVALES" and beautifully designed rooms that are composed of the best brain of such an era. Ask about the company composed of the brain.

"We had such a cluster, but in fact we were generous and not reckless.

However, in the days of King Karl, the courtyard was returned to the pleasure, but Johnson was not deprived of the royal grace. The old poet returned to the stage, and announced "News of News", "New Hotel", "Magnetic Lady", and "Bathology" from 1625 to 1633, but the latter is definitely a "comedy full of scratches. ] (Much More Wounded Comedy) was modified. All of these plays had no noticeable response, but the ironic generalization of Draden, called "Johnson's subsidy", is unjustified against its true advantages. Therefore, the idea of ​​the office for collecting, design, and distribution of news (flew at once) was a wonderful material for people who have a place in the newspaper. However, in his own generosity, the same is true of a "magne t-like woman" that attracts people with different temperament to himself and according to another name, a "reconciled person". It is almost impossible to explain that. Moralist has become more presence than ever before, satire has fallen into a personal ridicule, and Inigo Jones, who has been a lon g-standing partner, is in court in court. I gave a shock. Johnson's illness came to Johnson, and he was tied to the bed for a month. In 1628, he served as a British urba n-age reporter on behalf of Middleton, but lost his position because he did not fulfill his obligations. Karl deepened his friendship with Johnson and instructed Johnson to compile more works. < SPAN> However, in the days of King Karl, the courtyard's asylum was returned, but Johnson was not deprived of the royal family. The old poet returned to the stage, and announced "News of News", "New Hotel", "Magnetic Lady", and "Bathology" from 1625 to 1633, but the latter is definitely a "comedy full of scratches. ] (Much More Wounded Comedy) was modified. All of these plays had no noticeable response, but the ironic generalization of Draden, called "Johnson's subsidy", is unjustified against its true advantages. Therefore, the idea of ​​the office for collecting, design, and distribution of news (flew at once) was a wonderful material for people who have a place in the newspaper. However, in his own generosity, the same is true of a "magne t-like woman" that attracts people with different temperament to himself and according to another name, a "reconciled person". It is almost impossible to explain that. Moralist has become more presence than ever before, satire has fallen into a personal ridicule, and Inigo Jones, who has been a lon g-standing partner, is in court in court. I gave a shock. Johnson's illness came to Johnson, and he was tied to the bed for a month. In 1628, he served as a British urba n-age reporter on behalf of Middleton, but lost his position because he did not fulfill his obligations. Karl deepened his friendship with Johnson and instructed Johnson to compile more works. However, in the days of King Karl, the courtyard was returned to the pleasure, but Johnson was not deprived of the royal grace. The old poet returned to the stage, and announced "News of News", "New Hotel", "Magnetic Lady", and "Bathology" from 1625 to 1633, but the latter is definitely a "comedy full of scratches. ] (Much More Wounded Comedy) was modified. All of these plays had no noticeable response, but the ironic generalization of Draden, called "Johnson's subsidy", is unjustified against its true advantages. Therefore, the idea of ​​the office for collecting, design, and distribution of news (flew at once) was a wonderful material for people who have a place in the newspaper. However, in his own generosity, the same is true of a "magne t-like woman" that attracts people with different temperament to himself and according to another name, a "reconciled person". It is almost impossible to explain that. Moralist has become more presence than ever before, satire has fallen into a personal ridicule, and Inigo Jones, who has been a lon g-standing partner, is in court in court. I gave a shock. Johnson's illness came to Johnson, and he was tied to the bed for a month. In 1628, he served as a British urba n-age reporter on behalf of Middleton, but lost his position because he did not fulfill his obligations. Karl deepened his friendship with Johnson and instructed Johnson to compile more works.

Jonson died on August 6, 1637, and in 1640 the second volume of his works was written. It contains all the plays mentioned in the previous paragraph except "The Changed Case," about fifteen masques from 1617 to 1630, a collection of song lyrics and poems entitled "The Underwoods," a translation of "The Art of Horace" (also published in visimo quarto in 1640), and several other works and collections that the poet himself would hardly have included. Among the latter are "Mortimer's Fall," a disaster work of less than seventy lines, and "The Sorrowful Shepherd," a pastoral play in three acts of great beauty and poetic spirit. Also, "A Grammar" of Latin and English, "Compiled by Ben Jonson, for all strangers, from a Study of the English Language now Spoken and Used," and "The Mill, or Discoveries," "Discoveries of Men and Things, won from his Daily Reading, or reflected in his Special View of the Time." What is commonly called "Discoveries" is a common book, possessed by almost all writers, in which they record their reading, their translations and rewritings of their favourite passages, their fleeting notions, etc.

When Johnson died, an elegant monument was built in memory of him. However, internal conflict broke out and the plan failed. The stone covering his tomb in one room of the Westminster temple was engraved with a commemorative inscription, but it was missing:

"Rare Ben Johnson."

Felix E. Institute in Philadelphia, Schering America.

The following is an absolute list of the case he was used: -

Every Person in His Own Mind, 1601; The Case Was Changed, 4TO, 1609; Every Person is not in His Own Mind, 1600; Festival, 4to, 1602; Seyanus, 4TO , 1605; East (with Capen and Marston), 4to, 1605; Volpone, 4to, 1607; Epicoen, or Silent Lady, 1609 (? 1616; 4TO, 1612; IN, His Compression, 4TO, 1611; Bartholomew Feir, 4to, 1614 (?), 1631; Dw All l-Ass, Fol., 1631; Fresh Clip, 1631; FRESH SUN Reconcon, Fol., 1640; a tale of a bath, fol., 1640; The Sad Shepherd, or A Tale of Robin Hood, Fol., 1641;

Johnson is still adding to Kid's Jerome, and he writes in collaboration with Fletcher, Midleton, and bloo d-covered brothers.

EPIGRAMS, THE FORREST, UNDERWOOODS PUBLISHED in SHEETS, 1616, 1640; US His Art of Poetry, England by Ben Jonson, 1640; Leges Convialis, Fol., 1692. Other vessels can be seen for the first time in the Giford version of "Work Collection".

Wood, or Discovered Made on Men and Matter, 1641; THE English Grammar, Made by the Benefit of Strangers, Fol., 1640.

Mask and pleasure were published in a wound roll.

Folklore, 1616, Vol. 16, 1846; Reprinted by F. Cunningem, 3 Volumes, 1875; Barry Cornwell (with Memoirs), 1838; . Hurford, 1893, etc. 9 Plays, 1904 Ed. H. HART (Standard Library), 1906, Plays and Poems, with Introduction by H. Morley, 1885; ), 1905; POEMS, with Memoirs by H Bennett (Carlton Classics), 1907; Masques and Entertainment, Ed. By H. Morley, 1890.

J. J. A. Symonds, with biographical and critical essay (Canterbury Poets), 1886; Grosart, Brave Tranary Things, 1895; Arber, Jonson Anthology, 1901; Underwoods, Cambridge University Press, 1905; Lyrics (Jonson, Beaumont and Fletcher), The Chap Books, No. 4, 1906; Songs (of plays, masques, etc.), With the earliest known setting, Eragny Press, 1906.

Memoirs accompanying the works; J. A. Symonds (English Worths), 1886; Notes by Ben Jonso n-conversations with Drummond of Hawthornden; Shakespeare Society, 1842; Ed. Ben Jonson's Study of Swinburne, 1889.

Epicony, or the Silent Lady

In all the titles of Sir Francis Stuart, I am truly generous.

My ambition is not to conclude that this foolish little piece must attract you as a result of the fact that it has already attracted you to another, but the conviction that when you read it, you will find a virtue that will not displease anyone. In consequence, I now consider you not only good, but also fit for the purpose of what I am actually writing, and I wish to call you to the fulfillment of this most noble and valiant virtue, and to immediately release the authority of the "Judgment" in my own fame rather than in the grave prize. Finally, read, pray, and condemn. Not a single line or syllable is dramatized compared to the simplicity of the first copy. And if you, in fact, understand that because of the particular hatred of some people, there is an occasion when a person's innocence is threatened because of an uncertain accusation, I, I say, would, no doubt, begin lawlessness of this nature.

A self-confident but trustworthy lover

Frost, sir, I do not admire that fussiness.

Sir Dauphin Eugenie, knight, cousin.

Sir Ned Cleurymont, his friend.

Straight, friend again.

Sir John Dove, knight.

Cheese Amorose is La Fleur, also knight.

Thomas Obtah, captain of the land fleet.

Catovia, barber.

Mute, former servant of Cold.